Jeffrey Allen "Skunk" Baxter (born December 13, 1948) is an American guitarist, known for his stints in the rock bands Steely Dan and The Doobie Brothers during the 1970s and Spirit in the 1980s. More recently, he has worked as a defense consultant and advised U.S. members of Congress on missile defense. He was inducted into the Rock and Roll Hall of Fame as a member of The Doobie Brothers in 2020.
Jeffrey Baxter was born in Washington, D.C., and spent some of his formative years in Mexico. He graduated from the Taft School in 1967 in Watertown, Connecticut, and was a self-described preppie. He enrolled at the School of Public Communication (now College of Communication) at Boston University in September 1967, where he studied journalism while continuing to perform with local bands. His freshman roommate was blues musician James Montgomery.
Baxter was a classically trained pianist, studying from the age of 5 to 15. When he was 9 years old, his family moved to Mexico City, where he bought a cheap guitar and taught himself how to play. He joined his first band at age 11. At the Taft School, he played drums in a band called King Thunder and the Lightning Bolts. While still a high school student, he worked at Jimmy's Music Shop in Manhattan in 1966. At Jimmy's, Baxter met guitarist Jimi Hendrix, who was just beginning his career as a frontman. Later, Baxter claimed to have sat in with the Hendrix-led band Jimmy James and the Blue Flames, when the regular bassist could not make the show. Work at Jimmy's also led to Baxter's first professional job as a musician; while delivering an amplifier to a record company, he ended up filling in for a guitarist who was late to a demo session. Moving to Boston to attend college, Baxter worked as a guitar technician and amplifier repairman at Jack's Drum Shop on Boylston Street.
Baxter first reached a wide rock audience in 1968 as a member of the psychedelic rock band Ultimate Spinach. Baxter joined the band for Ultimate Spinach III, their third and final album. After leaving Ultimate Spinach, he learned how to play pedal steel guitar, played with the Holy Modal Rounders, and backed singer Buzzy Linhart. He was using the moniker "Skunk" by this time; so far, Baxter has kept the origin of the nickname a secret.
Baxter found extensive work as a session guitarist, including playing on Carly Simon's first top 10 hit, "That's the Way I've Always Heard It Should Be".
In 1972, Baxter relocated to Los Angeles for more studio work. There he became a founding member of the band Steely Dan. Baxter had played with the drummer, Jim Hodder, on a number of occasions, and was acquainted with Steely Dan's producer, Gary Katz, who was responsible for inviting Baxter to join the group.
Baxter appeared with Steely Dan on their first three albums, Can't Buy a Thrill in 1972, Countdown to Ecstasy in 1973, and Pretzel Logic in 1974, and played with them on three full tours. Despite this, he continued to do session recordings and live shows with other acts while an official member of Steely Dan. He contributed the guitar fills and signature solo heard on Steely Dan's highest charting hit, "Rikki Don't Lose That Number."
While finishing work on Pretzel Logic, Baxter became aware of Becker and Fagen's intentions to retire Steely Dan from touring and work almost exclusively with session players. With that in mind, Baxter left the band in 1974 to join The Doobie Brothers, who at the time were touring in support of their fourth album What Were Once Vices Are Now Habits. Baxter had already done work for The Doobie Brothers as a session guitarist (on What Were Once Vices Are Now Habits and its predecessor, The Captain and Me) and often sat in with them during concerts where Steely Dan were their opening act.
Baxter's first album as a full member of the group was 1975's Stampede; however, he does not appear on the cover photo, since it was taken before he joined the group. He contributed an acoustic interlude ("Precis") and significant turns on slide and pedal steel guitar.
While preparing to tour in support of Stampede, Doobie Brothers founder Tom Johnston was hospitalized with a stomach ailment. To fill in for Johnston on vocals, Baxter suggested bringing in singer-keyboardist Michael McDonald, with whom Baxter had worked in Steely Dan. With Johnston still convalescing, McDonald was invited to join the band full-time. McDonald's vocal and songwriting contributions, as well as Baxter's jazzier guitar style, marked a new direction for the band. They went on to continued success with the 1976 album Takin' It to the Streets, 1977's Livin' on the Fault Line, and particularly 1978's Minute by Minute, which spent five weeks as the #1 album in the U.S. and spawned several hit singles; Baxter's work on the album includes an extended solo at the end of the closing track "How Do the Fools Survive?". As with Steely Dan, Baxter continued to do extensive session work while a member of The Doobie Brothers.
In early 1979, Baxter left the band, as did drummer and band co-founder John Hartman. McDonald had grown frustrated with the way Baxter altered the guitar lines in his songs and indicated that he could no longer work with him.
Baxter has continued working as a session guitarist for a diverse group of artists, including Willy DeVille, Bryan Adams, Hoyt Axton, Eric Clapton, Gene Clark, Sheryl Crow, Freddie Hubbard, Tim Weisberg, Joni Mitchell, Ricky Nelson, Dolly Parton, Carly Simon, Ringo Starr, Gene Simmons, Rod Stewart, Burton Cummings, Barbra Streisand, and Donna Summer. He has worked as a touring musician for Elton John, Linda Ronstadt, and Billy Vera and the Beaters.
In 1982, he featured on Spirit's album Spirit of '84, released as The Thirteenth Dream outside of the US.
In 1984, Baxter played keyboards with Bobby and the Midnites' Bob Weir, Billy Cobham, Bobby Cochran, Kenny Gradney ("Tigger"), and Dave Garland at the Capitol Theatre in Passaic, New Jersey. That same year, he produced and played guitar and synthesizer on the band's album Where the Beat Meets the Street on Columbia Records.
In 1986, Baxter joined James Brown and Maceo Parker on guitar for several North American tour dates.
In 1990, Baxter joined John Entwistle, Joe Walsh, Keith Emerson, Simon Phillips and relatively unknown vocalist Rick Livingstone in a supergroup called The Best. The group released a live performance video in Japan before disbanding. He also produced two albums for the hard rock band Nazareth, and also produced albums for Carl Wilson, Livingston Taylor, The Ventures, and Nils Lofgren. He was producer on the 1982 Bob Welch album Eye Contact. In 1991 Baxter also produced a documentary video, "Guitar" (Warner Brothers VHS and LaserDisc), in which he travels the world and interviews guitarists he admires. In 1994 he performed on the video game Tuneland.
In 1997 Baxter scored the movie The Curse of Inferno.
In 2007, Baxter jammed with former White House Press Secretary Tony Snow's band Beats Workin' at the National Press Club and the Congressional Picnic held on the White House South Lawn.