Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer, conductor, and pianist. Regarded as one of the greatest composers in the history of Western music, he was mentored during the Classical period, and his musical style was a key driver of the transition to Romantic music, and the expansion of instrumental forms such as the symphony, the piano sonata and the string quartet. His compositions have attracted extraordinary casual and scholarly interest, and remain among the most performed in the world.
Born in Bonn, Beethoven was a musical prodigy. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which became his base, and studied composition with Joseph Haydn. Beethoven gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Piano Trios, Op. 1, the earliest works to which he accorded an opus number, in 1795. His Pathétique Sonata was composed in 1798. Around this time, Beethoven began experiencing symptoms of hearing loss.
His career is divided into three periods. In the first, he composed in the classical style of Haydn and Wolfgang Amadeus Mozart. Beethoven's First Symphony premiered in 1800, and his first set of string quartets was published in 1801. The Moonlight Sonata, dedicated to his pupil Julie Guicciardi, is one of his most popular works. In the middle period (1802–1812), he developed a distinctive style. His Third (Eroica) and Fifth Symphonies premiered in 1805 and 1808, respectively. The former was unprecedented in scale and scope. His opera, Fidelio, premiered in 1805, and was later revised. His Violin Concerto appeared in 1806. His Razumovsky quartets were published in 1808. Other middle works include the Waldstein and Appassionata sonatas for piano, the Kreutzer sonata for violin and his Seventh Symphony. His Emperor piano concerto premiered in 1811, without the composer as soloist.
His late period (1812–1827) included some of his most innovative works. His Missa solemnis and his final symphony, the Ninth, premiered in 1824. The latter was the first major example of a choral symphony. His Diabelli Variations and late piano sonatas, particularly the Hammerklavier, are summits of the keyboard literature. His late string quartets, including the Große Fuge, of 1825–1826, are considered pinnacles of the genre. After several months of illness, which left him bedridden, Beethoven died on 26 March 1827 at the age of 56.
Beethoven was the grandson of Ludwig van Beethoven, a musician from the city of Mechelen in Austrian Netherlands (now Belgium), who moved to Bonn at the age of 21. Ludwig was employed as a bass singer at the court of Clemens August, Archbishop-Elector of Cologne, eventually rising to become, in 1761, Kapellmeister (music director) and hence a preeminent musician in Bonn. The portrait he commissioned of himself toward the end of his life remained displayed in his grandson's rooms as a talisman of his musical heritage. Ludwig had two sons, the younger of whom, Johann, worked as a tenor in the same musical establishment and gave keyboard and violin lessons to supplement his income.
Johann married Maria Magdalena Keverich in 1767; she was the daughter of Heinrich Keverich (1701–1751), who was head chef at the court of Johann IX Philipp von Walderdorff, Archbishop of Trier. Beethoven was born of this marriage in Bonn, at what is now the Beethoven House Museum, Bonngasse 20. There is no authentic record of the date of his birth; but the registry of his baptism, in the Catholic Parish of St. Remigius on 17 December 1770, survives, and the custom in the region at the time was to carry out baptism within 24 hours of birth. There is a consensus (with which Beethoven himself agreed) that his birth date was 16 December, but there is no documented proof of this.
Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, and two younger brothers survived infancy. Kaspar Anton Karl (generally known as Karl) was born on 8 April 1774, and Nikolaus Johann, who was generally known as Johann, the youngest, was born on 2 October 1776.
Beethoven's father was his first music teacher. He later had other local teachers, including the court organist Gilles van den Eeden (d. 1782), Tobias Friedrich Pfeiffer, a family friend, who provided keyboard tuition, Franz Rovantini, a relative who instructed him in playing the violin and viola, and court concertmaster Franz Anton Ries, who instructed Beethoven on the violin. His tuition began in his fifth year. The regime was harsh and intensive, often reducing him to tears. With the involvement of Pfeiffer, who was an insomniac, there were irregular late-night sessions with the young Beethoven dragged from his bed to the keyboard. Beethoven's musical talent became obvious at a young age. Aware of Leopold Mozart's successes in this area with his son Wolfgang and daughter Nannerl, Johann attempted to promote his son as a child prodigy, claiming that Ludwig was six (he was seven) on the posters for his first public performance in March 1778.
Beethoven's musical abilities far exceeded his mathematical capabilities. As a student at the Tirocinium, Beethoven learned how to add numbers but he could neither divide nor multiply. Throughout Beethoven's life, he instead used addition as a means of simulating multiplication (thus adding up a column of sixteen sevens, rather than multiplying 16 × 7).
In 1780 or 1781, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe. Neefe taught him composition; in March 1783, Beethoven's first published work appeared, a set of keyboard variations (WoO 63). Beethoven soon began working with Neefe as assistant organist, at first unpaid (1782), and then as a paid employee (1784) of the court chapel. His first three piano sonatas, WoO 47, sometimes known as Kurfürst (Elector) for their dedication to Elector Maximilian Friedrich, were published in 1783.
In 1783, the first printed reference to Beethoven appeared in the Magazin der Musik – "Louis van Beethoven [sic] ... a boy of 11 years and most promising talent. He plays the piano very skilfully and with power, reads at sight very well ... the chief piece he plays is Das wohltemperierte Klavier of Sebastian Bach, which Herr Neefe puts into his hands". Maximilian Friedrich's successor as Elector of Cologne was Maximilian Franz. He gave some support to Beethoven, appointing him Court Organist and assisting financially with Beethoven's move to Vienna in 1792.
Beethoven developed a close relationship with the upper-class von Breuning family, and gave piano lessons to some of the children. The widowed Helene von Breuning became a "second mother" to Beethoven, taught him more refined manners and nurtured his passion for literature and poetry. The warmth and closeness of the von Breuning family offered the young Beethoven a retreat from his unhappy home life, dominated by Johann's's decline due to alcoholism. Beethoven also met Franz Wegeler, a young medical student, who became a lifelong friend and married one of the von Breuning daughters. Another frequenter of the von Breunings was Count Ferdinand von Waldstein, who became a friend and financial supporter of Beethoven during this period. In 1791, Waldstein commissioned Beethoven's first work for the stage, the ballet Musik zu einem Ritterballett (WoO 1).
The period of 1785 to 1790 includes virtually no record of Beethoven's activity as a composer. This may be attributed to the varied response his initial publications attracted, and also to ongoing issues in his family. While passing through Augsburg, Beethoven visited with composer Anna von Schaden and her husband, who gave him money to return to Bonn to be with his ailing mother. Beethoven's mother died in July 1787, shortly after his return from Vienna, where he stayed for around two weeks.