Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897 – September 3, 1991) was an Italian-born American film director, producer, and screenwriter who was the creative force behind several major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".
Capra became one of America's most influential directors during the 1930s, winning three Academy Awards for Best Director from six nominations. Among his leading films were It Happened One Night (1934), Mr. Deeds Goes to Town (1936), You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939). During World War II, Capra served in the U.S. Army Signal Corps and produced propaganda films, such as the Why We Fight series.
After World War II, Capra's career declined as his later films, such as It's a Wonderful Life (1946), performed poorly when they were first released. Beginning in 1950, his cinematic output slowed, and he retired from filmmaking in the mid-1960s. In the ensuing decades, however, It's a Wonderful Life and other Capra films were reevaluated favorably by critics. Outside of directing, Capra was active in the film industry, engaging in various political and social activities. He served as President of the Academy of Motion Picture Arts and Sciences, worked alongside the Writers Guild of America, and was head of the Directors Guild of America.
Capra was born Francesco Rosario Capra on May 18, 1897, in Bisacquino, a village near Palermo, Sicily, Italy. He was the youngest of seven children of Salvatore Capra, a fruit grower, and the former Rosaria "Sara" Nicolosi. Capra's family was Roman Catholic. The name "Capra", notes Capra's biographer, Joseph McBride, represents his family's closeness to the land, and means "goat". He notes that the English word "capricious" derives from it, "evoking the animal's skittish temperament", adding that "the name neatly expresses two aspects of Frank Capra's personality: emotionalism and obstinacy."
In 1903, when he was five, Capra's family immigrated to the United States, traveling in a steerage compartment of the steamship Germania—the least expensive way to make the passage. For Capra, the 13-day journey remained one of the worst experiences of his life:
You're all together—you have no privacy. You have a cot. Very few people have trunks or anything that takes up space. They have just what they can carry in their hands or in a bag. Nobody takes their clothes off. There's no ventilation, and it stinks like hell. They're all miserable. It's the most degrading place you could ever be.
Capra remembers the ship's arrival in New York Harbor, where he saw "a statue of a great lady, taller than a church steeple, holding a torch above the land we were about to enter". He recalls his father's exclamation at the sight:
Cicco, look! Look at that! That's the greatest light since the Star of Bethlehem! That's the light of freedom! Remember that. Freedom.
The family settled in Los Angeles's East Side (today Lincoln Heights) on Avenue 18, which Capra described in his autobiography as an Italian "ghetto". Capra's father worked as a fruit picker and young Capra attended Castelar Elementary School and sold newspapers after school for ten years until he graduated from high school. He attended the Manual Arts High School, with Jimmy Doolittle and Lawrence Tibbett as classmates. Instead of working after graduating, as his parents wanted, he enrolled in college.
He worked through college at the California Institute of Technology, playing banjo at nightclubs and taking odd jobs like working at the campus laundry, waiting tables, and cleaning engines at a local power plant. He studied chemical engineering and graduated in the spring of 1918. Capra later wrote that his college education had "changed his whole viewpoint on life from the viewpoint of an alley rat to the viewpoint of a cultured person".
Soon after graduating from college, Capra was commissioned in the United States Army as a second lieutenant, having completed campus ROTC. In the Army, he taught mathematics to artillerymen at Fort Point, San Francisco. His father died during the war in an accident (1916). In the Army, Capra contracted Spanish flu and was medically discharged to return home to live with his mother. He became a naturalized U.S. citizen in 1920, taking the name Frank Russell Capra. Living at home with his siblings and mother, Capra was the only family member with a college education, yet he was the only one who remained chronically unemployed. After a year without work, seeing how his siblings had steady jobs, he felt he was a failure, which led to bouts of depression.
Chronic abdominal pains were later discovered to have been an undiagnosed burst appendix. After recovering at home, Capra moved out and spent the next few years living in flophouses in San Francisco and hopping freight trains, wandering the Western United States. To support himself, he took odd jobs on farms, as a movie extra, playing poker, and selling local oil well stocks.
During this time the 24-year-old Capra directed a 32-minute documentary film titled La Visita Dell'Incrociatore Italiano Libya a San Francisco ("The Visit of The Italian Cruiser Libya to San Francisco"). Not only did it document the visit of the Italian naval vessel Libya to San Francisco, but also the reception given to the crew of the ship by San Francisco's L'Italia Virtus Club, now known as the San Francisco Italian Athletic Club.
At 25, Capra took a job selling books written and published by American philosopher Elbert Hubbard. Capra recalled that he "hated being a peasant, being a scrounging new kid trapped in the Sicilian ghetto of Los Angeles. ... All I had was cockiness—and let me tell you that gets you a long way."
During his book sales efforts—and nearly broke—Capra read a newspaper article about a new movie studio opening in an abandoned gymnasium, at San Francisco. Capra called on them saying he had moved from Hollywood and falsely implied that he had experience in the budding film industry. Capra's only prior exposure in films was in 1915 while attending Manual Arts High School. The studio's founder, Walter Montague, was nonetheless impressed by Capra and offered him $75 to direct a one-reel silent film. Capra, with the help of a cameraman, made the film, Fultah Fisher's Boarding House, in two days and cast it with amateurs. It was made for $1,700 and was sold to Pathé Exchange for $3,500.
critics noted that it was free from stunts, mannerisms, camera angles and Hollywood tricks. It had to be free from them as Capra never had time to learn anything of them. - Alva Johnston
After that first serious job in films, Capra began efforts to finding similar openings in the film industry. He took a position with Paul Gerson Pictures Corporation, Paul Gerson's minor San Francisco studio, as a property man.
In 1923, on Thanksgiving Day, after returning to San Francisco, from Burlingame, Santa Cruz Mountains, and La Honda, after filming Getting Her Man, Frank Capra married Helen Howell attended by Tom Gibson, Ora Carew, and other actors. Capra's father-in-law, William A. Howell, was a principal investor in Paul Gerson Pictures Corporation.