Susanne Bier (Danish: [suˈsænə ˈpiɐ̯ˀ]; born 15 April 1960) is a Danish filmmaker. Bier is the first female director to collectively receive an Academy Award (Foreign Film), a Golden Globe Award, a European Film Award (for In a Better World) and a Primetime Emmy Award (for directing The Night Manager).
Bier made her feature film debut with Freud Leaving Home (1991). She has directed a string of films including Open Hearts (2002), Brothers (2004), After the Wedding (2006), and In a Better World (2010), where In a Better World won the Academy Award for Best International Feature Film. She directed the English-language films Things We Lost in the Fire (2007), Love Is All You Need (2012), Serena (2014), and Bird Box (2018).
On television, she directed the BBC One / AMC miniseries The Night Manager (2016) earning the Primetime Emmy Award for Outstanding Directing for a Limited or Anthology Series or Movie. She also directed the HBO psychological miniseries The Undoing (2020), the Showtime historical anthology series The First Lady (2022), and the Netflix mystery series The Perfect Couple (2024).
Susanne Bier was born to a Jewish family in Copenhagen, Denmark on 15 April 1960. The family of her father, Rudolf Salomon Bier (born 1930), emigrated from Germany to Denmark in 1933 after Hitler's rise to power. The family of her mother, Heni (née Jonas; born 1936), emigrated to Denmark from Russia at the beginning of the 20th century, to escape rising antisemitism. In 1943, the two families fled from Denmark to Sweden, together with most Danish Jews, to escape the deportation to the Nazi death camps. Three years after the end of World War II, they returned to Denmark. The effects of the Holocaust caused Bier's parents to instill the strong moral values and principles into their children. Later, the importance of human resilience and dignity would be a recurring theme in her films.
During her schooling, she attended Niels Steensens Gymnasium. In interviews for the media as an adult, Bier describes herself as lacking in social skills as a child, who liked to play football with boys and preferred reading books to interacting with others. After high school, citing a desire to reconnect with her Jewish roots, she studied art at the Bezalel Academy of Arts and Design in Jerusalem. Later she would study architecture at the Architectural Association in London before finally returning to film and graduating from the National Film School of Denmark in 1987. De Saliges (1987), Bier's graduation film, won first prize at the Munich film school festival and was subsequently distributed by Channel Four.
1990–1999: early work and film debut
After directing music videos, commercials and the feature films Freud Flytter Hjemmefra (Freud's Leaving Home, 1990), Det Bli'r i Familien (Family Matters, 1993), Pensionat Oscar (Like it Was Never Before, 1995) and Sekten (Credo, 1997), Bier made a breakthrough in her home country of Denmark with the film The One and Only in 1999. A romantic comedy about the fragility of life, the film won a clutch of Danish Film Academy awards and established Bier's relationship with actress Paprika Steen. The film remains one of the most successful domestic films ever released in Denmark.
A sidestep from the easy going charm of Livet är en schlager (Once in a Lifetime, 2000), Elsker dig for evigt (Open Hearts, 2002) brought Bier's work to much wider international attention and acclaim. Acutely observed and beautifully written by Bier and Anders Thomas Jensen, the film is a perceptive and painful exploration of broken lives and interconnected tragedies. Made under Dogme 95 regulations, the film also marked a move towards a more minimalist aesthetic.
Since the completion of Open Hearts, Bier's reputation has continued to ascend with the harrowing Brødre (Brothers, 2004) and the emotionally engaging Efter Brylluppet (After the Wedding, 2006), which was nominated for Best Foreign Language film at the 2007 Academy Awards. After her first American film, Things We Lost in the Fire (2008) starring Benicio del Toro and Halle Berry, Bier went on to win the Oscar for Best Foreign Language film for In a Better World (2010).
Also a maker of shorts, music videos and commercials, Bier's films typically meditate on pain, tragedy, and atonement. Bier is signed as a commercial director with international production company, SMUGGLER. After graduation, Bier was invited to Sweden to direct Freud Leaving Home, which was critically acclaimed by film critics. The film follows a girl, Freud, from Sweden who comes from a Jewish family, and it became the first feature film in Sweden to depict Swedish-Jewish culture. With its heavily Jewish focus, the film "addresses the Jewish experience to an extent that is in rare in Scandinavian cinema". The film won ten awards and was nominated for an additional three. Her next film Family Matters continued exploration of complex, tabooed family relations begun in Freud Leaving Home, including an incestuous relationship between brother and sister. Bier returned to taboo subjects with the film The One and Only in 1999. The film is a Danish romantic comedy starring Sidse Babett Knudsen, Niels Olsen, Rafael Edholm, and Paprika Steen in a story about two unfaithful married couples faced with becoming first-time parents. The film was considered to mark a modern transition in Danish romantic comedies, The film earned both the Robert Award and Bodil Award as the Best Film of 1999.
2000–2014: rise to prominence and acclaim
Following the influence of Dogme 95 manifesto, Bier directed the film Open Hearts in 2002. Open Hearts tells the story of two couples whose lives are traumatized by a car crash and adultery. Open Hearts received a 96% approval rating on Rotten Tomatoes movie review website. Susanne Bier received the International Critics Award at the 2002 Toronto International Film Festival. The film won both the Bodil and Robert awards for Best Danish Film in 2003.
In Bier's next film Brothers (2004) we follow the story of two brothers, Michael and Jannik. The character of Michael has a promising military career, a beautiful wife and two beautiful girls; Michael is shown preparing for a deployment to Afghanistan early in the movie. His younger brother, Jannik, has recently been imprisoned for an attempted bank robbery. Michael picked up Jannik from prison the day before being deployed to Afghanistan; their already strained relationship is shown to be especially tense. While in Afghanistan, Michael's helicopter is shot down- all soldiers are presumed dead, but Michael and a fellow soldier below him are imprisoned. Michael is ultimately forced to kill his fellow soldier. Sarah is supported by Jannik who, against all odds, takes care of the family. Soon, Sarah and Jannik become closer as he fulfills the space/role previously held by his brother. Michael is ultimately rescued by US forces and is able to return home, but to disastrous results. The film tackles the theme of the war in Afghanistan in 2001 and the psychological aftermath of prisoners of war. The plot shows inspiration from Homer's Odyssey. It won several awards, including the audience award at the 2005 Sundance Film Festival and the Cannes Film Festival UCMF Movie Music Award. An opera based on the story of the film by Icelandic composer Daníel Bjarnason was premiered in Aarhus on 16 August 2017. It was commissioned by Den Jyske Opera. Kerstin Perski wrote the libretto and the director was Kasper Holten. To celebrate Aarhus as the European capital of culture 2017 three stage works were produced; a musical, dance and an opera all based on films by Bier were commissioned and performed in Musikhuset.
Bier's next film tells the story of Jacob Petersen who manages an Indian orphanage. With a small staff, he works as hard as he can to keep the orphanage afloat and is personally invested in the young charges - in particular, Pramod, a young boy Jacob has cared for since the boy's birth. The film was a critical and popular success and was nominated for the Academy Award for Best Foreign Language Film. Time magazine's Richard Schickel named the film one of the Top 10 Movies of 2007, ranking it at #4, calling it a "dark, richly mounted film". While Schickel saw the film as possibly "old-fashioned stylistically, and rather manipulative in its plotting", he also saw "something deeply satisfying in the way it works out the fates of its troubled, yet believable characters." The film was remade as the English-language After the Wedding in 2019, starring Julianne Moore, Michelle Williams, and Billy Crudup.