John Le Mesurier (, born John Elton Le Mesurier Halliley; 5 April 1912 – 15 November 1983) was an English actor. He is probably best remembered for his comedic role as Sergeant Arthur Wilson in the BBC television situation comedy Dad's Army (1968–1977). A self-confessed "jobbing actor", Le Mesurier appeared in more than 120 films across a range of genres, normally in smaller supporting parts.
Le Mesurier became interested in the stage as a young adult and enrolled at the Fay Compton Studio of Dramatic Art in 1933. From there he took a position in repertory theatre and made his stage debut in September 1934 at the Palladium Theatre in Edinburgh in the J. B. Priestley play Dangerous Corner. He later accepted an offer to work with Alec Guinness in a John Gielgud production of Hamlet. He first appeared on television in 1938 as Seigneur de Miolans in the BBC broadcast of The Marvellous History of St Bernard. During the Second World War Le Mesurier was posted to British India, as a captain with the Royal Tank Regiment. Following the war, he returned to acting and made his film debut in the 1940s.
Le Mesurier had a prolific film career, appearing mostly in comedies, usually in roles portraying figures of authority such as army officers, policemen and judges. As well as Hancock's Half Hour, Le Mesurier appeared in Tony Hancock's two principal films, The Rebel and The Punch and Judy Man. In 1971, Le Mesurier received his only award: a British Academy of Film and Television Arts "Best Television Actor" award for his lead performance in Dennis Potter's television play Traitor; it was one of his few lead roles.
He took a relaxed approach to acting and felt that his parts were those of "a decent chap all at sea in a chaotic world not of his own making." Le Mesurier was married three times, most notably to the actress Hattie Jacques. A heavy drinker of alcohol for most of his life, Le Mesurier died in 1983, aged 71, from a stomach haemorrhage, brought about as a complication of cirrhosis of the liver. After his death, critics reflected that, for an actor who normally took minor roles, the viewing public were "enormously fond of him".
Le Mesurier was born John Elton Le Mesurier Halliley in Bedford on 5 April 1912. His parents were Charles Elton Halliley, a solicitor, and Amy Michelle (née Le Mesurier), whose family were from Alderney in the Channel Islands; both families were affluent, with histories of government service or work in the legal profession. While John was an infant the family settled in Bury St Edmunds, in West Suffolk. He was sent to school, first to Grenham House in Kent, and later to Sherborne School in Dorset, where one of his fellow pupils was the mathematician Alan Turing.
Le Mesurier disliked both schools intensely, citing insensitive teaching methods and an inability to accept individualism. He later wrote: "I resented Sherborne for its closed mind, its collective capacity for rejecting anything that did not conform to the image of manhood as portrayed in the ripping yarns of a scouting manual."
From an early age Le Mesurier had been interested in acting and performing; as a child he had frequently been taken to the West End of London to watch Ralph Lynn and Tom Walls perform in the series of farces at the Aldwych Theatre. In his childhood in Bury St Edmunds, the family lived less than 300 yards from the Theatre Royal, and his autobiography records meeting actors from that theatre as his earliest childhood memory. These experiences fuelled an early desire to make a career on the stage. After leaving school he was initially persuaded to follow his father's line of work, as an articled clerk at Greene & Greene, a firm of solicitors in Bury St Edmunds; in his spare time he took part in local amateur dramatics. In 1933 he decided to leave the legal profession, and in September he enrolled at the Fay Compton Studio of Dramatic Art; a fellow student was the actor Alec Guinness, with whom he became close friends.
In July 1934, the studio staged their annual public revue in which both Le Mesurier and Guinness took part; among the judges for the event were John Gielgud, Leslie Henson, Alfred Hitchcock and Ivor Novello. Le Mesurier received a Certificate of Fellowship, while Guinness won the Fay Compton prize. After the revue, rather than remain at the studio for further tuition, Le Mesurier took an opportunity to join the Edinburgh-based Millicent Ward Repertory Players at a salary of £3.10s (£3.50) a week.
The Millicent Ward repertory company typically staged evening performances of three-act plays; the works changed each week, and rehearsals were held during the daytime for the following week's production. Under his birth name John Halliley, Le Mesurier made his stage debut in September 1934 at the Palladium Theatre, Edinburgh in the J. B. Priestley play Dangerous Corner, along with three other newcomers to the company. The reviewer for The Scotsman thought that Le Mesurier was well cast in the role. Appearances in While Parents Sleep and Cavalcade were followed by a break, as problems arose with the lease of the theatre. Le Mesurier then accepted an offer to appear with Alec Guinness in a John Gielgud production of Hamlet, which began in Streatham in the spring of 1935 and later toured the English provinces. Le Mesurier understudied Anthony Quayle's role of Guildenstern, and otherwise appeared in the play as an extra.
In July 1935, Le Mesurier was hired by the Oldham repertory company, based at the Coliseum Theatre; his first appearance with them was in a version of the Wilson Collison play, Up in Mabel's Room; he was sacked after one week for missing a performance after oversleeping. In September 1935, he moved to the Sheffield Repertory Theatre to appear in Mary, Mary, Quite Contrary, and also played Malvolio in Shakespeare's Twelfth Night. Le Mesurier later commented on the slow progress of his career: "had I known it was going to take so long, I might well have given the whole thing up". In 1937 he joined the Croydon Repertory Theatre, where he appeared in nine productions in 1936 and 1937. During this period Le Mesurier changed his professional name from John Halliley to John Le Mesurier; his biographer Graham McCann observes that "he never bothered, at least in public, to explain the reason for his decision". Le Mesurier used his new name for the first time in the September 1937 production of Love on the Dole.
Le Mesurier first appeared on television in 1938, thus becoming one of the medium's pioneering actors. His initial appearance was in a production of The Marvellous History of St Bernard in which he appeared as Seigneur de Miolans in a play adapted from a 15th-century manuscript by Henri Ghéon. Alongside the television appearance, he continued to appear on stage in Edinburgh and Glasgow with the Howard and Wyndham Players, at least until late 1938 when he returned to London and re-joined Croydon Repertory Theatre.
His second spell with the troupe ended a few months later when, from May to October 1939 he appeared in Gaslight, first in London and subsequently on tour. The reviewer in The Manchester Guardian considered that Le Mesurier gave "a faultless performance", and that "the character is not overemphasised. One may praise it best by saying that Mr. Le Mesurier gives one a really uncomfortable feeling in the stomach".
From November to December 1939, Le Mesurier toured Britain in a production of Goodness, How Sad, during which time he met the director's daughter, June Melville, whom he married in April 1940. After spending January and February 1940 in French Without Tears at the Grand Theatre in Blackpool, he returned to London where he was employed by the Brixton Theatre, appearing in a series of productions. In his time in repertory, Le Mesurier took on a variety of roles across several genres; his biographer Graham McCann observed that his range included "comedies and tragedies, thrillers and fantasies, tense courtroom dramas and frenzied farces, Shakespeare and Ibsen, Sheridan and Wilde, Molière and Shaw, Congreve and Coward. The range was remarkable".