Robert Taylor (born Spangler Arlington Brugh; August 5, 1911 – June 8, 1969) was an American film and television actor and singer who was one of the most popular leading men of his era.
Taylor began his career in films in 1934 when he signed with Metro-Goldwyn-Mayer. He won his first leading role the following year in Magnificent Obsession. His popularity increased during the late 1930s and 1940s with appearances in Camille (1936), A Yank at Oxford (1938), Waterloo Bridge (1940), and Bataan (1943). During World War II, he served in the United States Naval Air Forces, where he worked as a flight instructor and appeared in instructional films. From 1959 to 1962, he starred in the television series The Detectives Starring Robert Taylor. In 1966, he assumed hosting duties from his friend Ronald Reagan on the series Death Valley Days.
Taylor was married to actress Barbara Stanwyck from 1939 to 1952. He married actress Ursula Thiess in 1954, and they had two children. A chain smoker, Taylor died of lung cancer at the age of 57.
Taylor was born Spangler Arlington Brugh on August 5, 1911, in Filley, Nebraska, the only child of Ruth Adaline (née Stanhope) and Spangler Andrew Brugh, a farmer turned doctor. During his early life, the family moved several times, living in Muskogee, Oklahoma; Kirksville, Missouri; and Fremont, Nebraska. By September 1917, the Brughs had moved to Beatrice, Nebraska, where they remained for 16 years.
As a teenager, Brugh was a track and field star and played the cello in his high school orchestra. Upon graduation, he enrolled at Doane College in Crete, Nebraska. While at Doane, he took cello lessons from Professor Herbert E. Gray, whom he admired and idolized. After Professor Gray announced he was accepting a new position at Pomona College in Claremont, California, Brugh moved to California and enrolled at Pomona. He joined the campus theater company and also studied with Neely Dickson at the Hollywood Community Theater. Recalled Dickson, "I couldn’t help remembering the first time he came to me, a handsome, young college graduate from Pomona. He was raw, but very sincere and wholly unaffected. He stood before me, voice a little tight from nervousness, and read a scene from his favorite play... I was impressed and did all I could for him." He was eventually spotted by an MGM talent scout in 1932 after a production of Journey's End.
He signed a seven-year contract with Metro-Goldwyn-Mayer with an initial salary of $35 per week, which rose to $2500 by 1936. The studio changed his name to Robert Taylor. He made his film debut in the 1934 comedy Handy Andy, starring Will Rogers (on loan to Fox Studios).
His first leading role came by accident. In 1934, Taylor was on the MGM payroll as "the test boy," a male juvenile who would be filmed opposite various young ingenues in screen tests. In late 1934, when MGM began production of its new short-subject series Crime Does Not Pay with the dramatic short Buried Loot, the actor who had been cast fell ill and could not appear. The director sent for the test boy to substitute for the missing actor. Taylor's dramatic performance, as an embezzler who deliberately disfigures himself to avoid detection, was so memorable that Taylor immediately was signed for feature films.
In 1935, Irene Dunne requested him for her leading man in Magnificent Obsession. This was followed by Camille opposite Greta Garbo.
Throughout the late 1930s, Taylor appeared in films of varying genres including the musicals Broadway Melody of 1936 and Broadway Melody of 1938, and the British comedy A Yank at Oxford with Vivien Leigh. Throughout 1940 and 1941 he argued in favor of American entry into World War II, and was sharply critical of the isolationist movement. During this time he said he was "100% pro-British". In 1940, he reteamed with Leigh in Mervyn LeRoy's drama Waterloo Bridge.
After being given the nickname "The Man with the Perfect Profile", Taylor began breaking away from his perfect leading man image and began appearing in darker roles beginning in 1941. That year he played the title role in Billy the Kid, followed by the same the next year in the film noir Johnny Eager with Lana Turner. After playing a tough sergeant in Bataan in 1943, Taylor contributed to the war effort by becoming a flying instructor in the U.S. Naval Air Corps. During this time, he also starred in instructional films and narrated the 1944 documentary The Fighting Lady.
After the war, he appeared in a series of edgy roles, including the neo-noir Undercurrent (1946) and drama High Wall (1947). In 1949 he co-starred with Elizabeth Taylor in the suspense Conspirator, which Hedda Hopper described as "another one of Taylor's pro-British films". Taylor responded to this by saying "And it won't be the last!" However, both Hopper and Taylor were members of the anticommunist organization the Motion Picture Alliance for the Preservation of American Ideals, as were Taylor's friends John Wayne, Walt Disney and Gary Cooper. For this reason Hopper always spoke favorably of Taylor, despite him disagreeing with her over what she saw as his "Anglophilia" and what he saw as her "Anglophobia". In 1950, Taylor landed the role of General Marcus Vinicius in Quo Vadis with Deborah Kerr. The epic film was a hit, grossing US$11 million in its first run. The following year, he starred in the film version of Walter Scott's classic Ivanhoe, followed by 1953's Knights of the Round Table and The Adventures of Quentin Durward, all filmed in England. Of the three only Ivanhoe was a critical and financial success. Taylor also filmed Valley of the Kings in Egypt in 1954. Robert Taylor received the 1953 World Film Favorite–Male, award at the Golden Globes (tied with Alan Ladd).
By the mid-1950s, Taylor began to concentrate on westerns, his preferred genre. He starred in a comedy western Many Rivers to Cross in 1955 co-starring Eleanor Parker. Taylor shared the lead with Richard Widmark in the edgy John Sturges western The Law and Jake Wade (1958). Taylor's long tenure at MGM ended in 1959; he was the last remaining major star under contract from the studio's heyday. The studio still held an option for Taylor's services, which it exercised for the western Cattle King, released in 1963.
Taylor formed his own company, Robert Taylor Productions, starring in the television series The Detectives Starring Robert Taylor (1959–1962). Following the end of the series in 1962, Taylor continued to appear in films and television shows, including A House Is Not a Home, and two episodes of Hondo.
In 1964, Taylor co-starred with his former wife Barbara Stanwyck in William Castle's psychological horror film The Night Walker. In 1965, after filming Johnny Tiger in Florida, Taylor took over the role of narrator in the television series Death Valley Days when Ronald Reagan left to pursue a career in politics. Taylor would remain with the series until his death in 1969.
Taylor traveled to Europe to film Savage Pampas (1966), The Glass Sphinx (1967), and The Day the Hot Line Got Hot (1968).
After dating her for three years, Taylor married Barbara Stanwyck on May 14, 1939, in San Diego, California. Zeppo Marx's wife, Marion, was Stanwyck's matron of honor. Stanwyck's surrogate father—he was her sister Millie's husband—and personal assistant, vaudevillian Buck Mack, was Taylor's best man. Stanwyck divorced Taylor in February 1951. During the marriage, Stanwyck's adopted son from her previous marriage to Frank Fay, Anthony "Tony" Dion, lived with them. After the divorce, Stanwyck retained custody of the child.
Taylor met German actress Ursula Thiess in 1952. They married in Jackson Hole, Wyoming, on May 23, 1954. They had two children, a son, Terrance, (1955) and a daughter, Tessa, (1959). Taylor was stepfather to Thiess' two children from her previous marriage, Manuela and Michael Thiess. On May 26, 1969, shortly before Taylor's death from lung cancer, Ursula Thiess found the body of her son, Michael, in a West Los Angeles motel room. He had died from a drug overdose. One month before his death, Michael had been released from a mental hospital. In 1964, he spent a year in a reformatory for attempting to poison his biological father with insecticide.