Henry Mancini ( man-SEE-nee; born Enrico Nicola Mancini; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flutist, best known as a composer of film and television scores. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995.
His best-known works include the theme and soundtrack for the television series Peter Gunn, as well as the music for The Pink Panther film series ("The Pink Panther Theme") and the song "Moon River" from Breakfast at Tiffany's. The Music from Peter Gunn won the inaugural Grammy Award for Album of the Year in 1958. "Moon River" and the title song from Days of Wine and Roses, both cowritten with lyricist Johnny Mercer, won the Grammy Awards for both Record of the Year and Song of the Year in 1961 and 1963 respectively. Mancini enjoyed a long collaboration in composing for film director Blake Edwards. Mancini also scored a No. 1 single on the Hot 100 in 1969 with his arrangement and recording of the "Love Theme from Romeo and Juliet".
Henry Mancini was born on April 16, 1924 as Enrico Nicola Mancini in Cleveland, Ohio, and raised in West Aliquippa, Pennsylvania. Both his parents were Italian immigrants from Southern Italy; his father Quintiliano "Quinto" Mancini, originally from Scanno, Abruzzo, was a laborer at the Jones and Laughlin Steel Company and amateur musician who first moved to the U.S. as a teenager around 1910, whereas his mother Anna (née Pece) moved to the U.S. from Forlì del Sannio, Molise, as an infant.
At age eight, Mancini began learning the piccolo. Mancini said that hearing Rudolph G. Kopp's score in the 1935 Cecil B. DeMille film The Crusades inspired him to pursue film music composition despite his father's wishes for him to become a teacher.
At age 12, he began studying piano and orchestral arrangement under Pittsburgh concert pianist and Stanley Theatre (now Benedum Center) conductor Max Adkins. Not only did Mancini produce arrangements for the Stanley Theatre bands, but he also wrote an arrangement for Benny Goodman, an up-and-coming bandleader introduced to him by Adkins. According to Mancini biographer John Caps, the young Mancini "preferred music arranging to any kind of musical performance, but taking apart a Chopin mazurka or Schumann sonata in order to play it helped him see...how the puzzle of form, meter, melody, harmony, and counterpoint had been solved by previous composers."
After graduating from Aliquippa High School in 1942, Mancini first attended the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh. Later that year, Mancini transferred to the Juilliard School in New York City following a successful audition in which he performed a Beethoven sonata and an improvisation on "Night and Day" by Cole Porter. Because he could only take orchestration and composition courses in his second year, Mancini studied only piano in his first year at Juilliard, in a condition Caps called "aimless and oppressed—a far cry from Adkins's enabling protective environment."
After turning 18, Mancini enlisted in the United States Army Air Forces in 1943. While in basic training in Atlantic City, New Jersey, he met musicians being recruited by Glenn Miller. Owing to a recommendation by Miller, Mancini was first assigned to the 28th Air Force Band before being reassigned overseas to the 1306th Engineers Brigade in France. In 1945, he helped liberate the Mauthausen-Gusen concentration camp in Austria.
Newly discharged from the military, Mancini entered the music industry. In 1946, he became a pianist and arranger for the newly re-formed Glenn Miller Orchestra, led by Tex Beneke. After World War II, Mancini broadened his skills in composition, counterpoint, harmony and orchestration during studies, opening with the composers Ernst Krenek and Mario Castelnuovo-Tedesco.
In 1952, Mancini joined Universal-International's music department. During the next six years, he contributed music to over 100 movies, most notably Creature from the Black Lagoon, The Creature Walks Among Us, It Came from Outer Space, Tarantula, This Island Earth, The Glenn Miller Story (for which he received his first Academy Award nomination), The Benny Goodman Story and Orson Welles' Touch of Evil. His first hit as a pop songwriter was a single by Guy Lombardo and His Royal Canadians titled "I Won't Let You Out of My Heart".
Mancini left Universal-International to work as an independent composer/arranger in 1958. Soon afterward, he scored the television series Peter Gunn for writer/producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years. Along with Alex North, Elmer Bernstein, Leith Stevens and Johnny Mandel, Henry Mancini was a pioneer of the inclusion of jazz elements in the late romantic orchestral film and TV scoring prevalent at the time. Mancini's scores for Blake Edwards included Breakfast at Tiffany's (with the standard "Moon River") and Days of Wine and Roses (with the title song, "Days of Wine and Roses"), as well as Experiment in Terror, The Pink Panther (and all of its sequels), The Great Race, The Party, 10 (including "It's Easy to Say") and Victor Victoria. Another director with whom Mancini had a longstanding partnership was Stanley Donen (Charade, Arabesque, Two for the Road). Mancini also composed for Howard Hawks (Man's Favorite Sport?, Hatari! – which included the "Baby Elephant Walk"), Martin Ritt (The Molly Maguires), Vittorio de Sica (Sunflower), Norman Jewison (Gaily, Gaily), Paul Newman (Sometimes a Great Notion, The Glass Menagerie), Stanley Kramer (Oklahoma Crude), George Roy Hill (The Great Waldo Pepper), Arthur Hiller (Silver Streak), Ted Kotcheff (Who Is Killing the Great Chefs of Europe?), and others. Mancini's score for the Alfred Hitchcock film Frenzy (1972) in Bachian organ andante, for organ and an orchestra of strings was rejected and replaced by Ron Goodwin's work.
Mancini scored many TV movies, including The Moneychangers, The Thorn Birds and The Shadow Box. He wrote many television themes, including Mr. Lucky (starring John Vivyan and Ross Martin), NBC Mystery Movie, Tic Tac Dough (1990 version), Once Is Not Enough, and What's Happening!! In the 1984–85 television season, four series featured original Mancini themes: Newhart, Hotel, Remington Steele, and Ripley's Believe It or Not. Mancini also composed the "Viewer Mail" theme for Late Night with David Letterman. Mancini composed the theme for NBC Nightly News used beginning in 1975, and a different theme by him, titled Salute to the President was used by NBC News for its election coverage (including primaries and conventions) from 1976 to 1992. Salute to the President was published only in a school-band arrangement, although Mancini performed it frequently with symphony orchestras on his concert tours.
Songs with music by Mancini were staples of the easy listening radio format from the 1960s to the 1980s. To advertisers, Mancini's style symbolized the bright, confident, hospitable voice of bourgeois America. Some of the artists who have recorded Mancini songs include Duane Eddy, Andy Williams, Paul Anka, Pat Boone, Anita Bryant, Jack Jones, Frank Sinatra, Perry Como, Connie Francis, Eydie Gorme, Steve Lawrence, Trini Lopez, George Maharis, Johnny Mathis, Jerry Vale, Ray Conniff, Quincy Jones, The Lennon Sisters, The Lettermen, Herb Alpert, Eddie Cano, Frank Chacksfield, Warren Covington, Sarah Vaughan, Shelly Manne, James Moody, Percy Faith, Ferrante & Teicher, Horst Jankowski, Andre Kostelanetz, Peter Nero, Liberace, Mantovani, Tony Bennett, Julie London, Wayne Newton, Arthur Fiedler, Secret Agent and the Boston Pops Orchestra, Peggy Lee, The Carpenters, Shirley Bassey, and Matt Monro. The Anita Kerr Quartet won a Grammy award (1965) for their album We Dig Mancini, a cover of his songs. Lawrence Welk held Mancini in very high regard, and frequently featured Mancini's music on The Lawrence Welk Show (Mancini made at least two guest appearances on the show). Mancini briefly hosted his own musical variety TV show in a similar format to Welk's, The Mancini Generation, which aired in syndication during the 1972–73 season.