Ioanna "Nana" Mouskouri (Greek: Ιωάννα "Νάνα" Μούσχουρη [i.oˈana ˈnana ˈmusxuri]; born 13 October 1934) is a Greek singer and politician. Over the span of her career, she has released an estimated 450 albums in at least thirteen languages, including Greek, French, English, German, Dutch, Portuguese, Italian, Japanese, Spanish, Hebrew, Welsh, Mandarin Chinese and Corsican.
Mouskouri became well known throughout Europe for the song "The White Rose of Athens", recorded first in German as "Weiße Rosen aus Athen" as an adaptation of her Greek song "Σαν σφυρίξεις τρείς φορές" (San sfyríxeis tris forés, "When you whistle three times"). It became her first record to sell over one million copies. Later, in 1963, she represented Luxembourg at the Eurovision Song Contest with the song "À force de prier", finishing eighth. Her friendship with the composer Michel Legrand led to the recording by Mouskouri of the theme song of the Oscar-nominated film The Umbrellas of Cherbourg. From 1968 to 1976, she hosted her own TV show produced by BBC, Presenting Nana Mouskouri. Her popularity as a multilingual television personality and distinctive image, owing to the then unusual signature black-rimmed glasses, turned Mouskouri into an international star.
"Je chante avec toi Liberté", recorded in 1981, is perhaps her biggest hit, performed in at least five languages – French, English as "Song for Liberty", German as "Lied der Freiheit", Spanish as "Libertad" and Portuguese as "Liberdade". "Only Love", a song recorded in 1984 as the theme song of TV series Mistral's Daughter, gained worldwide popularity along with its other versions in French (as "L'Amour en Héritage"), Italian (as "Come un'eredità"), Spanish (as "La dicha del amor"), and German (as "Aber die Liebe bleibt"). It became her only UK hit single when it reached number two in February 1986.
Mouskouri became a spokesperson for UNICEF in 1993. She was elected to the European Parliament as a Greek deputy from 1994 to 1999. In 2006, she was a special guest on Eurovision Song Contest 2006's final, presented as the best selling artist of all time. In 2015, she was awarded the Echo Music Prize for Outstanding Achievement by the German music association Deutsche Phono-Akademie. At the French 41st Victoires de la Musique ceremony held on 13 February 2026 in Paris, Mouskouri was honored with the special "Honorary Victory" (Victoire d'honneur).
Nana Mouskouri was born on 13 October 1934 in Chania, Crete, where her father, Constantinos, worked as a film projectionist in a local cinema; her mother, Aliki, worked in the same cinema as an usher. When Mouskouri was three, her family moved to Athens.
Mouskouri's family sent her and her older sister Eugenía (Jenny) to the Athens Conservatoire. Although Mouskouri had displayed exceptional musical talent from age six, Jenny initially appeared to be the more gifted sibling. Financially unable to support both girls' studies, the parents asked their tutor which one should continue. The tutor conceded that Jenny had the better voice, but Nana was the one with the true inner need to sing. Mouskouri has said that a medical examination revealed she has only one functioning vocal cord and this could well account for her remarkable singing voice (in her younger years ranging from a husky, dark alto, which she later dropped, to a ringing coloratura mezzo), as opposed to her breathy, raspy speaking voice.
Mouskouri's early childhood was marked by the German Nazi occupation of Greece. Her father became part of the anti-Nazi resistance movement in Athens. Mouskouri began singing lessons at age 12. As a child, she listened to radio broadcasts of singers including Frank Sinatra, Ella Fitzgerald, Judy Garland, Charles Trenet, Billie Holiday, and Édith Piaf.
In 1950, she was accepted at the Conservatoire. She studied classical music with an emphasis on singing opera. After eight years at the Conservatoire, Mouskouri was encouraged by her friends to experiment with jazz music. She began singing with her friends' jazz group at night. However, when Mouskouri's Conservatory professor found out about Mouskouri's involvement with a genre of music that was not in keeping with her classical studies, he prevented her from sitting for her end-of-year exams.
During an episode of Joanna Lumley's Greek Odyssey, shown on the UK ITV channel in the autumn of 2011, Mouskouri told the actress Joanna Lumley how she had been scheduled to sing at the amphitheatre at Epidauros with other students of the Conservatoire, when upon arrival at the amphitheatre word came through from the Conservatoire in Athens that she had just been barred from participating in the performance there owing to her involvement in light music. Mouskouri subsequently left the Conservatoire and began performing at the Tzaki club in Athens.
She began singing jazz in nightclubs with a bias towards Ella Fitzgerald's repertoire. In 1957, she recorded her first song, "Fascination", in both Greek and English for Odeon/EMI Greece. By 1958 while still performing at the Tzaki, she met Greek composer Manos Hadjidakis. Hadjidakis was impressed by Nana's voice and offered to write songs for her. In 1959 Mouskouri performed Hadjidakis' "Κάπου υπάρχει η αγάπη μου" (Kápou ipárchi i agápi mou, "Somewhere my love exists"; co-written with poet Nikos Gatsos) at the inaugural Greek Song Festival. The song won first prize, and Mouskouri began to be noticed.
At the 1960 Greek Song Festival, she performed two more Hadjidakis compositions, "Τιμωρία" (Timōría, "Punishment") and "Κυπαρισσάκι" (Kyparissáki, "Little cypress"). Both these songs tied for first prize. Mouskouri performed Kostas Yannidis' composition, "Ξύπνα αγάπη μου" (Xýpna agápi mou, "Wake up, my love"), at the Mediterranean Song Festival, held in Barcelona that year. The song won first prize, and she went on to sign a recording contract with Paris-based Philips-Fontana.
In 1961, Mouskouri performed the soundtrack of a German documentary about Greece. This resulted in the German-language single "Weiße Rosen aus Athen" ("White Roses of Athens"). The song was originally adapted by Hadjidakis from a folk melody. It became a success, selling over a million copies in Germany. The song was later translated into several languages and it went on to become one of Mouskouri's signature tunes.
Mouskouri has been married twice: first at age 25, to Yorgos (George) Petsilas, a guitarist in her backing band (the trio "The Athenians"). They had two children (Nicolas Petsilas in 1968 and Hélène (Lénou) Petsilas in 1970); the couple divorced in 1973. Shortly afterward, she began a relationship with her record producer André Chapelle; However, they did not marry at that time because she 'didn't want to bring another man into the family', and divorce went against her conservative upbringing. They eventually married on January 13, 2003, and live primarily in Switzerland.
In 1960, Mouskouri moved to Paris. She performed Luxembourg's entry in the Eurovision Song Contest 1963, "À force de prier". Although the song achieved only eighth place in the contest, in a field of sixteen, it achieved commercial success, and helped win her the prestigious Grand Prix du Disque in France. Mouskouri soon attracted the attention of French composer Michel Legrand, who composed two songs which became major French hits for her: "Les Parapluies de Cherbourg" (1964) and an arrangement of Katherine K. Davis's "Carol of the Drum", "L'Enfant au Tambour" (1965).
In 1962, she met Quincy Jones, who persuaded her to travel to New York City to record an album of American jazz titled The Girl from Greece Sings. Following that she scored another hit in the United Kingdom with the song "My Colouring Book" (later included in her 1973 album Songs from her TV series). In 1965, she recorded her second English-language album to be released in the United States, entitled Nana Sings. American singer Harry Belafonte heard and liked the album. Belafonte brought Mouskouri on tour with him through 1966. That year, they collaborated on an album entitled An Evening With Belafonte/Mouskouri released by RCA Victor. On the album's cover photo, Mouskouri is noticeably not wearing her signature black-rimmed glasses; during the tour, Belafonte suggested that Mouskouri remove her glasses while on stage. She was so unhappy with the request that she wanted to quit the show after only a few days. Finally, Belafonte relented and respected her wish to perform while wearing her glasses.