Robert Macfarlane (born 15 August 1976) is a British non-fiction writer, and a Fellow of Emmanuel College, Cambridge. Macfarlane is best known for his books on landscape, nature, place, people and language, which include The Old Ways (2012), Landmarks (2015), The Lost Words (2017), Underland (2019) and Is a River Alive? (2025), and for his many collaborations with musicians, composers and artists.
In 2017, Macfarlane received The E. M. Forster Award for Literature from the American Academy of Arts and Letters. In 2022 and 2024, he was named as an outside contender for the Nobel Prize in Literature. The Prize in those years was won by Annie Ernaux and Han Kang respectively.
Macfarlane is married to professor of modern Chinese history and literature Julia Lovell.
Robert Macfarlane was born in Halam in Nottinghamshire, where he attended Nottingham High School.
Macfarlane's father, John Macfarlane, is a respiratory physician who co-authored the CURB-65 score of pneumonia in 2003. His brother, James Macfarlane, is also a consultant physician in respiratory medicine. One grandfather was the British diplomat and mountaineer Edward Peck; the other was radar scientist and pioneer George G. Macfarlane.
Macfarlane was educated at Pembroke College, Cambridge, and Magdalen College, Oxford. He began a PhD at Emmanuel College, Cambridge, in 2000, and in 2001 was elected a Fellow of the college.
He is Professor of Literature and the Environmental Humanities at the University of Cambridge; a founding member of the MOTH (More Than Human) Life Collective, 'an interdisciplinary initiative advancing rights and well-being for humans, non-humans and the web of life that sustains us all', based out of New York University's School of Law; and in 2026 he was appointed to the Arne Naess Chair in Global Justice and the Environment at the University of Oslo.
Macfarlane is a nature writer in the broadest sense, part of a tradition of writing about landscape, place, travel, and nature that includes John Muir, Richard Jefferies and Edward Thomas, as well as contemporary figures like John McPhee, Rebecca Solnit, Annie Dillard, Barry Lopez, and Macfarlane's friend Roger Deakin. He is associated with other walker-writers, including Patrick Leigh Fermor, Nan Shepherd and Laurie Lee, and seen as one of a number of recent British writers who have provoked a new critical and popular interest in writing about landscape. His interests in topography, ecology and the environment have been explored in his books, and also through essays, notably his Common Ground series, which was published in The Guardian in 2005.
Macfarlane has also published many reportage and travel essays in magazines, especially Granta and Archipelago, as well as numerous introductory essays to reissues of lost and neglected classics of landscape and nature writing from the nineteenth and twentieth centuries, notably J. A. Baker (The Peregrine) and Nan Shepherd (The Living Mountain and In The Cairngorms).
Macfarlane's first book, Mountains of the Mind, was published in 2003 and won the Guardian First Book Award, the Somerset Maugham Award, and the Sunday Times Young Writer of the Year Award. It was shortlisted for the Boardman Tasker Prize for Mountain Literature and the John Llewellyn Rhys Prize. It is an account of the development of Western attitudes to mountains and precipitous landscapes, and takes its title from a line by the poet Gerard Manley Hopkins. The book asks why people, including Macfarlane, are drawn to mountains despite their obvious dangers, and examines the powerful and sometimes fatal hold that mountains can come to have over the imagination. The Irish Times described the book as "a new kind of exploration writing, perhaps even the birth of a new genre, which demands a new category of its own."
Original Copy: Plagiarism and Originality in Nineteenth-Century Literature was published in March 2007. In the book, Macfarlane examines originality and plagiarism in English literature between 1859 and 1900, and explores the changing understanding of originality and self seen in Romantic and Victorian literature. He presents two theories of literary originality: creatio, meaning creation 'from nothing', and inventio, meaning creation based on "inventive reuse". Macfarlane argues that a key element of English literature during the nineteenth century was a gradual rejection of creatio in favour of prioritising inventio.
The book includes discussion of the works of Charles Dickens, George Eliot, Walter Pater, Oscar Wilde, Charles Reade, Lionel Johnson and George Henry Lewes. Original Copy was positively received by both academic and journalistic reviewers. In a 2008 review, Meg Jensen described the book as arguing in favour of an "open and collaborative response of authors to works of the past." Jensen noted that this view diverged from that of Macfarlane's fellow Pembroke College alumnus Harold Bloom, whose 1973 book The Anxiety of Influence interpreted "literary inheritance as a burden that must be concealed and negotiated".
The Wild Places was published in September 2007, and describes a series of journeys made in search of the wildness that remains in Britain and Ireland. The book won the Boardman Tasker Prize for Mountain Literature, the Scottish Arts Council Non-Fiction Book of the Year Award, and the Grand Prize at the Banff Mountain Festival, North America's equivalent of the Boardman Tasker Prize. It became a best-seller in Britain and The Netherlands, and was shortlisted for six further prizes, including the Dolman Best Travel Book Award, the Sunday Times Young Writer of the Year Award, the John Llewellyn Rhys Prize, and North America's Orion Book Award, a prize founded "to recognize books that deepen our connection to the natural world, present new ideas about our relationship with nature, and achieve excellence in writing." The Wild Places was adapted for television by the BBC as an episode of the BBC Two Natural World series broadcast in February 2010; the film later won a Wildscreen Award.
The Old Ways: A Journey On Foot, the third in the "loose trilogy of books about landscape and the human heart" begun by Mountains of the Mind and The Wild Places, was published in June 2012. The book describes the years Macfarlane spent following "old ways" (pilgrimage paths, sea-roads, prehistoric trackways, ancient rights of way) in southeast England, northwest Scotland, Spain, Sichuan and Palestine. Its guiding spirit is the early twentieth-century writer and poet, Edward Thomas, and its chief subject is the reciprocal shaping of people and place.
The Old Ways was in the bestseller lists for six months. It was acclaimed as a "tour de force" by William Dalrymple in The Observer. It was chosen as Book of the Year by John Banville, Philip Pullman, Jan Morris, John Gray, Antony Beevor, and Dan Stevens among others. In the UK, it was joint winner of the Dolman Prize for Travel Writing, was shortlisted for the Samuel Johnson Prize (the "non-fiction Booker"), the Jan Michalski Prize for World Literature, the Duff Cooper Prize for Non-Fiction, the Warwick Prize for Writing, the Waterstones Book of the Year, and three other prizes. In the US, it was shortlisted for the Orion Book Award.
Landmarks, a book that celebrates and defends the language of landscape, was published in the UK in March 2015. A version of its first chapter, published in The Guardian as The Word-Hoard, went viral, and the book became a Sunday Times number one bestseller. It was shortlisted for The Samuel Johnson Prize for non-fiction. Landmarks is described on the cover as "a field guide to the literature of nature, and a vast glossary collecting thousands of the remarkable terms used in dozens of the languages and dialects of Britain and Ireland to describe and denote aspects of terrain, weather, and nature". Each of the book's chapters explores the landscapes and style of a writer or writers, as Macfarlane travels to meet farmers, sailors, walkers, glossarians, artists, poets and others who have developed intense and committing relationships with their chosen places. The chapter of the book concerning Nan Shepherd and the Cairngorm mountains was adapted for television by BBC4 and BBC Scotland.