Serge Clerc (born 12 October 1957) is a French comic book artist and illustrator.
Serge Clerc began his professional career in 1975 in the monthly magazine Métal Hurlant, after having created his own fanzine, Absolutely Live. Initially a science-fiction artist, his story Captain Futur appeared in book form in 1979 by Les Humanoïdes Associés.
In the early 1980s Clerc's work regularly appeared in the British music magazines NME and Melody Maker. For the magazine Rock and Folk, he created the detective Phil Perfect and his alter-ego Sam Bronx, a series that was also printed in Métal Hurlant and in books by Les Humanoïdes Associés.
His retro themed work has been used on music albums by The Fleshtones (Speed Connection), Carmel (The Drum Is Everything) and Joe Jackson (Big World), as well as on a number of other albums and singles.
1978 : Le Dessinateur Espion, Humanoïdes Associés
1979 : Captain Futur, collection Pied Jaloux, Les Humanoïdes Associés
1979 : Mélanie White, story Jean-Patrick Manchette, Hachette
1981 : Sam Bronx et les Robots, collection Atomium n°1, Magic Strip
1981 : Rocker, collection Metal Hurlant, Humanoïdes Associés
1982 : Mémoires de l'Espion, collection Autodafé, story José-Louis Bocquet, Humanoides Associés
1983 : La nuit du Mocambo, Humanoides Associés
1984 : Johnny Bahamas, Champaka
1984 : La légende du Rock 'n 'Roll, collection Sang pour sang, Humanoides Associés
1986 : Dans le décor, story François Landon, Gilou
1986 : Les histoires merveilleuses des Oncles Paul, collective, Vents d'Ouest
1986 : Meurtre dans le phare, collection Eldorado, story François Landon, Humanoides Associés
1987 : Serge Clerc, artiste et modèle, story François Landon, éditions Albin Michel
1988 : Manoir, story Madeleine De Mille, éditions Albin Michel