Henry Jaynes Fonda (May 16, 1905 – August 12, 1982) was an American actor whose career spanned five decades on Broadway and in Hollywood. Known for his work on screen and stage, he often portrayed characters who embodied an everyman image.
Born and raised in Nebraska, Fonda made his mark early as a Broadway actor and made his Hollywood film debut in 1935. He rose to film stardom with performances in films such as Jezebel (1938), Jesse James (1939) and Young Mr. Lincoln (1939). He received a nomination for the Academy Award for Best Actor for his role as Tom Joad in The Grapes of Wrath (1940).
In 1941, Fonda starred opposite Barbara Stanwyck in the screwball comedy classic The Lady Eve. After his service in World War II, he starred in two highly regarded Westerns: The Ox-Bow Incident (1943) and My Darling Clementine (1946), the latter directed by John Ford. He also starred in Ford's Western Fort Apache (1948). During a seven-year break from films, Fonda focused on stage productions, returning to star in the war-boat ensemble movie Mister Roberts in 1955, a role he championed on Broadway. In 1956, at the age of 51, Fonda played the title role of 38-year-old Manny Balestrero in Alfred Hitchcock's thriller The Wrong Man. In 1957, Fonda starred as Juror 8, the hold-out juror, in 12 Angry Men, a film he co-produced and that earned him a BAFTA award for Best Foreign Actor.
Later in his career, Fonda played a range of characters, including a villain in the epic Once Upon a Time in the West (1968) and the lead in the romantic comedy Yours, Mine and Ours with Lucille Ball. He also portrayed military figures, such as a colonel in Battle of the Bulge (1965) and Admiral Nimitz in Midway (1976).
Fonda won the Academy Award for Best Actor at the 54th Academy Awards for his final film role in On Golden Pond (1981), which co-starred Katharine Hepburn and his daughter Jane Fonda. He was too ill to attend the ceremony and died from heart disease five months later.
Fonda was the patriarch of a family of actors, including daughter Jane Fonda, son Peter Fonda, granddaughter Bridget Fonda and grandson Troy Garity. In 1999, he was named the sixth-Greatest Male Screen Legend of the Classic Hollywood Era (stars with a film debut by 1950) by the American Film Institute.
Born in Grand Island, Nebraska, on May 16, 1905, Henry Jaynes Fonda was the son of printer William Brace Fonda, and his wife, Herberta (Jaynes). The family moved to Omaha, Nebraska, in 1906.
Fonda's patriline originates with an ancestor from Genoa, Italy, who migrated to the Netherlands in the 15th century. In 1642, a branch of the Fonda family immigrated to the Dutch colony of New Netherland on the East Coast of North America. They were among the first Dutch population to settle in what is now upstate New York, establishing the town of Fonda, New York. By 1888, many of their descendants had relocated to Nebraska.
Fonda was brought up as a Christian Scientist. The family was close and highly supportive, especially in health matters, as they avoided doctors due to their religion. Despite having a religious background, he later became an agnostic. Fonda was a bashful, short boy who tended to avoid girls, except his sisters, and was a good skater, swimmer, and runner. He worked part-time in his father's print plant and imagined a possible career as a journalist. Later, he worked after school for the phone company. He also enjoyed drawing. Fonda was active in the Boy Scouts of America; Howard Teichmann's biography of Fonda, as well as his son Peter Fonda, stated that he reached the rank of Eagle Scout. However, other sources contradict that claim, some stating that he was instead a ScoutMaster.
When he was 14, he and his father witnessed the brutal lynching of Will Brown from a nearby building during the Omaha race riot of 1919. This enraged the young Fonda and he kept a keen awareness of prejudice for the rest of his life. Remarking on the incident in a 1975 BBC interview, he said: "It was the most horrendous sight I'd ever seen. My hands were wet, there were tears in my eyes. All I could think of was that young black man dangling at the end of a rope." By his senior year in high school, Fonda had grown to more than 6 feet (182.9 cm) tall, but remained shy. He attended the University of Minnesota, where he majored in journalism, but did not graduate. While at Minnesota he was a member of Chi Delta Xi, a local fraternity, which later became Chi Phi's Gamma Delta chapter on that campus. He took a job with the Retail Credit Company.
At age 20, Fonda started his acting career at the Omaha Community Playhouse when his mother's friend Dodie Brando (mother of Marlon Brando) recommended that he try out for a juvenile part in You and I, in which he was cast as Ricky. He was fascinated by the stage, learning everything from set construction to stage production, and embarrassed by his acting ability. When he received the lead in Merton of the Movies, he realized the beauty of acting as a profession, as it allowed him to deflect attention from his own tongue-tied personality and create stage characters relying on someone else's scripted words. Fonda decided to quit his job and go east in 1928 to seek his fortune.
He arrived on Cape Cod and played a minor role at the Cape Playhouse in Dennis, Massachusetts. A friend took him to Falmouth, MA where he joined and quickly became a valued member of the University Players, an intercollegiate summer stock company. There, he worked with Margaret Sullavan, his future wife. James Stewart joined the Players a few months after Fonda left, though they were soon to become lifelong friends. Fonda left the Players at the end of their 1931–1932 season after appearing in his first professional role in The Jest, by Sem Benelli. Joshua Logan, a young sophomore at Princeton who had been double-cast in the show, gave Fonda the part of Tornaquinci, "an elderly Italian man with a long white beard and even longer hair." Also in the cast of The Jest with Fonda and Logan were Bretaigne Windust, Kent Smith, and Eleanor Phelps.
Soon after, Fonda headed for New York City to be with his then wife, Margaret Sullavan. The marriage was brief, but when James Stewart came to New York his luck changed. Getting contact information from Joshua Logan, "Jimmy" and "Hank" found they had a lot in common, as long as they didn't discuss politics. The two men became roommates and honed their skills on Broadway. Fonda appeared in theatrical productions from 1926 to 1934. They fared no better than many Americans in and out of work during the early part of the Great Depression, sometimes lacking enough money to take the subway.
Fonda's first break in films when he was hired in 1935 as Janet Gaynor's leading man in 20th Century Fox's screen adaptation of The Farmer Takes a Wife; he reprised his role from the Broadway production of the same name, which had gained him recognition. Suddenly, Fonda was making $3,000 a week (equivalent to $70,000 in 2025) and dining with Hollywood stars such as Carole Lombard. Stewart soon followed him to Hollywood, and they roomed together again, in lodgings next door to Greta Garbo. In 1935 Fonda starred in the RKO film I Dream Too Much with the opera star Lily Pons. The New York Times announced him as "Henry Fonda, the most likable of the new crop of romantic juveniles."
Fonda's film career blossomed as he costarred with Sylvia Sidney and Fred MacMurray in The Trail of the Lonesome Pine (1936), the first Technicolor movie filmed outdoors.
Fonda starred with ex-wife Margaret Sullavan in The Moon's Our Home, and a short rekindling of their relationship led to a brief but temporary consideration of remarriage. Fonda got the nod for the lead role in You Only Live Once (1937), also costarring Sidney, and directed by Fritz Lang. He starred opposite Bette Davis, who had chosen him, in the film Jezebel (1938). This was followed by the title role in Young Mr. Lincoln (1939), his first collaboration with director John Ford, and that year he played Frank James in Jesse James (1939) starring Tyrone Power and Nancy Kelly. Another 1939 film was Drums Along the Mohawk, also directed by Ford.