Ian Robins Dury (12 May 1942 – 27 March 2000) was an English singer, songwriter and actor best remembered as the frontman of Ian Dury and the Blockheads. Described by The Guardian as "one of few true originals of the English music scene", Dury drew from music hall and punk traditions, often incorporating observational humour and word play in his lyrics.
Dury initially performed with the pub rock band Kilburn and the High Roads before signing to the new wave-oriented independent record label Stiff in 1977. With the Blockheads, he scored several UK singles chart hits in the late 1970s, among them "What a Waste", "Reasons to Be Cheerful, Part 3" and the chart-topper "Hit Me with Your Rhythm Stick". In the 1980s, Dury initiated an acting career in film and television. His best-known later recordings include "Profoundly in Love with Pandora", written for the 1985 ITV series The Secret Diary of Adrian Mole, Aged 13¾, and the 1981 single "Spasticus Autisticus". The latter, a protest song reflecting Dury's life with polio and his opposition to contemporary attitudes about disability, was performed during the opening of the London 2012 Paralympics.
Ian Dury was born at 43 Weald Rise in Harrow, at that time in Middlesex. His early years were spent in Harrow Weald (although it is often misreported that he was born in Upminster, Essex, an impression he often encouraged) and in Mevagissey, Cornwall, during the Blitz. His father, William George Dury (born 23 September 1905 in Southborough, Kent, died 25 February 1968 in Victoria, London), was a former boxer, coach and bus driver, and chauffeur for Rolls-Royce. His mother, Margaret "Peggy" Cuthbertson Walker (born 17 April 1910, Rochdale, Lancashire, died 20 December 1994 in Hampstead, London), was a health visitor, a doctor's daughter and the granddaughter of an East Donegal Ulster Protestant landowner. Bill and Peggy married in 1939 and set up home in Belsize Park, London.
Bill Dury was absent for work for long periods, so Peggy often took Ian to stay with her parents in Mevagissey. After the Second World War, the family moved briefly to Switzerland, where Ian's father was chauffeuring for a millionaire and the Western European Union. In 1946, Peggy brought Ian back to England and they relocated to Cranham, near Upminster in Essex, to live with Peggy's sisters. Although he saw his father on visits, they were never to live together again.
At age seven, Dury contracted polio, most likely, he believed, at Westcliff Swimming Pool in Southend-on-Sea during the 1949 polio epidemic. After six weeks of isolation in the Royal Cornwall Infirmary, Truro, Ian was moved by ambulance back to Essex, to Black Notley Hospital in Braintree, where he spent eighteen months regaining his strength and mobility. Polio caused paralysis on the left-hand side of his body which led to a permanent disability.
Ian attended Chailey Heritage Craft School, East Sussex, from 1951 till 1954. Chailey was a hospital school for disabled children that had an ethos of toughening up its students, often by leaving the less physically able to find their own way up off the floor. Arguably, this harsh approach contributed to the tough and determined person Dury became. Chailey taught trades such as cobbling and printing, but Dury's mother wanted him to focus on academic studies, so Aunt Moll (Mary Walker), a Buckinghamshire Education Officer, arranged for him to attend the Royal Grammar School, High Wycombe. Ian found this school a challenge and recounted being punished for misdemeanours by being forced by prefects to learn long tracts of poetry until a housemaster found him sobbing and put a stop to it:
I had to go into a box room where the suitcases were stored and learn 80 lines of Ode to Autumn by yer man Keats. If I got a word wrong I had to go back, they added that to the end of the sentence and after five nights of this my head had definitely gone. He left school at 16, having achieved GCE 'O' levels in English Language, English Literature and Art to study art and design at Walthamstow College of Art, where he met lifelong friend, pop artist and teacher Peter Blake. In 1963 Ian began an MA in painting at the Royal College of Art, graduating in 1966.
In 1967 Dury took part in a group exhibition, "Fantasy and Figuration", alongside his soon-to-be wife Elizabeth Rathmell, Pat Douthwaite, Herbert Kitchen and Stass Paraskos at the Institute of Contemporary Arts in London.
Between 1966 and 1973 he was an art teacher at Luton College of Technology and at Canterbury College of Art. He also painted commercial illustrations for The Sunday Times in the early 1970s.
Kilburn and the High Roads (1971–1975)
Dury formed Kilburn and the High Roads (a reference to the road in North West London) in 1971, and they played their first gig at Croydon School of Art on 5 December 1971. Dury was vocalist and lyricist, co-writing with pianist Russell Hardy and later enrolling into the group a number of the students he was teaching at Canterbury College of Art and Medway College of Design (now the University for the Creative Arts), including bassist Humphrey Ocean.
Managed first by Charlie Gillett and Gordon Nelki and latterly by fashion entrepreneur Tommy Roberts, the Kilburns were popular on London's pub rock circuit and signed to Dawn Records in 1974 but, despite favourable press coverage and a tour opening for rock band The Who, the group failed to rise above cult status and disbanded in 1975.
Kilburn and the High Roads recorded two albums, Handsome and Wotabunch!.
Going solo (August – September 1977)
The single "Sex & Drugs & Rock & Roll", released 26 August 1977, marked Dury's Stiff Records debut. Although it was banned by the BBC, it was named Single of the Week by NME on its release. The single issue was soon followed, at the end of September, by the album New Boots and Panties!! which achieved platinum status. "Sex & Drugs & Rock & Roll" was not listed on the album's track list, yet it was nonetheless present as track 1 on side 2 of some later 1977 pressings).
Under the management of Andrew King and Peter Jenner, the original managers of Pink Floyd, Ian Dury and the Blockheads quickly gained a reputation as one of the top live acts of new wave music.
The Blockheads' sound drew from its members' diverse musical influences, which included jazz, rock and roll, funk, and reggae, and Dury's love of music hall. The band was formed after Dury began writing songs with pianist and guitarist Chaz Jankel (the brother of music video, TV, commercial and film director Annabel Jankel). Jankel took Dury's lyrics, fashioned a number of songs, and they began recording with members of Radio Caroline's Loving Awareness Band – drummer Charley Charles (born Hugh Glenn Mortimer Charles, Guyana 1945), bassist Norman Watt-Roy, keyboard player Mick Gallagher, guitarist John Turnbull and former Kilburns saxophonist Davey Payne.
In October 1977 Dury and his band started performing as Ian Dury and the Blockheads, when the band signed on for the Stiff "Live Stiffs Tour" alongside Elvis Costello & the Attractions, Nick Lowe, Wreckless Eric, and Larry Wallis. The tour was a success, and Stiff launched a concerted Ian Dury marketing campaign, resulting in the Top Ten hit "What a Waste" and the hit single "Hit Me with Your Rhythm Stick", which reached No. 1 in the UK at the beginning of 1979, selling just short of a million copies. Again, "Hit Me" was not included on the original release of the subsequent album Do It Yourself. With their hit singles, the band built up a dedicated following in the UK and other countries and their next single "Reasons to be Cheerful, Part 3" made number three in the UK.