Sufjan Stevens ( SOOF-yahn; born July 1, 1975) is an American singer, songwriter, and multi-instrumentalist. He has released ten solo studio albums and multiple collaborative albums with other artists. Stevens has received Grammy and Academy Award nominations.
His debut album, A Sun Came, was released in 2000 on the Asthmatic Kitty label, which he co-founded with his stepfather. He received wide recognition for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single "Chicago" from that album. Stevens later contributed to the soundtrack of the 2017 film Call Me by Your Name. He received an Academy Award nomination for Best Original Song and a Grammy nomination for Best Song Written for Visual Media for the soundtrack's lead single, "Mystery of Love".
Stevens has released albums of varying styles, from the electronica of The Age of Adz and the lo-fi folk of Seven Swans to the symphonic instrumentation of Illinois and Yuletide-themed Songs for Christmas. He employs various instruments, often playing many of them himself on the same recording. Stevens' music is also known for exploring various themes, particularly religion and spirituality. Stevens' tenth studio album, Javelin, was released in October 2023.
Early life, family and education
Stevens was born in Detroit and lived there until the age of nine, when his family moved to Alanson, Michigan, in the state's northern Lower Peninsula. He was raised by his father, Rasjid, and his stepmother, Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband, Lowell Brams (who later became the head of Stevens' record label Asthmatic Kitty). Stevens is of Lithuanian and Greek descent. Sufjan is an Islamic name of Arabic origin, derived from Abu Sufyan ibn Harb. The name was given to Stevens by the founder of Subud, an interfaith spiritual community to which his parents belonged when he was born.
Stevens attended the Detroit Waldorf School, Alanson Public Schools and Interlochen Arts Academy, and he graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, where he graduated Phi Beta Kappa. He then earned an MFA in Creative Writing from The New School in New York City.
While in school, Stevens studied the oboe and the similar English horn, which he plays on his albums. Stevens did not learn to play the guitar until his time at Hope College.
Early career and the Fifty States Project (1995–2006)
Stevens began his musical career as a member of Marzuki, a folk-rock band from Holland, Michigan, as well as garage band Con Los Dudes. He also played (and continues to play) various instruments for Danielson Famile. During his final semester at Hope College, Stevens wrote and recorded his debut solo album, A Sun Came, which he released on Asthmatic Kitty Records. He later moved to New York City, where he enrolled in a writing program at The New School for Social Research. During his time at the New School, Stevens developed a preoccupation with the short story form, which he believed would lead him to write a novel, but ultimately returned him to songwriting. After graduating, Stevens worked as a graphic designer at Penguin Putnam.
While in New York, Stevens composed and recorded the music for his second album, Enjoy Your Rabbit, a song cycle based around the animals of the Chinese zodiac that delved into electronica.
Stevens followed this with the album Michigan, a collection of folk songs and instrumentals. It includes odes to cities including Detroit and Flint, the Upper Peninsula, and vacation areas such as Tahquamenon Falls and the Sleeping Bear Dunes National Lakeshore. Melded into the scenic descriptions and characters are his own declarations of faith, sorrow, love, and the regeneration of Michigan. Beginning with the album, Stevens announced his intent to write an album for each of the 50 U.S. states, which he termed the Fifty States Project. Following the release of Michigan, Stevens compiled a collection of songs recorded previously into a side project, the album Seven Swans, which was released in March 2004. Stevens did not leave his job in the children's book division at Time Warner until touring for Seven Swans.
Next, he released the second in the Fifty States project, titled Illinois. Among the subjects explored on Illinois are the cities of Chicago, Decatur and Jacksonville; the World's Columbian Exposition of 1893, the death of a friend on Casimir Pulaski Day, the poet Carl Sandburg, and the serial killer John Wayne Gacy. Stevens had spent the second half of 2004 researching and writing material for the album. As with Michigan, Stevens used the state of Illinois as a leaping-off point for his more personal explorations of faith, family, love, and location. Though slated for release on July 5, 2005, the album was briefly delayed by legal issues regarding the use of an image of Superman in the original album cover artwork. In the double vinyl release, a balloon sticker was placed over Superman on the cover art of the first 5,000 copies. The next printings had an empty space where the Superman image was, as with the CD release. Illinois was widely acclaimed and was the highest-rated album of 2005 on the review aggregator website Metacritic. The 2006 PLUG Independent Music Awards awarded Stevens with the Album of the Year, Best Album Art/Packaging, and Male Artist of the Year. Pitchfork, No Ripcord, and Paste magazine named Illinois as the editors' choice for best album of 2005, and Stevens received the 2005 Pantheon prize, awarded to noteworthy albums selling fewer than 500,000 copies, for Illinois.
In April 2006, Stevens announced that 21 pieces of music he had culled from the Illinois recording sessions would be incorporated into a new album, called The Avalanche, which was released on July 11, 2006. On September 11, 2006, in Nashville, Tennessee, Stevens debuted a new composition, a ten-minute-plus piece titled "Majesty Snowbird". On November 21, 2006, a five CD box set Songs for Christmas was released, which contains originals and Christmas standards recorded every year since 2001 (except 2004). Stevens undertook in the project initially as an exercise to make himself 'appreciate' Christmas more. The songs were the work of an annual collaboration between Stevens and different collaborators, including minister Vito Aiuto; the songs themselves were distributed to friends and family.
Although Stevens' subsequent work was sometimes speculated to tie into future "States" projects, and Stevens himself would make occasional statements alluding to the future of the project, Stevens later admitted that the project had been a "promotional gimmick" and not one he had seriously intended to complete. In November 2009, Stevens admitted to Exclaim! magazine, in regard to the fact that he recently called his fifty-state project a joke, that "I don't really have as much faith in my work as I used to, but I think that's healthy. I think it's allowed me to be less precious about how I work and write. And maybe it's okay for us to take it less seriously."
Soundtrack album and various collaborative projects (2007–2009)
Over the 2005 winter holidays, Stevens recorded an album with Rosie Thomas and Denison Witmer playing banjo and providing vocals. In April 2006, Pitchfork erroneously announced that Stevens and Thomas were having a baby together, and were forced to print a retraction. Witmer and Thomas later admitted it was an April Fools' prank. In December 2006, the collaborative recordings were digitally released by Nettwerk as a Rosie Thomas album titled These Friends of Mine. The album was released in physical form on March 13, 2007.
On May 31, 2007, Asthmatic Kitty announced that Stevens would be premiering a new project titled The BQE in early November 2007. The project, dubbed a "symphonic and cinematic exploration of New York City's infamous Brooklyn–Queens Expressway", was manifested in a live show. The BQE featured an original film by Stevens (shot in Super 8 film and standard 16 mm), while Stevens and a backing orchestra provided the live soundtrack. The performance used 36 performers which included a small band, a wind and brass ensemble, string players, horn players, and hula hoopers. There were no lyrics to the music. The BQE was commissioned by the Brooklyn Academy of Music as part of their Next Wave Festival and performed on three consecutive nights from November 1–3, 2007.