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Orhan Pamuk

Turkish novelist, academic and Nobel laureate (born 1952)

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Ferit Orhan Pamuk (born 7 June 1952; Turkish pronunciation: [feˈɾit oɾˈhan paˈmuk]) is a Turkish novelist, screenwriter, academic, and recipient of the 2006 Nobel Prize in Literature. One of Turkey's most prominent novelists, he has sold over 13 million books in 63 languages, making him the country's best-selling writer.

Pamuk's novels include Silent House, The White Castle, The Black Book, The New Life, My Name Is Red and Snow. He is the Robert Yik-Fong Tam Professor in the Humanities at Columbia University, where he teaches writing and comparative literature. He was elected to the American Philosophical Society in 2018.

Born in Istanbul, Pamuk is the first Turkish Nobel laureate. He has also received many other literary awards. My Name Is Red won the 2002 Prix du Meilleur Livre Étranger, the 2002 Premio Grinzane Cavour, and the 2003 International Dublin Literary Award.

The European Writers' Parliament came about as a result of a joint proposal by Pamuk and José Saramago. Pamuk's willingness to write books about contentious historical and political events put him at risk of censure in his homeland. In 2005, a lawyer sued him over a statement acknowledging the Armenian genocide in the Ottoman Empire. Pamuk said his intention had been to highlight issues of freedom of speech in Turkey. The court initially declined to hear the case, but in 2011 Pamuk was ordered to pay 6,000 liras in compensation for having insulted the plaintiffs' honor.

Pamuk was born in Istanbul, in 1952, and grew up in a wealthy but declining upper-class family, an experience he describes in passing in his novels The Black Book and Cevdet Bey and His Sons, as well as more thoroughly in his personal memoir Istanbul: Memories and the City. Pamuk's paternal grandmother was Circassian. He was educated at Robert College secondary school in Istanbul and studied architecture at the Istanbul Technical University, a subject related to his dream career, painting. He left architecture school after three years to become a full-time writer, and graduated from the Institute of Journalism at the University of Istanbul in 1976. From ages 22 to 30, Pamuk lived with his mother, writing his first novel and attempting to find a publisher. He describes himself as a Cultural Muslim who identifies with Islam historically and culturally while not believing in a personal connection to God.

Pamuk started writing regularly in 1974. His first novel, Karanlık ve Işık (Darkness and Light) was a co-winner of the 1979 Milliyet Press Novel Contest (Mehmet Eroğlu was the other winner). This novel was published with the title Cevdet Bey ve Oğulları (Mr. Cevdet and His Sons) in 1982 and won the Orhan Kemal Novel Prize in 1983. It tells the story of three generations of a wealthy Istanbul family living in Nişantaşı, the district of Istanbul where Pamuk grew up.

Pamuk won a number of critical prizes for his early work, including the 1984 Madarali Novel Prize for his second novel Sessiz Ev (Silent House) and the 1991 Prix de la Découverte Européenne for its French translation. His historical novel Beyaz Kale (The White Castle), published in Turkish in 1985, won the 1990 Independent Award for Foreign Fiction and extended his reputation abroad. On 19 May 1991, The New York Times Book Review wrote, "A new star has risen in the east—Orhan Pamuk." He started experimenting with postmodern techniques in his novels, a change from his early works' strict naturalism.

Popular success took a bit longer, but his 1990 novel Kara Kitap (The Black Book) became one of the most controversial and popular books in Turkish literature, due to its complexity and richness. In 1992, he wrote the screenplay for the movie Gizli Yüz (Secret Face), based on Kara Kitap and directed by a prominent Turkish director, Ömer Kavur. Pamuk's fifth novel, Yeni Hayat (New Life), caused a sensation in Turkey upon its 1994 publication and became the fastest-selling book in Turkish history. By this time, Pamuk had also become a high-profile figure in Turkey due to his support for Kurdish political rights. In 1995, he was among a group of authors tried for writing essays that criticized Turkey's treatment of the Kurds. In 1999, Pamuk published his book of essays Öteki Renkler (Other Colors).

In 2019, the 66-year-old Nobel laureate held an exhibition of his photographs of Istanbul taken from his own balcony, "Balkon: Photos by Orhan Pamuk". It captured the "subtle and ever-changing view of Istanbul" photographed by Pamuk from his balcony using a telephoto lens. Curated by Gerhard Steidl, the German publisher of his photo book Balkon, the exhibition ran for three months at the Yapı Kredi Culture and Arts building on Istanbul's Istiklal Street. It featured more than 600 colour photos selected from over 8,500 Pamuk took over a five-month period in late 2012 and early 2013, in what the gallery called "a period of intense creativity".

Pamuk's international reputation continued to increase when he published Benim Adım Kırmızı (My Name is Red) in 1998. The novel blends mystery, romance, and philosophical puzzles in a setting of 16th-century Istanbul. It opens a window into the reign of Ottoman Sultan Murat III in nine snowy winter days of 1591, inviting the reader to experience the tension between East and West from a breathlessly urgent perspective. My Name Is Red has been translated into 24 languages and in 2003 won the International Dublin Literary Award, one of the world's most lucrative literary prizes.

Asked what impact winning this last award (currently $127,000) had on his life and work, Pamuk replied:

Nothing changed in my life since I work all the time. I've spent 30 years writing fiction. For the first 10 years, I worried about money and no one asked how much money I made. The second decade I spent money and no one was asking about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.

Pamuk followed this with the novel Kar, published in 2002 (English translation: Snow, 2004). Set in the border city of Kars, it explores the conflict between Islamism and Westernism in modern Turkey. Snow follows Ka, an expatriate Turkish poet, as he wanders around the snowy Kars and gets caught up in the muddle of aimless Islamists, MPs, headscarf advocates, secularists, and a number of factions who die and kill in the name of highly contradictory ideals. The New York Times listed Snow as one of its Ten Best Books of 2004.

In a conversation with Carol Becker in the Brooklyn Rail about creating sympathetic characters in the political novel, Pamuk said:

I strongly feel that the art of the novel is based on the human capacity, though it’s a limited capacity, to be able to identify with "the other". Only human beings can do this. It requires imagination, a sort of morality, a self-imposed goal of understanding this person who is different from us, which is a rarity.

In May 2007, Pamuk was among the jury members at the Cannes Film Festival headed by British director Stephen Frears. He completed his next novel, Masumiyet Müzesi (The Museum of Innocence) in the summer of 2008 - the first novel he published after receiving the 2006 Nobel Prize in Literature.

Pamuk created an actual Museum of Innocence, consisting of everyday objects tied to the narrative, and housed them at an Istanbul house he purchased. Pamuk collaborated on a documentary "The Innocence of Memories" that expanded on his Museum of Innocence. Pamuk stated that "(Museum of Dreams will) tell a different version of the love story set in Istanbul through objects and Grant Gee’s wonderful new film". In both Snow and the Museum of Innocence Pamuk describes tragic love-stories, where men fall in love with beautiful women at first sight. Pamuk's heroes tend to be educated men who fall tragically in love with beauties, but who seem doomed to a decrepit loneliness.

In 2013, Pamuk invited Grazia Toderi, whose work he admired, to design a work for the Museum of Innocence in Istanbul. Their collaboration culminated in the exhibition Words and Stars. Words and Stars opened on 2 April 2017, at the MART (Museo di Arte Moderna e Contemporanea di Trento e Rovereto), and which explores "the inclination of man to explore space and innate vocation to question the stars." The show was curated by Gianfranco Maraniello. It also showed from 4 November 2016 to 29 March 2017 from 5–6 November 2016 at the Palazzo Madama, Piazza Castello, Turin, and at Infini-to, the Planetarium of Turin (Infini.to - Planetario di Torino, Museo dell'Astronomia e dello Spazio) by invitation.

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