Ossie Davis (born Raiford Chatman Davis; December 18, 1917 – February 4, 2005) was an American actor, director, writer, and activist. He was married to Ruby Dee, with whom he frequently performed, from 1948 until his death. He received numerous accolades including an Emmy, a Grammy and a Writers Guild of America Award as well as nominations for four additional Emmy Awards, a Golden Globe Award, and Tony Award. Davis was inducted into the American Theater Hall of Fame in 1994 and received the National Medal of Arts in 1995, then Kennedy Center Honors in 2004.
Davis started his career in theatre acting with the Rose McClendon Players in the 1940s. He made his Broadway debut acting in the post-World War II play Jeb (1946). He earned a Tony Award for Best Featured Actor in a Musical nomination for his role in Jamaica (1958). He wrote and starred as the title character in the satirical farce Purlie Victorious (1961) which was adapted into a 1963 film and 1970 musical.
Davis's credits as a film director include Cotton Comes to Harlem (1970), Black Girl (1972), and Gordon's War (1973). He was nominated for a Golden Globe Award for Best Supporting Actor for The Scalphunters (1968). Davis also acted in The Hill (1965), A Man Called Adam (1966), Let's Do It Again (1975), School Daze (1988), Do the Right Thing (1989), Grumpy Old Men (1993), The Client (1994), and Dr. Dolittle (1998).
For his portrayal of Martin Luther King Sr. in the miniseries King (1978) he was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. He was also Emmy-nominated for his roles in Teacher, Teacher (1969), Miss Evers' Boys (1997), and The L Word (2005). He won the Grammy Award for Best Spoken Word Album with his wife Ruby Dee for Ossie and Ruby (2005).
Raiford Chatman Davis was born in Cogdell, Georgia, the son of Kince Charles Davis, a railway construction engineer, and his wife Laura (née Cooper; July 9, 1898 – June 6, 2004). He inadvertently became known as "Ossie" when his birth certificate was being filed and his mother's pronunciation of his name as "R. C. Davis" was misheard by the Clinch County courthouse clerk. Davis experienced racism from an early age when the KKK threatened to shoot his father, whose job they felt was too advanced for a black man to have. His siblings included scientist William Conan Davis, social worker Essie Davis Morgan, pharmacist Kenneth Curtis Davis, and biology teacher James Davis.
Following the wishes of his parents, he attended Howard University but dropped out in 1939 to fulfill his desire for an acting career in New York after a recommendation by Alain Locke; he later attended Columbia University School of General Studies. His acting career began in 1939 with the Rose McClendon Players in Harlem. During World War II, Davis served in the United States Army in the Medical Corps. He made his film debut in 1950 in the Sidney Poitier film No Way Out.
1939–1963: Acting debut and Broadway work
When Davis wanted to pursue a career in acting, he ran into the usual roadblocks that black people suffered at that time as they generally could only portray stereotypical characters such as Stepin Fetchit. Instead, he tried to follow the example of Sidney Poitier and play more distinguished characters. When he found it necessary to play a Pullman porter or a butler, he played those characters realistically, not as a caricature.
Davis performed in the musical Jamaica, which earned him a Tony Award for Best Featured Actor in a Musical nomination in 1958. In 1961, he wrote and starred in the Broadway play Purlie Victorious, a farce satirizing the confederate south. Davis portrayed the title character Purlie Victorious Judson, acting opposite Ruby Dee and Alan Alda. The play was adapted into a film titled Gone Are the Days!, released in 1963. The Broadway cast reprised their roles for the film. Howard Taubman for The New York Times wrote of the play: "It is marvelously exhilarating to hear the Negro speak for himself, especially when he does so in the fullness of his native gusto and the enveloping heartiness of his overflowing laughter."
1964–1989: Directorial work and commercial success
Early television appearances for Davis included The Defenders, Car 54, Where Are You?, The Fugitive, and Bonanza. In addition to acting, Davis, along with Melvin Van Peebles and Gordon Parks, was one of the notable black directors of his generation: he directed movies such as Cotton Comes to Harlem (1970), Black Girl (1972), and Gordon's War (1973). Along with Bill Cosby and Poitier, Davis was one of a handful of black actors able to find commercial success while avoiding stereotypical roles prior to 1970, which also included a significant role in the Otto Preminger directed drama The Cardinal (1963) and the Sidney Lumet prison drama The Hill (1965). He acted in the musical drama A Man Called Adam (1966), performing alongside Sammy Davis Jr., Louis Armstrong, and Cicely Tyson. He played Joseph Lee in the Sydney Pollack-directed western drama The Scalphunters, acting alongside Burt Lancaster and Shelley Winters. For his performance, Davis received a nomination for the Golden Globe Award for Best Supporting Actor – Motion Picture. Critic Roger Ebert of The Chicago Sun-Times praised Davis's performance in the film writing: "Davis, as an educated slave, is gradually initiated into the brutal realities of frontier life. [He] emerges as a genuine comic talent in a very demanding role (actually the lead, although Lancaster gets top billing). His character changes from an Uncle Tom to a rough-and-ready cowboy before your very eyes."
During this time, he acted in the western comedy Sam Whiskey (1969) with Burt Reynolds and Angie Dickinson, the drama Slaves (1969), starring Dionne Warwick, and the action comedy Hot Stuff (1979) with Dom DeLuise and Suzanne Pleshette. Davis starred with Cosby and Poitier in the 1975 film Let's Do It Again. As a playwright, Davis wrote Paul Robeson: All-American, which is frequently performed in theatre programs for young audiences.
In 1976, Davis appeared on Muhammad Ali's novelty album for children, The Adventures of Ali and His Gang vs. Mr. Tooth Decay. He starred as Martin Luther King Sr. in the NBC miniseries King (1978) for which he received a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series, and played Dad Jones in the miniseries Roots: The Next Generations (1979). Davis found recognition late in his life by working in several of director Spike Lee's films, including School Daze (1988), Do the Right Thing (1989), Jungle Fever (1991), Malcolm X (1992), Get on the Bus (1996), and She Hate Me (2004). For the final moments of Malcolm X, Davis, in voiceover, recited the actual eulogy that he wrote and delivered at Malcolm's funeral 27 years earlier.
1990–2005: Later work and final roles
Davis found work as a commercial voice-over artist and served as the narrator of the early-1990s CBS sitcom Evening Shade, starring Burt Reynolds, where he also played one of the residents of a small southern town. Davis and Reynolds had also worked together on Reynolds' previous TV series, B.L. Stryker (1989–1990), aired as part of the ABC Mystery Movie series. He also appeared in several popular 1990s films, including the studio comedies Grumpy Old Men (1993) starring Jack Lemmon and Walter Matthau, and Cop and a Half (1993) with Burt Reynolds, as well as the John Grisham drama film The Client (1994) starring Susan Sarandon and Tommy Lee Jones. He reunited with Spike Lee acting in the film Get on the Bus (1996) and appeared his HBO documentary 4 Little Girls (1997) which was nominated for the Academy Award for Best Documentary Feature. In 1998 he acted in the Eddie Murphy led comedy film Dr. Dolittle. In 1999, he appeared as a theater caretaker in the Trans-Siberian Orchestra film The Ghosts of Christmas Eve, which was released on DVD two years later. For many years, he hosted the annual National Memorial Day Concert from Washington, D.C.