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Samuel Taylor Coleridge

English poet, literary critic and philosopher (1773–1834)

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Samuel Taylor Coleridge ( KOH-lə-rij; 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd.

Coleridge wrote the poems The Rime of the Ancient Mariner and "Kubla Khan", as well as the major prose work Biographia Literaria. His critical works were highly influential, especially in relation to William Shakespeare, and he helped introduce German idealist philosophy to England. Coleridge coined many familiar words and phrases, including "suspension of disbelief," the avoidance of critical thinking to follow a narrative. He was also an important influence on Ralph Waldo Emerson and the beginnings of American transcendentalism because of his unique interpretation of Immanuel Kant's concept of intuition, which he outlined in both Biographia Literaria and Aids to Reflection.

Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction. Coleridge had a turbulent career and personal life with a variety of highs and lows, but his public esteem grew after his death, and he became considered one of the most influential figures in English literature. For instance, a 2018 report by The Guardian labelled him "a genius" who had progressed into "one of the most renowned English poets". Organisations such as the Church of England celebrate his work during public events, such as a "Coleridge Day" in June, with activities including literary recitals.

Coleridge was born on 21 October 1772 in the town of Ottery St Mary in Devon, England. Samuel's father was the Reverend John Coleridge, the well-respected vicar of St Mary's Church, Ottery St Mary, and was headmaster of the King's School, a free grammar school established by King Henry VIII in the town. He had previously been master of Hugh Squier's School in South Molton, Devon, and lecturer of nearby Molland.

John Coleridge had three children by his first wife. Samuel was the youngest of ten by the Reverend Mr. Coleridge's second wife, Anne Bowden (1726–1809), probably the daughter of John Bowden, mayor of South Molton, Devon, in 1726. Coleridge suggests that he "took no pleasure in boyish sports" but instead read "incessantly" and played by himself. After John Coleridge died in 1781, 8-year-old Samuel was sent to Christ's Hospital, a charity school which was founded in the 16th century in Greyfriars, London, where he remained throughout his childhood, studying and writing poetry. At that school Coleridge became friends with Charles Lamb, a schoolmate, and studied the works of Virgil and William Lisle Bowles.

In one of a series of autobiographical letters written to Thomas Poole, Coleridge wrote: "At six years old I remember to have read Belisarius, Robinson Crusoe, and Philip Quarll – and then I found the Arabian Nights' Entertainments – one tale of which (the tale of a man who was compelled to seek for a pure virgin) made so deep an impression on me (I had read it in the evening while my mother was mending stockings) that I was haunted by spectres whenever I was in the dark – and I distinctly remember the anxious and fearful eagerness with which I used to watch the window in which the books lay – and whenever the sun lay upon them, I would seize it, carry it by the wall, and bask, and read."

Coleridge seems to have appreciated his teacher, as he wrote in recollections of his school days in Biographia Literaria: I enjoyed the inestimable advantage of a very sensible, though at the same time, a very severe master...At the same time that we were studying the Greek Tragic Poets, he made us read Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learnt from him, that Poetry, even that of the loftiest, and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes...In our own English compositions (at least for the last three years of our school education) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity in plainer words...In fancy I can almost hear him now, exclaiming Harp? Harp? Lyre? Pen and ink, boy, you mean! Muse, boy, Muse? your Nurse's daughter, you mean! Pierian spring? Oh aye! the cloister-pump, I suppose!...Be this as it may, there was one custom of our master's, which I cannot pass over in silence, because I think it ...worthy of imitation. He would often permit our theme exercises...to accumulate, till each lad had four or five to be looked over. Then placing the whole number abreast on his desk, he would ask the writer, why this or that sentence might not have found as appropriate a place under this or that other thesis: and if no satisfying answer could be returned, and two faults of the same kind were found in one exercise, the irrevocable verdict followed, the exercise was torn up, and another on the same subject to be produced, in addition to the tasks of the day.

He later wrote of his loneliness at school in the poem Frost at Midnight:

"With unclosed lids, already had I dreamt/Of my sweet birth-place."

From 1791 until 1794, Coleridge attended Jesus College, Cambridge. In 1792, he won the Browne Medal for an ode he wrote attacking the Atlantic slave trade. In December 1793, he left the college and enlisted in the British Army's 15th Light Dragoons under the false name "Silas Tomkyn Comberbache", perhaps because of debt accrued from studying at Jesus College or because the girl that he loved, Mary Evans, had rejected him. His brothers arranged for his discharge a few months later under the reason of "insanity" and he was readmitted to Jesus College, though he would never receive a degree from the university.

At Jesus College, Coleridge was introduced to political and theological ideas then considered radical, including those of the poet Robert Southey with whom he collaborated on the play The Fall of Robespierre. Coleridge joined Southey in a plan, later abandoned, to found a utopian commune-like society, called Pantisocracy, in the wilderness of Pennsylvania.

In 1795, the two friends became engaged to sisters Sara and Edith Fricker, with Sara becoming the subject of Coleridge's poem The Eolian Harp. They wed that year in St Mary Redcliffe, Bristol, but Coleridge's marriage with Sara proved unhappy. By 1804, they were separated. When Coleridge wrote to his brother he laid all the blame on Sara: "The few friends who have been Witnesses of my domestic life have long advised separation as the necessary condition of everything desirable for me..." Subsequent biographers have not agreed with Coleridge's negative view of the wife he called his 'Sally Pally' when he first married her.

A third sister, Mary, had already married a third poet, Robert Lovell, and both became partners in Pantisocracy. Lovell also introduced Coleridge and Southey to their future patron Joseph Cottle, but died of a fever in April 1796. Coleridge was with him at his death.

In 1796, he released his first volume of poems entitled Poems on Various Subjects, which also included four poems by Charles Lamb as well as a collaboration with Robert Southey and a work suggested by his and Lamb's schoolfriend Robert Favell. Among the poems were Religious Musings, "Monody on the Death of Chatterton" and an early version of "The Eolian Harp" entitled Effusion 35. A second edition was printed in 1797, this time including an appendix of works by Lamb and Charles Lloyd, a young poet to whom Coleridge had become a private tutor.

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