Mark Rothko ( ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was a Latvian-born American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970. Although Rothko did not personally subscribe to any one school, he is associated with the American abstract expressionism movement of modern art.
Born to a Jewish family in Daugavpils, Latvia, then part of the Russian Empire, Rothko emigrated with his parents and siblings to the United States, arriving at Ellis Island in late 1913 and originally settling in Portland, Oregon. He moved to New York City in 1923 where his youthful period of artistic production dealt primarily with urban scenery. In response to World War II, Rothko's art entered a transitional phase during the 1940s, where he experimented with mythological themes and Surrealism to express tragedy. Toward the end of the decade, Rothko painted canvases with regions of pure color which he further abstracted into rectangular color forms, the idiom he would use for the rest of his life.
In his later career, Rothko executed several canvases for three different mural projects. The Seagram murals were to have decorated the Four Seasons Restaurant in the Seagram Building, but Rothko eventually grew disgusted with the idea that his paintings would be decorative objects for wealthy diners and refunded the lucrative commission, donating the paintings to museums, including the Tate Gallery. The Harvard Mural series was donated to a dining room in Harvard's Holyoke Center; their colors faded badly over time due to Rothko's use of the pigment lithol red together with regular sunlight exposure. The Harvard series has since been restored using a special lighting technique. Rothko contributed 14 canvases to a permanent installation at the Rothko Chapel, a non-denominational chapel in Houston, Texas.
Although Rothko lived modestly for much of his life, the resale value of his paintings grew tremendously in the decades following his suicide in 1970. His painting No. 6 (Violet, Green and Red) sold in 2014 for $186 million.
Rothko was born in 1903 in Dvinsk (now Daugavpils, Latvia), a town within the Pale of Settlement in the Russian Empire. His father, Jacob (Yakov) Rothkowitz, was a pharmacist and intellectual who initially provided his children with a secular and political, rather than religious, upbringing. According to Rothko, his Marxist father was "violently anti-religious". In an environment where Jews were often blamed for many of the ills that befell Russia, Rothko's early childhood was plagued by fear.
Despite Jacob Rothkowitz's modest income, the family was highly educated ("We were a reading family", Rothko's sister recalled), and Rothko spoke Lithuanian Yiddish (Litvish), Hebrew and Russian. Following his father's return to the Orthodox Judaism of his own youth, Rothko, the youngest of four siblings, was sent to the cheder at age five, where he studied the Talmud, although his elder siblings had been educated in the public school system.
Migration from Russian Empire to the U.S.
Fearing that his elder sons were about to be drafted into the Imperial Russian Army, Jacob Rothkowitz emigrated from the Russian Empire to the United States. Mark, then known as Markus, remained in the Russian Empire with his mother and elder sister Sonia. They arrived as immigrants, at Ellis Island, in late 1913. From there, they crossed the country, to join Jacob and the elder brothers, in Portland, Oregon. Jacob's death, a few months later, of colon cancer, left the family without financial support. Sonia operated a cash register, while Markus worked in one of his uncle's warehouses, selling newspapers to employees. His father's death also led Rothko to sever his ties with religion. After he had mourned his father's death for almost a year at a local synagogue, he vowed never to set foot in one again.
Rothko started school in the United States in 1913, quickly accelerating from third to fifth grade. In June 1921, he completed the secondary level, with honors, at Lincoln High School in Portland, Oregon, at age 17.
He learned his fourth language, English, and became an active member of the Jewish community center, where he proved adept at political discussions. Like his father, Rothko was passionate about issues such as workers' rights and contraception. At the time, Portland was a center of revolutionary activity in the U.S. and the region where the revolutionary syndicalist union Industrial Workers of the World (IWW) was active.
Having grown up around radical workers' meetings, Rothko attended meetings of the IWW, including such speakers as the radical socialist Bill Haywood and the anarchist Emma Goldman, where he developed strong oratorical skills he later used in defense of Surrealism. With the onset of the Russian Revolution, Rothko organized debates about it. Despite the repressive political atmosphere, he wished to become a labor union organizer.
Rothko received a scholarship to Yale. At the end of his first year in 1922, the scholarship was not renewed, and he worked as a waiter and delivery boy to support his studies. Rothko was more an autodidact than a diligent pupil: One of his fellow students remembers that he hardly seemed to study, but that he was a voracious reader.
Rothko and a friend, Aaron Director, started a satirical magazine, The Yale Saturday Evening Pest, that lampooned the school's stuffy, bourgeois tone. Finding Yale to be elitist, and racist, at the end of his sophomore year, Rothko dropped out, never returning until he was awarded an honorary degree 46 years later.
In the autumn of 1923, Rothko found work in New York's garment district. While visiting a friend at the Art Students League of New York, he saw students sketching a model. According to Rothko, this was the beginning of his life as an artist. He later enrolled in the Parsons The New School for Design, where one of his instructors was Arshile Gorky. Rothko characterized Gorky's leadership of the class as "overcharged with supervision." That same autumn, he took courses at the Art Students League taught by Cubist artist Max Weber, who had been a part of the French avant-garde movement. To his students eager to know about Modernism, Weber was seen as "a living repository of modern art history". Under Weber's tutelage, Rothko began to view art as a vehicle for emotional and religious expression. Rothko's paintings from this era reveal the influence of his instructor. Years later, when Weber attended a show of his former student's work and expressed his admiration, Rothko was immensely pleased.
Rothko's move to New York landed him in a fertile artistic atmosphere. Modernist painters regularly exhibited in New York galleries, and the city's museums were an invaluable resource for a budding artist's knowledge and skills. Among the important early influences on him were the works of the German Expressionists, the surrealist art of Paul Klee, and the paintings of Georges Rouault.
In 1928, with a group of other young artists, Rothko exhibited works at the Opportunity Gallery. His paintings, including dark, moody, expressionist interiors and urban scenes, were generally well accepted among critics and peers. To supplement his income, in 1929 Rothko began instructing schoolchildren in drawing, painting, and clay sculpture at the Center Academy of the Brooklyn Jewish Center, where he remained active for over twenty years.
During the early 1930s, Rothko met Adolph Gottlieb, who, along with Barnett Newman, Joseph Solman, Louis Schanker, and John Graham, was part of a group of young artists surrounding the painter Milton Avery. According to Elaine de Kooning, it was Avery who "gave Rothko the idea that [the life of a professional artist] was a possibility." Avery's abstract nature paintings, utilizing a rich knowledge of form and color, had a tremendous influence on him. Soon, Rothko's paintings took on the subject matter and color similar to Avery's, as seen in Bathers, or Beach Scene of 1933–1934.