Gerald Rafferty (16 April 1947 – 4 January 2011) was a Scottish singer-songwriter. He was a founding member of Stealers Wheel, whose biggest hit was "Stuck in the Middle with You" in 1973. His solo hits in the late 1970s included "Baker Street", "Right Down the Line" and "Night Owl".
Rafferty was born into a working-class family in Paisley, Renfrewshire, Scotland. His mother taught him both Irish and Scottish folk songs when he was a boy; later, he was influenced by the music of the Beatles and Bob Dylan. He joined the folk-pop group the Humblebums (of which Billy Connolly was a member) in 1969. After they disbanded in 1971, he recorded his first solo album, Can I Have My Money Back? Rafferty and Joe Egan formed the group Stealers Wheel in 1972. In 1978, he recorded his second solo album, City to City. A heavy drinker for much of his life, Rafferty died from liver failure in January 2011.
Rafferty was born in 1947 into a working-class family of Irish Catholic origin in Underwood Lane in Paisley, a son and grandson of coal miners. His parents were Joseph Rafferty and Mary Skeffington, and he had two older brothers, Joe and Jim.
Rafferty grew up in a council house in the town's Ferguslie Park, in Underwood Lane, and was educated at St Mirin's Academy. His Irish-born father was a miner and lorry driver who died when Rafferty was 16. Rafferty learned both Irish and Scottish folk songs as a boy. He recalled: "My father was Irish, so growing up in Paisley I was hearing all these songs when I was two or three. Songs like 'She Moves Through the Fair', which my mother sings beautifully. And a whole suite of Irish traditional songs and Scots traditional songs". Heavily influenced by folk music and the music of the Beatles and Bob Dylan, Rafferty started to write his own material.
Rafferty left St Mirin's Academy in 1963. He then worked in a butcher's shop, as a civil service clerk, and in a shoe shop. However, he explained in an interview, "But there was never anything else for me but music. I never intended making a career out of any of the jobs I did." On weekends, he and a classmate, future Stealers Wheel collaborator Joe Egan, played in a local group named the Maverix, mainly covering chart songs by groups such as the Beatles and the Rolling Stones. In the mid 1960s, Rafferty earned money, for a time, busking on the London Underground. In 1966, Rafferty and Egan were members of the band the Fifth Column, along with Dennis Bell. The group got a deal with Columbia Records and released the single "Benjamin Day"/"There's Nobody Here", but it was not a commercial success.
The Humblebums and Stealers Wheel
In 1969, Rafferty became the third member of a folk-pop group, the Humblebums, along with future comedian Billy Connolly and Tam Harvey. Harvey left shortly afterwards, and Rafferty and Connolly continued as a duo, recording two more albums for Transatlantic Records. A 1970 appearance at the Royal Festival Hall, supporting Fotheringay with Nick Drake, earned a positive review from critic Karl Dallas, who noted that all three acts showed "promise rather than fulfilment", and observed that "Gerry Rafferty's songs have the sweet tenderness of Paul McCartney in his 'Yesterday' mood". In his own stand-up shows, Connolly has often recalled this period, telling how Rafferty made him laugh and describing the crazy things they did while on tour. Once Rafferty decided to look in the Berlin telephone directory to see if any Hitlers were listed.
After the duo separated in 1971, Transatlantic owner Nathan Joseph signed Rafferty as a solo performer. Rafferty recorded his first solo album, Can I Have My Money Back?, with Hugh Murphy, a staff producer working for the label. Billboard praised the album as "high-grade folk-rock", describing it as Rafferty's "finest work" to date: "His tunes are rich and memorable with an undeniable charm that will definitely see him into the album and very possibly singles charts soon". Yet although the album was a critical success, it did not enjoy commercial success. According to Rafferty's daughter Martha, it was around this time that her father discovered, by chance, Colin Wilson's classic book The Outsider, about alienation and creativity, which became a huge influence both on his songwriting and his outlook on the world: "The ideas and references contained in that one book were to sustain and inspire him for the rest of his life." Rafferty later confirmed that alienation was the "persistent theme" of his songs; "To Each and Everyone", from Can I Have My Money Back?, was an early example.
In 1972, having gained some airplay from his Signpost recording "Make You, Break You", Rafferty joined Egan to form Stealers Wheel and recorded three albums with the American songwriters and producers Leiber & Stoller. The group was beset by legal wranglings, but had a huge hit with "Stuck in the Middle with You", which earned critical acclaim as well as commercial success: a 1975 article in Sounds described it as "a sort of cross between white label Beatles and punk Dylan yet with a unique Celtic flavour that has marked all their work". Twenty years later, the song was used prominently in the 1992 movie Reservoir Dogs; Rafferty refused to grant permission for its re-release. Stealers Wheel also produced the lesser top 50 hits "Everyone's Agreed That Everything Will Turn Out Fine" followed by "Star", and there were further suggestions of Rafferty's growing alienation in tracks such as "Outside Looking In" and "Who Cares". The duo disbanded in 1975.
Legal issues after the break-up of Stealers Wheel meant that, for three years, Rafferty was unable to release any material. After the disputes were resolved in 1978, he recorded his second solo album, City to City, with producer Hugh Murphy, which included the song with which he remains most identified, "Baker Street". According to Murphy, interviewed by Billboard in 1993, he and Rafferty had to beg the record label, United Artists, to release "Baker Street" as a single: "They actually said it was too good for the public." The single reached #3 in the UK and #2 in the US, and won the 1979 Ivor Novello Award for Best Song Musically and Lyrically.
The album City to City sold over 5.5 million copies, toppling the Saturday Night Fever soundtrack from the top of the Billboard 200 album chart in the US on 8 July 1978. Rafferty considered this his first proper taste of success, as he told Melody Maker the following year: "...all the records I've ever done before have been flops. Stealers Wheel was a flop. 'Can I Have My Money Back?' was a flop. The Humblebums were a flop... My life doesn't stand or fall by the amount of people who buy my records."
"Baker Street" features a saxophone riff played by Raphael Ravenscroft, although the origins of the solo have been disputed. As the singer recalled in a 1988 interview with Colin Irwin: When I wrote the song I saw that bit as an instrumental part but I didn't know what. We tried electric guitar but it sounded weak, and we tried other things and I think it was Hugh Murphy's suggestion that we tried saxophone.
In a 2006 interview with The Times, Ravenscroft said he was presented with a song that contained "several gaps": If you're asking me: 'Did Gerry hand me a piece of music to play?' then no, he didn't. In fact, most of what I played was an old blues riff.
In his interview with Colin Irwin, Rafferty disputed this and said that Ravenscroft had been his second choice to play the saxophone solo, after Pete Zorn, who was unavailable: "The only confusion at the time that I didn't enjoy too much was the fact that a lot of people believed that the line was written by Raphael Ravenscroft, the sax player, but it was my line. I sang it to him." When a remastered version of City to City was released in 2011, it included the original, electric guitar 'demo' version of the song as a bonus track, confirming Rafferty's authorship of the riff (which appears in the demo note-for-note, as an electric guitar solo). In the liner notes to the album, Rafferty's long-time friend and collaborator Rab Noakes commented: Let's hope [the Baker Street demo] will, at last, silence all who keep on asserting that the saxophone player came up with the melody line. He didn't. He just blew what he was told by the person who did write it, Gerry Rafferty.Michael Gray, Rafferty's former manager, agreed: The audible proof is there from the demos that Rafferty himself created the riff and placed it within the song's structure exactly where it ended up.