On This Day

Jack Bruce

Scottish musician (1943–2014)

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John Symon Asher "Jack" Bruce (14 May 1943 – 25 October 2014) was a Scottish musician. He gained popularity as the primary lead vocalist and bassist of rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.

In the early 1960s, Bruce joined the Graham Bond Organisation (GBO), where he met future Cream bandmate Ginger Baker. After leaving the band, he briefly joined John Mayall & the Bluesbreakers, where he met Eric Clapton. In 1966, after a short time with Manfred Mann, Bruce formed Cream with lead guitarist Clapton and drummer Baker. Bruce co-wrote many of their songs (including "Sunshine of Your Love", "White Room" and "I Feel Free") with poet/lyricist Pete Brown.

After the group disbanded in the late 1960s, Bruce began recording solo albums. He put together a band of his own to perform material live and formed the blues rock band West, Bruce and Laing in 1972, with ex-Mountain guitarist Leslie West and drummer Corky Laing. Bruce's solo career spanned several decades. From the 1970s to the 1990s, he played with several bands as a touring member. He reunited with Cream in 2005 for concerts at the Royal Albert Hall and at Madison Square Garden in New York.

Bruce is considered one of the most important and influential bassists of all time. Rolling Stone magazine readers ranked him number eight on their list of "10 Greatest Bassists of All Time". He was inducted in the Rock and Roll Hall of Fame in 1993, and was awarded the Grammy Lifetime Achievement Award in 2006, both as a member of Cream.

Bruce was born on 14 May 1943 in Bishopbriggs, Lanarkshire, Scotland, to Betty (née Asher) and Charlie Bruce, musical parents who moved frequently, resulting in the young Bruce attending 14 different schools, ending up at Bellahouston Academy. He began playing jazz bass in his teens and won a scholarship to study cello and musical composition at the Royal Scottish Academy of Music and Drama while playing in Jim McHarg's Scotsville Jazzband to support himself.

Jack Bruce's school disapproved of the fact that he played in jazz combos, so he was forced to leave the school. He subsequently toured Italy, playing double bass with the Murray Campbell Big Band.

In 1962, Bruce became a member of the London-based band Blues Incorporated, led by Alexis Korner, in which he played the upright bass. The band also included organist Graham Bond, saxophonist Dick Heckstall-Smith and drummer Ginger Baker. In 1963 the group dissolved.

In March 1963, Bruce played in the Johnny Burch Octet. Bruce would go on to form the Graham Bond Quartet with Bond, Baker and guitarist John McLaughlin. They played an eclectic range of music genres, including bebop, blues and rhythm and blues. As a result of session work, Bruce switched from the upright bass to the electric bass guitar. The move to electric bass happened as McLaughlin left the band. He was replaced by Heckstall-Smith on saxophone, and the band pursued a more concise R&B sound and changed their name to the Graham Bond Organisation. The group released two studio albums and several singles but were not commercially successful.

During the time that Bruce and Baker played with the Graham Bond Organisation, they were known for their hostility towards each other. There were numerous stories of the two sabotaging each other's equipment and fighting on stage. Relations grew so bad between the two that Bruce left the band in August 1965.

After leaving, Bruce recorded a solo single, "I'm Gettin Tired", for Polydor Records. He joined John Mayall and his Bluesbreakers band, which featured guitarist Eric Clapton. Bruce's stay in the band was brief, and he did not contribute to any releases at the time, but recordings featuring him were later released, initially on Looking Back and Primal Solos.

After the Bluesbreakers, Bruce had his first commercial success as a member of Manfred Mann in 1966, including "Pretty Flamingo", which reached number one in the UK singles chart (one of two number one records of his career – the other being an uncredited bass part on The Scaffold's "Lily the Pink") as well as the freewheeling and groundbreaking jazz rock of Instrumental Asylum. When interviewed on the edition of the VH1 show Classic Albums which featured Disraeli Gears, Mayall said that Bruce had been lured away by the lucrative commercial success of Manfred Mann, while Mann himself recalled that Bruce played his first gig with the band without any rehearsal, playing the songs straight through without error, commenting that perhaps the chord changes seemed obvious to Bruce.

While with Manfred Mann, Bruce again collaborated with Clapton as a member of Powerhouse, which also featured Spencer Davis Group members Steve Winwood credited as "Steve Anglo", on vocals and Pete York on drums (Apparently, Ginger Baker was originally to have played the session), Ben Palmer on piano, and Manfred Mann vocalist Paul Jones on harmonica. Three tracks were featured on the Elektra sampler album What's Shakin'. Two of the songs, "Crossroads" and "Steppin' Out", became staples in the live set of his next band, Cream.

In July 1966, Bruce, Eric Clapton and Ginger Baker founded the power trio Cream, which gained international recognition playing blues-rock and jazz-inflected rock music. Bruce either penned or co-penned the majority of the band's tunes and sang most of the lead vocals, with Clapton backing him up and eventually assuming some leads himself.

With his Gibson EB-3 or Fender VI electric basses, Bruce became one of the most famous bassists in rock, winning musicians' polls and influencing the next generation of bassists such as Sting, Jim Shaw, Geddy Lee, Geezer Butler and Jeff Berlin. Bruce co-wrote most of Cream's single releases with lyricist Pete Brown, including the hits "Sunshine of Your Love", "White Room" and "I Feel Free". Cream broke up in 1968.

Collaborative efforts with musicians, in many genres – hard rock, jazz, blues, R&B, fusion, avant-garde, world music, third stream classical – continued as a theme of Bruce's career. Alongside these he produced a long line of highly regarded solo albums. In contrast to his collaborative works, the solo albums usually maintain a common theme: melodic songs with a complex musical structure, songs with lyrics frequently penned by Pete Brown and a core band of world-class musicians. This structure was loosened on his live solo albums and DVDs, where extended improvisations similar to those employed by Cream in live performance were sometimes still used.

In August 1968, before Cream officially disbanded, Bruce recorded a semi-acoustic free jazz album with John McLaughlin, Dick Heckstall-Smith and Jon Hiseman. This was issued in 1970 as Bruce's second solo album, Things We Like. The album was a precursor to the jazz fusion boom in the early 1970s.

Bruce's first solo release, Songs for a Tailor, was issued in September 1969; it too featured Heckstall-Smith and Hiseman. It was a worldwide hit and also showcased Jack's ability as a gifted pianist, but after a brief supporting tour backed by Larry Coryell and Mitch Mitchell, Bruce joined the jazz fusion group Lifetime, with drummer Tony Williams, guitarist McLaughlin, and organist Larry Young, for its second album, Turn It Over (1970). For the group's third album, Ego (1971), Ron Carter replaced Bruce on bass, but Bruce contributed a guest vocal. Bruce then recorded his third solo album Harmony Row, but this was not as commercially successful as Songs for a Tailor. The song "The Consul at Sunset" from Harmony Row, inspired by the 1947 Malcolm Lowry novel Under the Volcano, was released as a single in 1971 (Polydor 2058–153, b/w "A Letter of Thanks"), but did not chart.

In 1972 Bruce formed a blues rock power trio, West, Bruce & Laing. Besides Bruce, the group included singer/guitarist Leslie West and drummer Corky Laing, both formerly of the Cream-influenced American band Mountain. West, Bruce & Laing produced two studio albums, Why Dontcha and Whatever Turns You On, and one live album, Live 'n' Kickin'. Bruce also jammed with Syd Barrett at an informal jazz and poetry performance with Pete Brown in Cambridge in October 1973.

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