Dona Teresa Cristina (14 March 1822 – 28 December 1889), popularly known as "the Mother of the Brazilians", was Empress of Brazil as the wife of Emperor Dom Pedro II, a position she held from her marriage in 1843 until the abolition of the monarchy in 1889. Born a princess of the Kingdom of the Two Sicilies, in present-day southern Italy, she was the daughter of King Francis I of the Italian branch of the House of Bourbon and his wife, Maria Isabella of Spain. Long portrayed by historians as timid and politically passive, modern scholarship has reassessed Teresa Cristina as a more complex figure, recognizing her intellectual curiosity, cultural patronage, and a quiet but consistent assertion of personal independence within the constraints of 19th-century court life.
The Princess was married by proxy to Pedro II in 1843. Her spouse's expectations had been raised when a portrait was presented that depicted Teresa Cristina as an idealized beauty, but he was displeased by his bride's appearance upon their first meeting later that year. Despite a cold beginning on the part of Pedro, the couple's relationship improved as time passed, due primarily to Teresa Cristina's patience, kindness and generosity. These traits also helped her win the hearts of the Brazilian people, and her distance from political controversies shielded her from criticism. She also sponsored archaeological studies in Italy and Italian immigration to Brazil.
The marriage between Teresa Cristina and Pedro II never became passionately romantic, although a bond based upon family, mutual respect and fondness did develop. The Empress was a dutiful spouse and unfailingly supported the Emperor's positions and never interposed with her own views in public. She remained silent on the topic of his suspected extra-marital relationships—including a liaison with her daughters' governess. In turn, she was treated with unfailing respect and her position at court and home was always secure. Of the imperial couple's four children, two boys died in infancy and a daughter died of typhoid fever at the age of 24.
The imperial family was sent into exile after a coup d'état in 1889. Being cast from her beloved adopted land had a devastating effect on Teresa Cristina's spirit and health. Grieving and ill, she died of respiratory failure leading to cardiac arrest a month after the monarchy's collapse. She was greatly loved by her subjects, both during her lifetime and afterwards. She was even respected by the republicans who overthrew the Empire. Despite having had no direct impact on Brazil's political history, Teresa Cristina is well regarded by historians not only for her character and irreproachable behavior, but also for her sponsorship of Brazilian culture.
Teresa Cristina was the daughter of the then-Duke of Calabria, who later became King Don Francesco I (Francis I) of the Two Sicilies. Through her father, she was a member of the House of Bourbon-Two Sicilies, also known as Bourbon-Naples, the Italian branch of the Spanish Bourbons. She was a descendant of France's "Sun King", Louis XIV in the male line through his grandson, Don Felipe V (Philip V) of Spain. Teresa Cristina's mother was the Infanta Doña Maria Isabel (Maria Isabella), daughter of King Don Carlos IV (Charles IV) of Spain, and a younger sister of Doña Carlota Joaquina — who was the wife of King Dom João VI of Portugal and the paternal grandmother of Teresa Cristina's future husband. She was their sixth and youngest daughter and the tenth out of their twelve children.
Born on 14 March 1822 in Naples, Teresa Cristina became an orphan when her father died in 1830. Her mother is said to have neglected her after marrying a young officer in 1839. Historiography has long asserted that she was raised in lonely isolation, in an environment of religious superstition, intolerance and conservatism. It has also described Teresa Cristina as a soft and timid character, unlike her ruthless father or her impulsive mother. She has even been depicted as unassertive, and accustomed to be satisfied in whatever circumstances she found herself.
Some historians have more recently held to a modified view of both the Neapolitan Bourbon court as a reactionary regime and of the extent of Teresa Cristina's passivity. Historian Aniello Angelo Avella states that the maligned interpretation of the Neapolitan Bourbons traces its origin to perspectives generated during the 19th century il Risorgimento (Italian unification) following the 1861 conquest of the Kingdom of the Two Sicilies by the Kingdom of Sardinia. Teresa Cristina is revealed in her personal papers as a strong-headed character. She "was not a submissive woman but instead a person who respected the roles imposed by the ethics and values of her own times."
Upon learning that the young emperor of Brazil, Dom Pedro II, sought a wife, the government of the Two Sicilies offered the hand of Teresa Cristina. It also sent Pedro II a painting that greatly embellished the princess, which prompted him to accept the proposal. A proxy wedding was held on 30 May 1843 in Naples, Pedro II being represented by his fiancée's brother Prince Leopold, Count of Syracuse. A small Brazilian fleet composed of a frigate and two corvettes departed for the Two Sicilies on 3 March 1843 to escort the new Empress of Brazil. She arrived on Rio de Janeiro on 3 September 1843. Pedro II immediately rushed to board the ship and greet his bride. Upon seeing this impetuous gesture, the crowds cheered and guns fired deafening salutes. Teresa Cristina fell in love with her new husband at first sight.
The 17-year-old Pedro II was, for his part, clearly and greatly disappointed. His first impressions were only of her physical flaws—and of how much her appearance differed from the portrait which had been sent to him. Physically, she had dark brown hair and brown eyes, was short, slightly overweight, walked with a pronounced limp and, while not ugly, neither was she pretty. According to historian Pedro Calmon, Teresa Cristina had no true limp, but her odd way of walking was instead the result of bowed legs causing her to lean alternately right and left as she walked. Pedro II's high expectations were crushed, and he allowed his feelings of revulsion and rejection to show. After a short interval, he left the ship. Perceiving his disillusionment, she burst into tears, lamenting that "the emperor did not like me!" Although a proxy marriage had already been performed, an extravagant state wedding was held on 4 September at the Imperial Chapel in Rio de Janeiro.
Although the marriage had been strained from the beginning, Teresa Cristina continued striving to be a good wife. Her constancy toward fulfilling her duty, along with the birth of children, softened Pedro II's attitude. The two discovered shared interests, and their concern for and delight in their children created a sense of family happiness. That they were sexually active and compatible is witnessed by the series of pregnancies which ensued. After the birth of their first son in February 1845, the Empress bore children in July 1846, July 1847, and July 1848—named Afonso, Isabel, Leopoldina and Pedro, respectively.
Teresa Cristina had grown to be a vital part of Pedro II's family life and routine. She never filled the roles of romantic lover or intellectual partner, however. Her devotion to the Emperor remained firm, though she feared being supplanted. She continued to appear with the Emperor in public, and he continued to treat her with respect and consideration. She was not rejected or slighted, but the relationship had changed. Pedro II treated her more as a close friend and companion than as a wife.
The long-held view is that the Empress accepted the circumscribed role in which she found herself, and that her life, duty and purpose were tied to her position as the Emperor's wife. However, her personal letters reveal that she could be strongheaded, sometimes at odds with her husband, and had a life of her own—albeit somewhat restricted. In a letter written on 2 May 1845 she stated: "I wait for the moment when we will meet, good Pedro, and seek forgiveness for all that I did to you during these days." In another letter of 24 January 1851, she acknowledged her difficult temperament: "I am not irritated at you [Pedro II] and you should forgive me because this is my character."