Georges Charles Brassens (French: [ʒɔʁʒ(ə) ʃaʁl bʁasɛ̃s]; Occitan: [ˈbɾasens]) was a French singer-songwriter and poet.
George Brassens is considered one of France's most accomplished postwar poets. He achieved fame through his elegant songs, characterised by harmonically complex music for voice and guitar, as well as articulate and diverse lyrics. He also set to music poems by both relatively obscure poets and such well-known ones as Louis Aragon (Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Paul Verlaine, Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Antoine Pol (Les Passantes).
Brassens was born in Sète, a commune in the department of Hérault in Occitania, to a French father and an Italian mother from the town of Marsico Nuovo, Potenza, southern Italy.
Brassens grew up in the family home in Sète with his mother Elvira Dagrosa, father Jean-Louis, half-sister Simone (daughter of Elvira and her first husband, who was killed in World War I), and paternal grandfather Jules. His mother, whom Brassens labeled "militantly for songs" (militante de la chanson), had a love for music.
He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens (éditions Christian Pirot, 1999, ISBN 2-86808-129-0). After 1952, Brassens rarely left France. A few trips to Belgium and Switzerland; a month in Canada (1961, recording issued on CD in 2011) and another in North Africa were his only trips outside France – except for his concerts in Wales in 1970 and 1973 (Cardiff). His concert at Cardiff's Sherman Theatre in 1973 saw Jake Thackray — a great admirer of his work – open for him.
Some of his most famous songs include:
'La Guerre de '14–'18', a song which satirises claims that World War One was an "ideal war" but condemns it as being "the greatest human slaughterhouse in human history". Later adopted by English comedic duo Flanders and Swann as the basis for their own satire, 'The War of 14–18', which mocks traditional English martial glory.
"Brave Margot," about a young girl who gives a young kitten the breast, which attracts a large group of male onlookers.
"La Mauvaise Réputation" – "the bad reputation" – a semi-autobiographical tune with its catchy lyric: "Mais les braves gens n'aiment pas que l'on suive une autre route qu'eux" (But the good folks don't like it if you take a different road than they do.) Pierre Pascal adapted part of the lyrics to Spanish under the title "La mala reputación", which was later interpreted by Paco Ibañez.
"Pauvre Martin," the suffering of a poor peasant.
"Fernande" – a 'virile antiphon' about the women lonely men think about to inspire self-gratification (or to nip it in the bud). Its infamous refrain (Quand je pense à Fernande, je bande, je bande..., 'When I think about Fernande, I get hard') is still immediately recognized in France.
In 1984, the Parc Georges-Brassens was opened in Paris. In 2014, Australian-French duo Mountain Men released a live tribute album Mountain Men chante Georges Brassens.
1953: Le Vent (or Les Amoureux des bancs publics)
1954: Les Sabots d'Hélène (or Chanson pour l'Auvergnat)
1956: Je me suis fait tout petit
1960: Les Funérailles d'antan (or Le Mécréant)
1961: Le Temps ne fait rien à l'affaire
1962: Les Trompettes de la renommée