John Edward Masefield, OM (; 1 June 1878 – 12 May 1967) was an English poet and writer. He was Poet Laureate from 1930 until his death in 1967, during which time he lived at Burcot, Oxfordshire, near Abingdon-on-Thames. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems "The Everlasting Mercy" and "Sea-Fever". Shortly after his death his house (Burcote Brook) burned down and was later replaced by a Cheshire Home named after him.
Masefield was born in Ledbury, Herefordshire, to George Masefield, a solicitor, and his wife Caroline (née Parker). He was baptised in the Church at Preston Cross, just outside Ledbury. His mother died giving birth to his sister when Masefield was six, and he went to live with his aunt. His father died soon afterwards, following a mental breakdown.
After a very happy education at the King's School in Warwick (now known as Warwick School where he even had a building named after him), where he was a boarder between 1888 and 1891, he left to board HMS Conway, both to train for a life at sea and to break his addiction to reading, of which his aunt thought little. He spent several years aboard this ship, and found that he could spend much of his time reading and writing. It was aboard the Conway that Masefield's love of story-telling grew. While he was on the ship, he listened to the stories told about sea lore, continued to read, and decided that he was to become a writer and story-teller himself. Masefield gives an account of life aboard the Conway in his book New Chum.
In 1894 Masefield boarded the Gilcruix, destined for Chile. This first voyage brought him the experience of sea sickness, but his record of his experiences while sailing through extreme weather shows his delight in seeing flying fish, porpoises and birds. He was awed by the beauty of nature, including a rare sighting of a nocturnal rainbow, on this voyage. On reaching Chile, he suffered from sunstroke and was hospitalised. He eventually returned home to England as a passenger aboard a steamship. His experiences on the voyage were used as material for his narrative poem Dauber (1913).
In 1895 Masefield returned to sea on a windjammer destined for New York City. However, the urge to become a writer and the hopelessness of life as a sailor overtook him, and in New York he jumped ship and travelled throughout the countryside. For several months he lived as a vagrant, drifting between odd jobs, before he returned to New York City and found work as a barkeeper's assistant. Some time around Christmas 1895, he read the December edition of Truth, a New York periodical, which contained the poem "The Piper of Arll" by Duncan Campbell Scott. Ten years later, Masefield wrote to Scott to tell him what reading that poem had meant to him:
I had never (till that time) cared very much for poetry, but your poem impressed me deeply, and set me on fire. Since then poetry has been the one deep influence in my life, and to my love of poetry I owe all my friends, and the position I now hold.
From 1895 to 1897, Masefield was employed at the huge Alexander Smith carpet factory in Yonkers, New York, where long hours were expected and conditions were far from ideal. He purchased up to 20 books a week, and devoured both modern and classical literature. His interests at this time were diverse, and his reading included works by George du Maurier, Alexandre Dumas (père), Thomas Browne, William Hazlitt, Charles Dickens, Rudyard Kipling, and Robert Louis Stevenson. Chaucer also became very important to him during this time, as well as Keats and Shelley. In 1897, Masefield returned home to England as a passenger aboard a steamship.
In 1901, when Masefield was 23, he met his future wife, Constance de la Cherois Crommelin (6 February 1867 – 18 February 1960, from Cushendun in County Antrim, Northern Ireland; she was a sister to Andrew Claude de la Cherois Crommelin), aged 35, and of Huguenot descent. They married on 23 June 1903 at St. Mary, Bryanston Square. Educated in classics and English Literature, and a mathematics teacher, Constance was a good match for him, despite the difference in their ages. The couple had two children: Judith, born Isabel Judith, 28 April 1904, in London, died in Sussex, 1 March 1988; and Lewis Crommelin, born in 1910, in London, killed in action in Africa, 29 May 1942.
In 1902 Masefield was put in charge of the fine arts section of the Arts and Industrial Exhibition in Wolverhampton. By then his poems were being published in periodicals and his first collection of verse, Salt-Water Ballads, was published that year. It included the poem "Sea-Fever". Masefield then wrote two novels, Captain Margaret (1908) and Multitude and Solitude (1909). In 1911, after a long period of writing no poems, he composed The Everlasting Mercy, the first of his narrative poems, and within the next year had produced two more, "The Widow in the Bye Street" and "Dauber". As a result, he became widely known to the public and was praised by the critics. In 1912 he was awarded the annual Edmond de Polignac Prize.
From the First World War to appointment as Poet Laureate
When the First World War began in 1914 Masefield was old enough to be exempted from military service, but he joined the staff of a British hospital for French soldiers, the Hôpital Temporaire d'Arc-en-Barrois in Haute-Marne, serving a six-week term during the spring of 1915. He later published an account of his experiences. At about this time Masefield moved his country retreat from Buckinghamshire to Lollingdon Farm in Cholsey, the setting that inspired a number of poems and sonnets under the title Lollingdon Downs, and which his family used until 1917.
After returning home, Masefield was invited to the United States on a three-month lecture tour. Although his primary purpose was to lecture on English literature, he also intended to collect information on the mood and views of Americans regarding the war in Europe. When he returned to England, he submitted a report to the British Foreign Office and suggested that he should be allowed to write a book about the failure of the Allied effort in the Dardanelles that might be used in the United States to counter German propaganda there. The resulting work, Gallipoli, was a success. Masefield then met the head of British Military Intelligence in France and was asked to write an account of the Battle of the Somme. Although Masefield had grand ideas for his book, he was denied access to official records and what was intended to be the preface was published as The Old Front Line, a description of the geography of the Somme area.
In 1918 Masefield returned to America on his second lecture tour, spending much of his time speaking and lecturing to American soldiers waiting to be sent to Europe. These speaking engagements were very successful. On one occasion a battalion of black soldiers danced and sang for him after his lecture. During this tour he matured as a public speaker and realised his ability to touch the emotions of his audience with his style of speaking, learning to speak publicly from his own heart rather than from dry scripted speeches. Towards the end of his visit both Yale and Harvard Universities conferred honorary doctorates of letters on him.
Masefield entered the 1920s as an accomplished and respected writer. His family was able to settle on Boar's Hill, a somewhat rural setting not far from Oxford, where Masefield took up beekeeping, goat-herding and poultry-keeping. He continued to meet with success: the first edition of his Collected Poems (1923) sold about 80,000 copies. A narrative poem, Reynard The Fox (1920), has been critically compared with works by Geoffrey Chaucer, not necessarily to Masefield's credit. This was followed by Right Royal and King Cole, poems in which the relationship between humanity and nature is emphasised.
After King Cole, Masefield turned away from long poems and back to novels. Between 1924 and 1939 he published 12 novels, which vary from stories of the sea (The Bird of Dawning, Victorious Troy) to social novels about modern England (The Hawbucks, The Square Peg), and from tales of an imaginary land in Central America (Sard Harker, Odtaa) to fantasies for children (The Midnight Folk, The Box of Delights). In this same period he wrote a large number of dramatic pieces. Most of these were based on Christian themes, and Masefield, to his amazement, encountered a ban on the performance of plays on biblical subjects that went back to the Reformation and had been revived a generation earlier to prevent production of Oscar Wilde's Salome. However, a compromise was reached and in 1928 his The Coming of Christ was the first play to be performed in an English cathedral since the Middle Ages.