Mack Sennett (born Michael Sinnott; January 17, 1880 – November 5, 1960) was a Canadian-American producer, director, actor, and studio head who was known as the "King of Comedy" during his career.
Born in Danville, Quebec, he started acting in films in the Biograph Company of New York City in 1908, and later opened Keystone Studios in Edendale, California in 1912. Keystone possessed the first fully enclosed film stage, and Sennett became famous as the originator of slapstick routines such as pie-throwing and car-chases, as seen in the Keystone Cops films. He also produced short features that displayed his Bathing Beauties, many of whom had acting careers.
After struggling with bankruptcy and the dominance of sound films in the early 1930s, Sennett was presented with an honorary Academy Award in 1938 for his contributions to the film industry, with the academy describing him as a "master of fun, discoverer of stars, sympathetic, kindly, understanding comedy genius".
Born Michael Sinnott in Danville, Quebec, to parents of Irish Catholic descent, John Sinnott and Catherine Foy (or Foye). His parents married in 1879 in Tingwick, Quebec and moved the same year to Richmond, Quebec where Sinnott was hired as a laborer. By 1883, when Sennett's brother George was born, Sinnott was working as an innkeeper, a position he held for many years. Sennett's parents had all their children and raised their family in Richmond, then a small Eastern Townships village. At that time, Sennett's grandparents were living in Danville, Quebec. Sennett moved to Connecticut when he was 17.
He lived for a while in Northampton, Massachusetts, where, according to his autobiography, he first got the idea to become an opera singer after seeing a vaudeville show. He said that the most respected lawyer in town, Northampton mayor (and future President of the United States) Calvin Coolidge, as well as Sennett's mother, tried to talk him out of his musical ambitions. In New York City, he took on the stage name Mack Sennett and became an actor, singer, dancer, clown, set designer, and director for the Biograph Company. A distinction in his acting career, often overlooked, is that he played Sherlock Holmes 11 times, albeit as a parody, between 1911 and 1913.
With financial backing from Adam Kessel and Charles O. Bauman of the New York Motion Picture Company, Sennett founded Keystone Studios in Edendale, California – now a part of Echo Park – in 1912. The original main building which was the first totally enclosed film stage and studio ever constructed,
is still standing, as of 2023. Many successful actors began their film careers with Sennett, including Marie Dressler, Mabel Normand, Charlie Chaplin, Harry Langdon, Roscoe Arbuckle, Harold Lloyd, Raymond Griffith, Gloria Swanson, Charley Chase, Ford Sterling, Andy Clyde, Chester Conklin, Polly Moran, Slim Summerville, Louise Fazenda, The Keystone Cops, Carole Lombard, Bing Crosby, and W. C. Fields.
Dubbed the King of Hollywood's Fun Factory, Sennett's studios produced slapstick comedies that were noted for their hair-raising car chases and custard pie warfare, especially in the Keystone Cops series. The comic formulas, however well executed, were based on humorous situations rather than the personal traits of the comedians; the various social types, often grotesquely portrayed by members of Sennett's troupe, were adequate to render the largely "interchangeable routines: "Having a funny moustache, or crossed-eyes, or an extra two-hundred pounds was as much individualization as was required."Film historian Richard Koszarski qualifies "fun factory" influence on comedic film acting:
"While Mack Sennett has a secure and valued place in the history of screen comedy, it is surely not as a developer of individual talents ... Chaplin, Langdon, and Lloyd were all on the lot at one point or another, but developed their styles only in spite of Sennett, and grew to their artistic peaks only away from his influence ... screen comedy followed Chaplin's lead and began to focus more on personality than situation."
Sennett's first female comedian was Mabel Normand, who became a major star under his direction and with whom he embarked on a tumultuous romantic relationship. Sennett also developed the Kid Comedies, a forerunner of the Our Gang films, and in a short time, his name became synonymous with screen comedy which were called "flickers" at the time. In 1915, Keystone Studios became an autonomous production unit of the ambitious Triangle Film Corporation, as Sennett joined forces with D. W. Griffith and Thomas Ince, both powerful figures in the film industry.
Also beginning in 1915, Sennett assembled a bevy of women known as the Sennett Bathing Beauties to appear in provocative bathing costumes in comedy short subjects, in promotional material, and in promotional events such as Venice Beach beauty contests. The Sennett Bathing Beauties continued to appear through 1928.
In 1917, Sennett gave up the Keystone trademark and organized his own company, Mack Sennett Comedies Corporation. Sennett's bosses retained the Keystone trademark and produced a cheap series of comedy shorts that proved unsuccessful. Sennett went on to produce more ambitious comedy short films and a few feature-length films.
Many of Sennett's films of the early 1920s were inherited by Warner Bros. after Warner had merged with the original distributor, First National. Warner added music and commentary to several of these short subjects, and the new versions were released to theaters between 1939 and 1945. Many of Sennett's First National films physically deteriorated due to inadequate storage. Hence, many of Sennett's films from his most productive and creative period no longer exist.
In the mid-1920s, Sennett moved to Pathé Exchange distribution. In 1927, Hollywood's two most successful studios, Metro-Goldwyn-Mayer and Paramount Pictures, took note of the profits being made by smaller companies such as Pathé Exchange and Earle Hammons's Educational Pictures. MGM took over the Hal Roach comedy shorts from Pathé, and Paramount reactivated its short subjects. Hundreds of other independent exhibitors and moviehouses switched from Pathé to the new MGM or Paramount shorts. Sennett fulfilled his contract to deliver silent comedies to Pathé through 1929 (these, like the Smith Family comedies, had already been completed before Sennett temporarily shut down his studio), but he began making sound films for Educational in late 1928.
In 1928, Sennett canceled all of his talent contracts and retooled his studio for the new talking-picture technology. His leading star at the time, Ben Turpin, was suddenly unemployed and moved to the Weiss Brothers studio.
Sennett's enthusiasm for sound on film was such that he was the first to get a talking two-reel comedy on the market. The Lion's Roar, starring Johnny Burke and Billy Bevan, was released by Educational in December 1928, launching a four-year succession of Mack Sennett sound comedies. Sennett occasionally experimented with color as well.
In 1932, he was nominated for the Academy Award for Live Action Short Film in the comedy division for producing The Loud Mouth (with Matt McHugh, in the sports-heckler role later taken in Columbia Pictures remakes by Charley Chase and Shemp Howard). Sennett also won an Academy Award in the novelty division for his film Wrestling Swordfish, also in 1932. He directed at least two two-reel comedies under the pseudonym Michael Emmes (the "Emmes" representing Sennett's initials): Hawkins and Watkins Inc. and Young Onions (both 1932).
Mack Sennett often clung to outmoded techniques, making his early-1930s films seem dated and quaint: he dressed some of his actors in eccentric makeups and loud costumes, which were amusing in the cartoonish silent films but ludicrous in the new, realistic atmosphere of talking pictures. Sennett was also having financial problems during the Great Depression. One of his biggest stars, Andy Clyde, left the studio after Sennett, wanting to economize, tried to cut Clyde's salary.