Hans Christian Andersen ( AN-dər-sən; Danish: [ˈhænˀs ˈkʰʁestjæn ˈɑnɐsn̩, - ˈkʰʁæs-] ; 2 April 1805 – 4 August 1875) was a Danish writer. A prolific writer of plays, travelogues, novels, and poems, he is also best remembered for his literary fairy tales.
Andersen's fairy tales, consisting of 156 stories across nine volumes, have been translated into more than 125 languages. They have become embedded in Western collective consciousness, accessible to children as well as presenting lessons known for their virtue. His most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Red Shoes", "The Princess and the Pea", "The Snow Queen", "The Ugly Duckling", "The Little Match Girl", and "Thumbelina." Andersen's stories have inspired ballets, plays, and animated and live-action films.
Andersen was born in Odense, Denmark, on 2 April 1805. He had a half sister named Karen. Andersen's father, also named Hans, considered himself related to nobility (his paternal grandmother had told his father that their family had belonged to a higher social class, but investigations have disproved these stories). Although it has been challenged, speculation suggests that Andersen was an illegitimate son of King Christian VIII. Danish historian Jens Jørgensen supported this idea in his book H.C. Andersen, en sand myte [a true myth].
Andersen was baptised on 15 April 1805 in Saint Hans Church in Odense. According to his birth certificate, which was not drafted until November 1823, six godparents were present at the baptism ceremony: Madam Sille Marie Breineberg, Maiden Friederiche Pommer, shoemaker Peder Waltersdorff, journeyman carpenter Anders Jørgensen, hospital porter Nicolas Gomard, and royal hatter Jens Henrichsen Dorch.
His father, who had received an elementary school education, introduced his son to literature, reading him Arabian Nights. His mother, Anne Marie Andersdatter, was an illiterate washerwoman. Following her husband's death in 1816, she remarried in 1818. Andersen was sent to a local school for poor children where he received a basic education and had to support himself, working as an apprentice to a weaver and, later, to a tailor. At 14, Andersen moved to Copenhagen to seek employment as an actor. Having a good soprano voice, he was accepted into the Royal Danish Theatre, but his voice soon changed. A colleague at the theatre told Andersen that he considered him a poet, and taking the suggestion seriously, Andersen began to focus on writing.
Jonas Collin, director of the Royal Danish Theatre, held great affection for Andersen and sent him to a grammar school in Slagelse, persuading King Frederick VI to pay part of Andersen's education. Andersen had by then published his first story, "The Ghost at Palnatoke's Grave" (1822). Though not a stellar pupil, Andersen also attended school at Elsinore until 1827.
Andersen later said that his years at this school were the darkest and most bitter years of his life. At one school, Andersen lived at his schoolmaster's home. There, Andersen was abused and was told that it was done in order "to improve his character." Andersen later said that the faculty had discouraged him from writing, which resulted in a depression.
A very early fairy tale by Andersen "The Tallow Candle" (Danish: Tællelyset), was discovered in a Danish archive in October 2012. The story, written in the 1820s, is about a candle that does not feel appreciated. It was written while Andersen was still in school and dedicated to one of his benefactors. The story remained in that family's possession until it was found among other family papers in a local archive.
In 1829, Andersen enjoyed considerable success with the short story "A Journey on Foot from Holmen's Canal to the East Point of Amager." Its protagonist meets characters ranging from Saint Peter to a talking cat. Andersen followed this success with a theatrical piece, Love on St. Nicholas Church Tower, and a short volume of poems. He made little progress in writing and publishing immediately following these poems, but did receive a small travel grant from the king in 1833. This enabled Andersen to set out on the first of many journeys throughout Europe. At Jura, near Le Locle, Switzerland, Andersen wrote the story "Agnete and the Merman." The same year, he spent an evening in the Italian seaside village of Sestri Levante, which inspired the title of "The Bay of Fables." Andersen arrived in Rome in October 1834. His travels in Italy were reflected in his first novel, a fictionalized autobiography titled The Improvisatore (Improvisatoren), published in 1835 to instant acclaim.
Fairy Tales Told for Children. First Collection (Danish: Eventyr, fortalt for Børn. Første Samling.) is a collection of nine fairy tales by Andersen. The tales were published in a series of three installments by C. A. Reitzel in Copenhagen between May 1835 and April 1837. They were Andersen's first venture into the fairy tale genre.
The first installment was a volume of sixty-one unbound pages published 8 May 1835 containing "The Tinderbox", "Little Claus and Big Claus", "The Princess and the Pea" and "Little Ida's Flowers". The first three tales were based on folktales Andersen had heard in his childhood. The fourth was Andersen's creation for Ida Thiele, the daughter of folklorist Just Mathias Thiele, Andersen's early benefactor. Reitzel paid Andersen thirty rigsdalers for the manuscript, and the booklet was priced at 24 shillings.
The second booklet was published on 16 December 1835 and contained "The Naughty Boy", and "The Traveling Companion", and "Thumbelina." The lattermost was inspired by "Tom Thumb" and other stories of miniature people. "The Naughty Boy" was based on a poem about Eros from the Anacreontea, and "The Traveling Companion" was a ghost story Andersen had experimented with in the year 1830.
The third booklet contained "The Little Mermaid" and "The Emperor's New Clothes", and it was published on 7 April 1837. The former was influenced by Friedrich de la Motte Fouqué's Undine (1811) and legends about mermaids. This tale established Andersen's international reputation. The only other tale in the third booklet was "The Emperor's New Clothes", which was based on a medieval Spanish story with Arab and Jewish origins. On the eve of the third installment's publication, Andersen revised the conclusion (in which the Emperor simply walks in procession) to its now-famous finale of a child calling out, "The Emperor is not wearing any clothes!"
Danish reviews of the first two booklets first appeared in 1836 and were not enthusiastic. The critics disliked the chatty, informal style and apparent immorality, since children's literature was meant to educate rather than to amuse. The critics discouraged Andersen from pursuing this type of style. Andersen believed that he was working against the critics' preconceived notions about fairy tales, and he temporarily returned to novel-writing, waiting a full year before publishing his third installment.
The nine tales from the three booklets were published in one volume and sold for seventy-two shillings. A title page, a table of contents, and a preface by Andersen were published in this volume.
In 1868, Horace Scudder, the editor of Riverside Magazine For Young People, offered Andersen $500 for 12 new stories. Sixteen of Andersen's stories were published in the magazine, and 10 of them appeared there before they were printed in Denmark.
In 1851, Andersen published In Sweden, a volume of travel sketches. The publication received wide acclaim. A keen traveler, he published several other long travelogues: Shadow Pictures of a Journey to the Harz, Swiss Saxony, etc. etc. in the Summer of 1831, A Poet's Bazaar, In Spain, and A Visit to Portugal in 1866. (The last one describes his visit with his Portuguese friends Jorge and José O'Neill, whom Andersen knew in the mid-1820s while he was living in Copenhagen.) In his travelogues, Andersen used contemporary conventions related to travel writing but developed the style to make it his own. Each of Andersen's travelogues combines documentary and descriptive accounts of his experiences, adding additional philosophical passages on topics such as authorship, immortality, and fiction in literary travel reports. Some of the travelogues, such as In Sweden, contain fairy tales.