Nicola James Capaldi (2 August 1944 – 28 January 2005) was an English singer-songwriter and drummer. His musical career spanned more than four decades. He co-founded the progressive rock band Traffic in 1967 with Steve Winwood, and the two of them co-wrote the majority of the band's material. He was inducted into the Rock and Roll Hall of Fame as a part of Traffic's original lineup.
Capaldi also performed with Jimi Hendrix, Eric Clapton, George Harrison, Alvin Lee, Cat Stevens, and Mylon LeFevre, and wrote lyrics for other artists, such as "Love Will Keep Us Alive" and "This is Reggae Music". As a solo artist he scored more than a half dozen chart hits in various countries, the best-known being "That's Love" as well as his cover of "Love Hurts".
Capaldi was born Nicola James Capaldi in Evesham, Worcestershire, to English parents Marie (née Couchier) and Nicholas Capaldi. His father was born Nicola Capaldi in 1913 in Evesham to Italian parents. As a child, Capaldi studied piano and voice with his father, a music teacher, and by his teens he was playing drums with his friends. At age 14, he founded the band the Sapphires and served as their lead vocalist. At 16 he took an apprenticeship at a factory in Worcester, where he met Keith Miller and Dave Mason. In 1963 he formed the Hellions, with Mason on guitar and Gordon Jackson on rhythm guitar, while Capaldi himself switched to drums. In August 1964, Tanya Day took the Hellions to the Star-Club in Hamburg, Germany, as her backing group. The Spencer Davis Group were staying at the same hotel as the Hellions and it was there that Steve Winwood befriended Capaldi and Mason.
Back in Worcester, the Hellions provided backing to visiting performers including Adam Faith and Dave Berry. By the end of 1964, they had a London residency at the Whisky a Go Go Club. In 1964–65 the band released three singles, but none charted. Later that year John "Poli" Palmer joined the band on drums and Capaldi became the lead vocalist.
The Hellions moved back to Worcester in 1966 where they changed their name to the Revolution, releasing a fourth single that also failed to chart. Disillusioned, Dave Mason left the band. Capaldi replaced Mason with Luther Grosvenor and renamed the band Deep Feeling. Capaldi, Jackson, and Palmer wrote original songs for the band that were heavier than the Hellions repertoire. They played gigs in Birmingham and the surrounding Black Country area; former Yardbirds manager Giorgio Gomelsky offered them a recording contract. They recorded several studio tracks from 1966 to 1968 which remained unreleased until 2009, when the album Pretty Colours was released by Sunbeam Records.
Capaldi and the band played frequently in London, and Jimi Hendrix played guitar with them at the Knuckles Club as an unknown musician. Back in Birmingham Capaldi would occasionally join his friends Mason, Winwood, and Chris Wood for after-hours impromptu performances at The Elbow Room club on Aston High Street. Early in 1967 they formalised this arrangement by forming Traffic, and Deep Feeling disbanded.
The new band was signed by Island Records and rented a quiet cottage in Aston Tirrold, Berkshire, to write and rehearse new material. The cottage did not remain quiet and had frequent visitors including Eric Burdon, Eric Clapton, and Pete Townshend as well as Trevor Burton (of The Move) amongst many others.
Capaldi wrote the lyrics for Traffic's first single "Paper Sun", which appeared in the UK singles chart at number 5 in summer 1967. This was the beginning of a songwriting partnership between him and Winwood which would produce the overwhelming majority of Traffic's songs: With the exception of "No Face, No Name, No Number", Capaldi would pen a lyric first, and then hand it over to Winwood to write the music.
Despite his key role in writing the band's material, Capaldi rarely sang lead vocals with Traffic, and his lyrics were nearly always keyed towards Winwood's soulful voice rather than his own more hard-edged vocal style.
Two more Traffic singles were released successfully in 1967, and in December the band released the album Mr. Fantasy. After one further album, Traffic, the group disbanded.
Capaldi formed another band with Mason, Wood, and Mick Weaver but the creative tensions that had caused Mason to leave Traffic remained and the resulting quartet lasted only until March 1969. In January 1970 Capaldi and Wood joined Winwood in the studio to record Winwood's solo album. These sessions were so successful that the three of them reformed Traffic to release the album John Barleycorn Must Die. They then toured the UK and the US with an expanded line-up, which would go on to produce the hit albums Welcome to the Canteen and The Low Spark of High Heeled Boys. The title track of the latter, a cynical treatise on the music industry, would prove to be one of Capaldi's most famous lyrics. In addition, "Rock and Roll Stew (part 1)", a rare instance of a Traffic song with Capaldi on lead vocal, was a minor hit in the US.
Final Traffic years, first solo years
With Traffic on hiatus due to Steve Winwood's struggles with peritonitis, Capaldi recorded a solo album Oh How We Danced in 1972. This set contained a broad variety of musical styles and featured contributions from Free guitarist Paul Kossoff, the Muscle Shoals Rhythm Section, and several members of Traffic. It was well received by critics and proved to be a modest success in the US, encouraging Capaldi to pursue a solo career alongside his work with Traffic.
After two more albums with Traffic, the group took a short break, allowing Capaldi to record Whale Meat Again, which was slightly less successful than his debut both in terms of reviews and sales. The title track was a thoroughly hard rocking and unapologetic environmentalist tirade; aggressive sociopolitical-themed songs became a recurring theme in Capaldi's work. He began work on his third solo album, Short Cut Draw Blood, alongside recording When the Eagle Flies with Traffic. As the band set off on the supporting tour, an early single from Short Cut, "It's All Up to You", made the UK Top 40. Though Capaldi's first major solo hit, it proved only a prelude to the album's chief success. Traffic disbanded after the tour, leaving Capaldi to focus all his efforts on his solo career. Short Cut Draw Blood appeared the following year. In October 1975, a single taken from the album, a cover version of The Everly Brothers' "Love Hurts", reached number four in the UK chart and charted worldwide. The album is considered by many to be his masterpiece, tackling issues such as the environment, government corruption, and drugs. He also embarked on a very brief acting career, appearing in the rarely seen 30-minute short film Short Ends (1976), which was directed by Esther Anderson and co-starred Judy Geeson and Hilary Baker.
However, events would conspire to prevent Capaldi from consolidating his solo stardom. He began working on his next album, Play it by Ear, alongside serving as a major collaborator on Steve Winwood's debut solo album. Play it by Ear took an unusually long time to record, and in the meantime, his long-standing relationship with Island Records fell apart. The album was cancelled as a result, even though an advance single, "Goodbye My Love" (no connection to "Goodbye Love" from Capaldi's previous album), had already been released. Capaldi later described his leaving Island Records as "a leap into the wilderness." Due to these delays, it was over two years after Short Cut Draw Blood that another Jim Capaldi album appeared.
At this time Capaldi wrote the soundtrack to the award-winning film "The Contender", his last recording with the Muscle Shoals Rhythm Section as his backing band, and correspondingly put together a new backing band for himself called the Contenders. The group consisted of Pete Bonas (guitar), Chris Parren (miscellaneous keyboards), Ray Allen (saxophone, backing vocals, percussion), and Phil Capaldi (backing vocals, percussion). Bonas was a particularly significant collaborator, and would co-write many of Capaldi's songs. The band chiefly supported him on tour; only one album, Electric Nights, featured the Contenders on every track. At the encouragement of his new label, RSO Records, Capaldi began venturing into disco. His first album with the label, The Contender, was released in the US with the title Daughter of the Night and a partially different set of songs. However, the album's internationally released single, "Daughter of the Night", failed to make a major impact.