Isaac Bashevis Singer (Yiddish: יצחק באַשעװיס זינגער; November 11, 1903 – July 24, 1991) was a Polish-born Jewish American novelist, short-story writer, memoirist, essayist, and translator in the United States. Some of his works were adapted for the theater. He wrote and published first in Yiddish and later translated his own works into English with the help of editors and collaborators. He was awarded the Nobel Prize in Literature in 1978. A leading figure in the Yiddish literary movement, he was awarded two U.S. National Book Awards, one in Children's Literature for his memoir A Day of Pleasure: Stories of a Boy Growing Up in Warsaw (1970) and one in Fiction for his collection A Crown of Feathers and Other Stories (1974).
Isaac Bashevis Singer was born in 1903 to a Jewish family in Leoncin village near Warsaw, Poland. The Polish form of his birth name was Icek Hersz Zynger. The exact date of his birth is uncertain, but most sources say it was probably November 11, a date similar to the one that Singer gave to his official biographer Paul Kresh, his secretary Dvorah Telushkin, and Rabbi William Berkowitz. Some sources mention 1902. The year 1903 is consistent with the historical events that his brother refers to in their childhood memoirs, including the death of Theodor Herzl. The often-quoted birth date, July 14, 1904, was made up by the author in his youth, possibly to make himself younger to avoid the draft.
His father Pinchus-Mendel Zinger (1868–?) was a Hasidic rabbi from Tomaszów Lubelski (Lublin Governorate), and his mother, Szewa (née Zilberman, 1871–?) was from Poritsk (Vladimir-Volynsky Uyezd, Volhynia Governorate); parents registered their marriage on June 2 (14) 1889 in Biłgoraj. Singer later used her first name in an initial literary pseudonym, Izaak Baszewis, which he later expanded. Both his older siblings, sister Esther Kreitman (1891–1954) and brother Israel Joshua Singer (1893–1944), became writers as well. Esther was the first of the family to write stories.
The family moved to the court of the Rabbi of Radzymin in 1907, where his father became head of the Yeshiva. After the Yeshiva building burned down in 1908, the family moved to Warsaw, a flat at Krochmalna Street 10. In the spring of 1914, the Singers moved to No. 12.
The street where Singer grew up was located in the impoverished, Yiddish-speaking Jewish quarter of Warsaw. There his father served as a rabbi, and was called on to be a judge, arbitrator, religious authority and spiritual leader in the Jewish community. The unique atmosphere of pre-war Krochmalna Street can be found both in the collection of Varshavsky-stories, which tell stories from Singer's childhood, as well as in those novels and stories which take place in pre-war Warsaw.
In 1917, because of the hardships of World War I, the family split up. Singer moved with his mother and younger brother Moshe to Biłgoraj, a traditional shtetl, where his mother's brothers had followed his grandfather as rabbis. When his father became a village rabbi again in 1921, Singer returned to Warsaw. He entered the Tachkemoni Rabbinical Seminary and soon decided that neither the school nor the profession suited him. He returned to Biłgoraj, where he tried to support himself by giving Hebrew lessons, but soon gave up and joined his parents, considering himself a failure. In 1923, his older brother Israel Joshua arranged for him to move to Warsaw to work as a proofreader for the Jewish magazine Literarishe Bleter, of which the brother was an editor.
In 1935, four years before the Nazi invasion, Singer emigrated from Poland to the United States. He was fearful of the growing threat in neighboring Germany. The move separated the author from his common-law first wife Runia Pontsch and son Israel Zamir (1929–2014); they immigrated to Moscow and then Palestine. The three met again in 1955.
Singer settled in New York City, where he took up work as a journalist and columnist for The Jewish Daily Forward (פֿאָרװערטס), a Yiddish-language newspaper. (When he arrived in the US, he only knew three words of English: "Take a chair".) After a promising start, he became despondent and for some years felt Lost in America (title of his 1974 memoir published in Yiddish; published in English in 1981).
In 1938, he met Alma Wassermann (née Haimann) (1907–1996), a German-Jewish refugee from Munich. They married in 1940, and their union seemed to release energy in him; he returned to prolific writing and to contributing to the Forward. In addition to his pen name of "Bashevis", he published under the pen names of "Warszawski" (pron. Varshavsky) during World War II, and "D. Segal". They lived for many years in the Belnord apartment building on Manhattan's Upper West Side. He became a US citizen in 1943.
In 1981, Singer delivered a commencement address at the University at Albany and was presented with an honorary doctorate.
A resident of Surfside, Florida, Singer died on July 24, 1991, after suffering a series of strokes. He was buried in Cedar Park Cemetery, Paramus, New Jersey. 95th Street in Surfside is named Isaac Singer Boulevard in his honor.
Singer's first published story "Oyf der elter" ("In Old Age", 1925) won the literary competition of the Literarishe Bleter, where he worked as a proofreader. A reflection of his formative years in "the kitchen of literature" can be found in many of his later works. In 1933, Singer published his first novel, Satan in Goray, in installments in the literary magazine Globus, which he had co-founded with his lifelong friend, the Yiddish poet Aaron Zeitlin. It is set in the years following 1648, when the Chmielnicki massacres, considered one of the greatest Jewish catastrophes, occurred. The story describes the Jewish messianic cult that arose in the village of Goraj. It explores the effects of the faraway false messiah, Shabbatai Zvi, on the local population. Its last chapter imitates the style of a medieval Yiddish chronicle. With a stark depiction of innocence crushed by circumstance, the novel appears to foreshadow coming danger. In his later work The Slave (1962), Singer returns to the aftermath of 1648 in a love story between a Jewish man and a gentile woman. He portrays the traumatized and desperate survivors of the historic catastrophe with even deeper understanding.
Singer became a literary contributor to The Jewish Daily Forward only after his older brother Israel died in 1944. That year, Singer published The Family Moskat in his brother's honor. His own style showed in the daring turns of his action and characters, with double adultery during the holiest of nights of Judaism, the evening of Yom Kippur (despite being printed in a Jewish family newspaper in 1945). He was nearly forced to stop writing the novel by his editor-in-chief, Abraham Cahan, but was saved by readers who wanted the story to continue. After this, his stories—which he had published in Yiddish literary newspapers before—were printed in the Forward as well. Throughout the 1940s, Singer's reputation grew.
Singer always wrote and published in Yiddish. His novels were serialized in newspapers, which also published his short stories. He edited his novels and stories for publication in English, which was used as the basis for translation into other languages. Some of Singer's stories and novels have not been translated.
Singer believed in the power of his native language and thought that there was still a large audience, including in New York, who longed to read in Yiddish. In an interview in Encounter (February 1979), he said that although the Jews of Poland had died, "something—call it spirit or whatever—is still somewhere in the universe. This is a mystical kind of feeling, but I feel there is truth in it."
Some of his colleagues and readers were shocked by the breadth and frankness of his treatment of human nature. He wrote about lesbian desire in "Zeitl and Rickel" ("Tseytl un Rikl"), published in The Seance and Other Stories; a young woman who disguises herself as a man to study Talmud in "Yentl the Yeshiva Boy", published in Short Friday; and rabbis corrupted by demons in "Zeidlus the Pope", also published in Short Friday. In novels and stories that refer to events in his own life, he portrays himself unflatteringly, with some degree of accuracy, as an artist who is self-centered yet has a keen eye for the sufferings and tribulations of others.