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John W. Campbell

American science fiction writer and editor (1910–1971)

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John Wood Campbell Jr. (June 8, 1910 – July 11, 1971) was an American science fiction writer and editor. He was editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. Campbell wrote

"super-science" space opera under his own name and other stories under his primary pseudonym, Don A. Stuart. Campbell also used the pen names Karl Van Kampen and Arthur McCann. His novella Who Goes There? (1938) was adapted as the films The Thing from Another World (1951) and The Thing (1982); as well as a prequel The Thing (2011).

Campbell began writing science fiction at age 18 while attending MIT. He published six short stories, a novel, and eight letters in the science fiction magazine Amazing Stories from 1930 to 1931. This work established Campbell's reputation as a writer of space adventure. In 1934, he began to write science fiction stories of a different sort under the pseudonym Don A. Stuart. From 1930 until 1937, Campbell was prolific and successful under both names; he stopped writing fiction shortly after he became editor of Astounding in 1937. In his capacity as an editor, Campbell published the earliest work, and helped shape the careers of nearly every important science-fiction author to debut between 1938 and 1946, including Isaac Asimov, Robert A. Heinlein, Theodore Sturgeon, and Arthur C. Clarke.

John Campbell was born in Newark, New Jersey, in 1910. His father, John Wood Campbell Sr., was an electrical engineer. His mother, Dorothy (née Strahern) had an identical twin who visited them often. John was unable to tell them apart and said he was frequently rebuffed by the person he took to be his mother. Campbell attended the Blair Academy, a boarding school in rural Warren County, New Jersey, but did not graduate because of lack of credits for French and trigonometry.

He also attended, without graduating, the Massachusetts Institute of Technology (MIT), where he was befriended by the mathematician Norbert Wiener (who coined the term cybernetics) – but he failed German. MIT dismissed him in his junior year in 1931. After two years at Duke University, he graduated with a Bachelor of Science in physics in 1934.

Campbell began writing science fiction at age 18 while attending MIT and sold his first stories quickly. From January 1930 to June 1931, Amazing Stories published six of his short stories, one novel, and six letters. Campbell was editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death. Between December 11, 1957, and June 13, 1958, he hosted a weekly science fiction radio program called Exploring Tomorrow. The scripts were written by authors such as Gordon R. Dickson and Robert Silverberg.

Campbell and Doña Stewart married in 1931. They divorced in 1949, and he married Margaret (Peg) Winter in 1950. He spent most of his life in New Jersey and died of heart failure at his home in Mountainside, New Jersey. He was an atheist.

Editor T. O'Conor Sloane lost Campbell's first manuscript that he accepted for Amazing Stories, entitled "Invaders of the Infinite". "When the Atoms Failed" appeared in January 1930, followed by five more during 1930. Three were part of a space opera series featuring the characters Arcot, Morey, and Wade. A complete novel in the series, Islands of Space, was the cover story in the Spring 1931 Quarterly. During 1934–35 a serial novel, The Mightiest Machine, ran in Astounding Stories, edited by F. Orlin Tremaine, and several stories featuring lead characters Penton and Blake appeared from late 1936 in Thrilling Wonder Stories, edited by Mort Weisinger.

The early work for Amazing established Campbell's reputation as a writer of space adventure. In 1934, he began to publish stories with a different tone using the pseudonym Don A. Stuart, which was derived from his wife's maiden name. He published several stories under this pseudonym, including Twilight (Astounding, November 1934), Night (Astounding, October 1935), and Who Goes There? (Astounding, August 1938). Who Goes There?, about a group of Antarctic researchers who discover a crashed alien vessel, formerly inhabited by a malevolent shape-changing occupant, was published in Astounding almost a year after Campbell became its editor and it was his last significant piece of fiction, at age 28. It was filmed as The Thing from Another World (1951), The Thing (1982), and again as The Thing (2011).

Tremaine hired Campbell to succeed him as the editor of Astounding from its October 1937 issue. Campbell was not given full authority for Astounding until May 1938, but had been responsible for buying stories earlier. He began to make changes almost immediately, instigating a "mutant" label for unusual stories, and in March 1938, changing the title from Astounding Stories to Astounding Science-Fiction.

Lester del Rey's first story in March 1938 was an early find for Campbell. In 1939, he published a group of new writers for the July 1939 issue of Astounding. The July issue contained A. E. van Vogt's first story, "Black Destroyer", and Asimov's early story, "Trends"; August brought Robert A. Heinlein's first story, "Life-Line", and the next month Theodore Sturgeon's first story appeared.

Also in 1939, Campbell started the magazine Unknown (later Unknown Worlds). Unknown was canceled after four years due to wartime paper shortages.

Campbell died in 1971 at the age of 61 in Mountainside, New Jersey. At the time of his sudden death after 34 years at the helm of Analog, Campbell's personality and editorial demands had alienated some of his writers to the point that they no longer submitted works to him. One of his writers, Theodore Sturgeon, opted to publish most of his works after 1950 and only submitted one story to Astounding during that same timeframe.

The Encyclopedia of Science Fiction wrote: "More than any other individual, he helped to shape modern sf", and Darrell Schweitzer credits him with having "decreed that SF writers should pull themselves up out of the pulp mire and start writing intelligently, for adults". After 1950, new magazines such as Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction moved in different directions and developed talented new writers who were not directly influenced by him. Campbell often suggested story ideas to writers (including "Write me a creature that thinks as well as a man, or better than a man, but not like a man") and sometimes asked for stories to match cover paintings he had already bought.

Campbell had a strong formative influence on Asimov and eventually became a friend. Asimov credited Campbell with encouraging developments within the field of science fiction field by forgoing conventional plot points and requiring its writers to "understand science and understand people." He also called Campbell "the most powerful force in science fiction ever" and said the "first ten years of his editorship he dominated the field completely."

Campbell encouraged Cleve Cartmill to write "Deadline", a short story that appeared during the wartime year of 1944, a year before the detonation of the first atomic bomb. As Ben Bova, Campbell's successor as editor at Analog, wrote, it "described the basic facts of how to build an atomic bomb. Cartmill and Campbell worked together on the story, drawing their scientific information from papers published in the technical journals before the war. To them, the mechanics of constructing a uranium-fission bomb seemed perfectly obvious." The FBI descended on Campbell's office after the story appeared in print and demanded that the issue be removed from the newsstands. Campbell convinced them that by removing the magazine "the FBI would be advertising to everyone that such a project existed and was aimed at developing nuclear weapons" and the demand was dropped.

Campbell was also responsible for the grim and controversial ending of Tom Godwin's short story "The Cold Equations". Writer Joe Green recounted that Campbell had rejected Godwin's 'Cold Equations' on three different occasions due to disagreements over the fate of the female protagonist.

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