Isaac Emmanuilovich Babel (13 July [O.S. 30 June] 1894 – 27 January 1940) was a Russian and Soviet writer, journalist, playwright, and literary translator. He is best known as the author of Red Cavalry and Odessa Stories, and has been acclaimed as "the greatest prose writer of Russian Jewry". Babel was arrested by the NKVD on 15 May 1939 on fabricated charges of terrorism and espionage, and executed on 27 January 1940.
Isaac Babel was born in the Moldavanka section of Odessa in the Russian Empire (present-day Ukraine), to Jewish parents, Manus and Feyga Babel. Soon after his birth, the Babel family moved to the port city of Nikolaev. They later returned to live in a more fashionable part of Odessa in 1906. Babel used Moldavanka as the setting for Odessa Stories and the play Sunset.
Although Babel's short stories present his family as "destitute and muddle-headed", they were relatively well-off. According to his autobiographical statements, Babel's father, Manus, was an impoverished shopkeeper. Babel's daughter, Nathalie Babel Brown, stated that her father fabricated this and other biographical details in order to "present an appropriate past for a young Soviet writer who was not a member of the Communist Party." In fact, Babel's father was a dealer in farm implements and owned a large warehouse.
In his pre-teens, Babel hoped to get into the preparatory class of the Nicholas I Odessa Commercial School. However, he first had to overcome the Jewish quota. Despite the fact that Babel received passing grades, his place was given to another boy, whose parents had bribed school officials. As a result, he was schooled at home by private tutors.
In addition to regular school subjects, Babel studied the Talmud and music. According to Cynthia Ozick, Though he was at home in Yiddish and Hebrew, and was familiar with the traditional texts and their demanding commentaries, he added to these a lifelong fascination with Maupassant and Flaubert. His first stories were composed in fluent literary French. The breadth and scope of his social compass enabled him to see through the eyes of peasants, soldiers, priests, rabbis, children, artists, actors, women of all classes. He befriended whores, cabdrivers, jockeys; he knew what it was like to be penniless, to live on the edge and off the beaten track.
His attempt to enroll at Odessa University was blocked for ethnic reasons. Babel then entered the Kiev Institute of Finance and Business. There he met Yevgenia Borisovna Gronfein, daughter of a wealthy industrialist, whom he eventually married.
In 1915, Babel graduated and moved to Petrograd, in defiance of laws restricting Jews from living outside the Pale of Settlement. Babel was fluent in French, besides Russian, Ukrainian and Yiddish, and his earliest works were written in French. However, none of his stories in that language have survived.
In St. Petersburg, Babel met Maxim Gorky, who published some of Babel's stories in his literary magazine Letopis (Летопись, "Chronicle"). Gorky advised the aspiring writer to gain more life experience; Babel wrote in his autobiography, "I owe everything to that meeting and still pronounce the name of Alexey Maksimovich Gorky with love and admiration." One of his most famous semi-autobiographical short stories, "The Story of My Dovecote" (История моей голубятни, Istoriya moey golubyatni), was dedicated to Gorky.
There is very little information about Babel's whereabouts during and after the October Revolution. According to one of his stories, "The Road" ("Дорога", "Doroga"), he served on the Romanian front until early December 1917. In his autobiography, Babel says he worked as a translator for the Petrograd Cheka, likely in 1917. In March 1918 he worked in Petrograd as a reporter for Gorky's Menshevik newspaper, Novaya zhizn (Новая жизнь, "New Life"). Babel continued publishing there until Novaya zhizn was forcibly closed on Lenin's orders in July 1918.
Babel later recalled, My journalistic work gave me a lot, especially in the sense of material. I managed to amass an incredible number of facts, which proved to be an invaluable creative tool. I struck up friendships with morgue attendants, criminal investigators, and government clerks. Later, when I began writing fiction, I found myself always returning to these "subjects", which were so close to me, in order to put character types, situations, and everyday life into perspective. Journalistic work is full of adventure.
During the Russian Civil War, which led to the Party's monopoly on the printed word, Babel worked for the publishing house of the Odessa Gubkom (regional CPSU Committee), in the food procurement unit (see his story "Ivan-and-Maria"), in the Narkompros (Commissariat of Education), and in a typographic printing office.
After the end of the Civil War, Babel worked as a reporter for The Dawn of the Orient (Заря Востока) a Russian-language newspaper published in Tbilisi. In one of his articles, he expressed regret that Lenin's controversial New Economic Policy had not been more widely implemented.
Babel married Yevgenia Gronfein on 9 August 1919, in Odessa, but by 1925, the Babels' marriage was souring. Yevgenia Babel, feeling betrayed by her husband's infidelities and motivated by her increasing hatred of communism, emigrated to France. Babel saw her several times during his visits to Paris. During this period, he also entered into a long-term romantic relationship with Tamara Kashirina. A son they had together, Emmanuil Babel (1927-2000), was adopted by her future husband Vsevolod Ivanov and renamed Mikhail Ivanov. He eventually became a noted artist.
After the final break with Tamara, Babel briefly attempted to reconcile with Yevgenia and in 1929 they had a daughter Nathalie, later Nathalie Babel Brown, who in adulthood became a scholar of her father's life and editor of his work. In 1932, Babel met a Siberian-born Gentile named Antonina Pirozhkova (1909–2010). In 1934, after Babel failed to convince his wife to return to Moscow, he and Antonina began living together. In 1939, their common law marriage produced a daughter, Lydia Babel.
According to Pirozhkova, Before I met Babel, I used to read a great deal, though without any particular direction. I read whatever I could get my hands on. Babel noticed this and told me, "Reading that way will get you nowhere. You won't have time to read the books that are truly worthwhile. There are about a hundred books that every educated person needs to read. Sometime I'll try to make you a list of them." And a few days later he brought me a list. There were ancient writers on it, Greek and Roman—Homer, Herodotus, Lucretius, Suetonius—and also all the classics of later European literature, starting with Erasmus, Rabelais, Cervantes, Swift, and Coster, and going on to 19th century writers such as Stendhal, Mérimée, and Flaubert.
In 1920, Babel was assigned to Komandarm (Army Commander) Semyon Budyonny's 1st Cavalry Army, witnessing a military campaign of the Polish–Soviet War of 1920. He documented the horrors of the war he witnessed in the 1920 Diary (Конармейский Дневник 1920 года, Konarmeyskiy Dnevnik 1920 Goda), which he later used to write Red Cavalry (Конармия, Konarmiya), a collection of short stories such as "Crossing the River Zbrucz" and "My First Goose". The horrific violence of Red Cavalry seemed to harshly contrast the gentle nature of Babel himself.
Babel wrote: "Only by 1923 I have learned how to express my thoughts in a clear and not very lengthy way. Then I returned to writing." Several stories that were later included in Red Cavalry were published in Vladimir Mayakovsky's LEF ("ЛЕФ") magazine in 1924. Babel's honest description of the brutal realities of war, far from revolutionary propaganda, earned him some powerful enemies. According to recent research, Marshal Budyonny was infuriated by Babel's unvarnished descriptions of marauding Red Cossacks and demanded Babel's execution without success. However, Gorky's influence not only protected Babel but also helped to guarantee publication. In 1929 Red Cavalry was translated into English by J. Harland and later was translated into a number of other languages.