Sir Peter Alexander Ustinov ( OO-stin-ov; 16 April 1921 – 28 March 2004) was a British actor, writer and humanitarian. An internationally known raconteur, he was a fixture on television talk shows and lecture circuits for much of his career. Ustinov received numerous accolades including two Academy Awards, three Primetime Emmy Awards, a Golden Globe Award, a Silver Bear, a Laurel Award, a Photoplay Award and a Grammy Award, as well as nominations for three BAFTA Awards, two Tony Awards, two Laurence Olivier Awards and a Gemini Award. In 1992, Ustinov was awarded with the British Academy Britannia Award.
Ustinov received two Academy Awards for Best Supporting Actor for his roles in Spartacus (1960), and Topkapi (1964). He also starred in notable films such as Quo Vadis (1951), The Sundowners (1960), Billy Budd (1962), and Hot Millions (1968). He voiced Prince John and King Richard in the Walt Disney Animated film Robin Hood (1973), and portrayed Agatha Christie's fictional detective Hercule Poirot six times for both film and television.
Ustinov also displayed a unique cultural versatility which frequently earned him the accolade of a Renaissance man. Miklós Rózsa, composer of the music for Quo Vadis and of numerous concert works, dedicated his String Quartet No. 1, Op. 22 (1950) to Ustinov.
An intellectual and diplomat, Ustinov held various academic posts, and served as a goodwill ambassador for UNICEF and president of the World Federalist Movement (WFM). In 2003, Durham University changed the name of its Graduate Society to Ustinov College, in honour of the significant contributions Ustinov had made as chancellor of the university from 1992 until his death.
Peter Alexander Freiherr von Ustinov was born on 16 April 1921 at 45 Belsize Park, London. His father, Jona Freiherr von Ustinov, was of Russian, German, Polish, Ethiopian, and Jewish descent. Ustinov's paternal grandfather was Baron Plato von Ustinov, a Russian nobleman, and his grandmother was Magdalena Hall, of mixed German-Ethiopian-Jewish origin. Ustinov's great-grandfather Moritz Hall, a Jewish refugee from Kraków and later a Christian convert and colleague of Swiss and German missionaries in Ethiopia, married into a German-Ethiopian family.
Ustinov's paternal great-great-grandparents (through Magdalena's mother) were the German painter Eduard Zander and the Ethiopian aristocrat Court-Lady Isette-Werq of Gondar.
Ustinov's mother, Nadezhda Leontievna Benois, known as Nadia, was a painter and ballet designer of French, German, Italian, and Russian descent. Her father, Leon Benois, was an Imperial Russian architect and owner of Leonardo da Vinci's painting The Benois Madonna. Leon's brother Alexandre Benois was a stage designer who worked with Stravinsky and Diaghilev. Their paternal ancestor Jules-César Benois was a chef who had left France for Saint Petersburg during the French Revolution and became a chef to Emperor Paul I of Russia.
Jona (or Iona) worked as a press officer at the German embassy in London in the 1930s and was a reporter for a German news agency. In 1935, two years after Adolf Hitler came to power in Germany, Jona von Ustinov began working for the British intelligence service MI5 and became a British subject, thus avoiding internment during the war. Ustinov claimed that the statutory notice of his application for citizenship was published in a Welsh newspaper so as not to alert the Germans; notice of "Iona von Ustinow"'s intention to apply for naturalisation was published in a London newspaper in July 1935 and his naturalisation gazetted in December. He was the controller of Wolfgang Gans zu Putlitz, an MI5 spy in the German embassy in London, who furnished information on Hitler's intentions before the Second World War. (Peter Wright mentions in his book Spycatcher that Jona was possibly the spy known as U35; Ustinov says in his autobiography that his father hosted secret meetings of senior British and German officials at their London home.)
Ustinov was educated at Westminster School and had a difficult childhood because of his parents' constant fighting. While at school, Ustinov considered anglicising his name to Peter Austin, but was counselled against it by a fellow pupil who said that he should "Drop the 'von' but keep the 'Ustinov'". In his late teens he trained as an actor at the London Theatre Studio. While there, on 18 July 1938 he made his first appearance on the stage at the Barn Theatre, Shere, playing Waffles in Chekhov's The Wood Demon, and his London stage début later that year at the Players' Theatre, becoming quickly established. He later wrote, "I was not irresistibly drawn to the drama. It was an escape road from the dismal rat race of school".
Ustinov appeared in White Cargo at the Aylesbury Rep in 1939, where he performed in a different accent every night. He served as a private in the British Army during the Second World War, including time spent as batman to David Niven while writing the Niven film The Way Ahead. The difference in their ranks—Niven was a lieutenant-colonel and Ustinov a private—made their regular association militarily impossible; to solve the problem, Ustinov was appointed as Niven's batman. He also appeared in propaganda films, debuting in One of Our Aircraft Is Missing (1942), in which he was required to deliver lines in English, Latin and Dutch. In 1944, under the auspices of Entertainments National Service Association, he presented and performed the role of Sir Anthony Absolute, in Sheridan's The Rivals, with Dame Edith Evans, at the theatre in Larkhill Camp, Wiltshire, England.
After the war, he began writing; his first major success was with the play The Love of Four Colonels (1951). He starred with Humphrey Bogart and Aldo Ray in We're No Angels (1955). His career as a dramatist continued, one of his successful plays being Romanoff and Juliet (1956). His film roles include Roman emperor Nero in Quo Vadis (1951), Lentulus Batiatus in Spartacus (1960), Captain Blackbeard in the Disney film Blackbeard's Ghost (1968), and an old man surviving a totalitarian future in Logan's Run (1976). Ustinov voiced the anthropomorphic lions Prince John and King Richard in the 1973 Disney animated film Robin Hood. He also worked on several films as writer and occasionally director, including The Way Ahead (1944), School for Secrets (1946), Hot Millions (1968), and Memed, My Hawk (1984).
Ustinov portrayed Agatha Christie's detective Hercule Poirot in six films, beginning with Death on the Nile (1978) and Evil Under the Sun (1982), followed by the television films Thirteen at Dinner (1985), Dead Man's Folly (1986), and Murder in Three Acts (1986), then the theatrical release Appointment with Death (1988).
Ustinov won Academy Awards for Best Supporting Actor for his roles in Spartacus (1960) and Topkapi (1964). He also won a Golden Globe award for Best Supporting Actor for the film Quo Vadis (he set the Oscar and Globe statuettes up on his desk as if playing doubles tennis; the game was a love of his life, as was ocean yachting). Ustinov was also the winner of three Emmys and one Grammy and was nominated for two Tony Awards.
During the 1960s, with the encouragement of Sir Georg Solti, Ustinov directed several operas, including Puccini's Gianni Schicchi, Ravel's L'heure espagnole, Schoenberg's Erwartung, and Mozart's The Magic Flute. Further demonstrating his great talent and versatility in the theatre, Ustinov later undertook set and costume design for Don Giovanni. In 1962 he adapted Louis O. Coxe and Robert H. Chapman's critically successful Broadway play Billy Budd into a film; penning the screenplay, producing, directing, and starring as Captain Vere. In 1968, he was elected the first rector of the University of Dundee and served two consecutive three-year terms.
His autobiography, Dear Me (1977), was well received and had him describe his life (ostensibly his childhood) while being interrogated by his own ego, with forays into philosophy, theatre, fame, and self-realisation. From 1969 until his death, his acting and writing took second place to his work on behalf of UNICEF, for which he was a goodwill ambassador and fundraiser. In this role, he visited some of the neediest children and made use of his ability to make people laugh, including many of the world's most disadvantaged children. "Sir Peter could make anyone laugh", UNICEF Executive Director Carol Bellamy is quoted as saying. On 31 October 1984, Ustinov was due to interview Prime Minister of India Indira Gandhi for Irish television. She was assassinated on her way to the meeting.