Phyllis Ada Diller (née Driver; July 17, 1917 – August 20, 2012) was an American stand-up comedian, actress, author, musician and visual artist, noted for her eccentric stage persona, characterized by her self-deprecating humor, wild hair and clothes, and exaggerated, cackling laugh.
Diller was one of the first female comics to become a household name in the United States, credited as an influence by Joan Rivers, Roseanne Barr and Ellen DeGeneres, among others. She was also one of the first celebrities to openly champion plastic surgery, for which she was recognized by the cosmetic surgery industry.
Diller contributed to more than 40 films, beginning with Splendor in the Grass (1961). She appeared in many television series, featuring in numerous cameos as well as her own short-lived sitcom and variety show. Some of her credits include Night Gallery, The Muppet Show, CHiPs, The Love Boat, Cybill and Boston Legal, plus 11 seasons of The Bold and the Beautiful. Her voice-acting roles included the monster's wife in Mad Monster Party?, the Queen in A Bug's Life, Granny Neutron in The Adventures of Jimmy Neutron: Boy Genius, and Thelma Griffin in Family Guy.
Diller was born Phyllis Ada Driver in Lima, Ohio on July 17, 1917, the only child of Perry Marcus Driver, an insurance agent, and Frances Ada (née Romshe). She had German and Irish ancestry (the surname "Driver" had been changed from "Treiber" several generations earlier). She was raised Methodist but was a lifelong atheist, even in childhood. Her father and mother were older than most when she was born (55 and 36, respectively) and Diller attended several funerals while growing up. The exposure to death at a young age led her to an early appreciation for life and she later realized that her comedy was a form of therapy.
Diller attended Lima's Central High School, discovering early on she had comic gifts. Later, Diller observed, "I was always a pro— even as a little tiny kid. I was an absolutely perfect, quiet, dedicated student in class. But outside of class, I got my laughs." Diller studied piano for three years at the Sherwood Music Conservatory of Columbia College Chicago, but decided against a career in music after hearing her teachers and mentors play with much more skill than she thought that she would be able to achieve, and transferred to Bluffton College where she studied literature, history, psychology and philosophy.
In 1939 she met Sherwood Diller, the brother of a classmate at Bluffton, and they eloped, marrying in Bluffton on November 4, 1939. Diller did not finish college and was primarily a homemaker, taking care of their five children (a sixth child died in infancy).
During World War II, Sherwood worked at the Willow Run B-24 Bomber Plant, in Ypsilanti Charter Township, Michigan. In 1945, Sherwood Diller was transferred to Naval Air Station Alameda Alameda, California, where he was an inspector.
Diller began working as the women's editor at a small newspaper, and as an advertising copywriter for an Oakland department store.
In 1952, Diller began working in broadcasting at KROW radio in Oakland, California. In November of that year, she filmed several 15-minute episodes of Phyllis Dillis, the Homely Friendmaker—dressed in a housecoat to offer absurd "advice" to homemakers. The 15-minute series was a Bay Area Radio-Television production, directed for television by ABC's Jim Baker. Diller also worked as a copywriter and, later, director of promotion and marketing at KSFO radio in San Francisco, and as a vocalist for a music-review TV show called Pop Club, hosted by Don Sherwood.
"It took two years of nagging by my husband to get me onto that stage," she (Diller) told Nachman. Finally, she said, she "sat down, called the Red Cross and said, 'I have an act. Where do you want it?' They sent me to the veterans hospital at the Presidio, where I pushed a piano into a room that had four guys in it. I played, sang, told jokes while they yelled, 'Leave us alone; we're already in pain!'
At age 37, on March 7, 1955, at the North Beach, San Francisco basement club, The Purple Onion, she made her professional stand-up debut. Up until then, she had only tried out her jokes for fellow PTA members at nearby Edison Elementary School. Maya Angelou, who was already performing at the club, wrote that Diller "would not change her name because when she became successful she wanted everyone to know it was, indeed, her herself". Her first professional show was a success and the two-week booking stretched out to a record 89 consecutive weeks. Diller had found her calling and eventual financial success while her husband's business career failed. She explained, "I became a stand-up comedian because I had a sit-down husband."
In a 1986 NPR interview, Diller said she had no idea what she was doing when she started playing clubs, and in the beginning she never saw another woman on the comedy circuit. With no female role models in a male-dominated industry, she initially used props and drew from her educational and work background as a basis for satire, spoofing classical music concerts and advice columns. She wrote her own material and kept a file cabinet full of her gags, honing her nightclub act. Sid Caesar, Milton Berle and Jonathan Winters were early influences, but Diller developed a singular comedic persona — a surreal version of femininity. This absurd caricature with garish baggy dresses and gigantic, clownish hair made fun of her lack of sex appeal while brandishing a cigarette holder (with a wooden cigarette because she didn't smoke), punctuating the humor with a hearty cackle to show she was in on the joke. At the time, Diller said, "They had no idea what I was. It was like—'Get a stick and kill it before it multiplies!'"
Her first national television appearance was as a contestant on Groucho Marx's quiz show You Bet Your Life in 1958. Multiple bookings on the Jack Paar Tonight Show led to an appearance on The Ed Sullivan Show, which brought her national prominence as she continued to perform stand-up throughout the United States.
Starting in 1959 and throughout the 1960s, she released multiple comedy albums, including the titles Wet Toe in a Hot Socket!, Laughs, Are You Ready for Phyllis Diller?, and The Beautiful Phyllis Diller.
From 1961 to 1965, Phyllis Diller lived in Webster Groves, Missouri, a suburb of St. Louis. Several of her children had stayed with Sherwood's relatives in St. Louis, and the oldest, Peter, attended Washington University.
In the early 1960s, Diller performed at the Bon Soir in Greenwich Village, where an up-and-coming Barbra Streisand was her opening act. She was offered film work and became famous after co-starring with her mentor Bob Hope, who described her as "a Warhol mobile of spare parts picked up along a freeway." They worked together in films such as Boy, Did I Get a Wrong Number! (1966), Eight on the Lam (1967), and The Private Navy of Sgt. O'Farrell (1968), all critically panned, but did well at the box office. Diller accompanied Hope to Vietnam in 1966 with his USO troupe near the height of the Vietnam War.
She appeared regularly as a special guest on many television programs including The Andy Williams Show. She was a Mystery Guest on What's My Line? but the blindfolded panel (including Sammy Davis Jr.) discerned Diller's identity in three guesses. Diller made regular cameo appearances, making her trademark wisecracks on Rowan & Martin's Laugh-In. Noted for her self-deprecating humor, Diller's typical joke repertoire included one in which she ran after a garbage truck pulling away from her curb. "Am I too late for the trash?" she would yell. The driver's reply: "No, jump right in!" She became a semi-regular on The Hollywood Squares, starting in 1967, appearing in 28 episodes until 1980.
Diller continued to work in film, making an appearance as Texas Guinan, the wisecracking nightclub hostess in Splendor in the Grass (1961). Throughout the 1960s, she appeared in more than a dozen, usually low-budget, films. She also began a career in voice work, providing the voice of the Monster's Mate in Mad Monster Party? (1967).