The Field of the Cloth of Gold (French: Camp du Drap d'Or, pronounced [kɑ̃ dy dʁa d‿ɔʁ]) was a summit meeting between King Henry VIII of England and King Francis I of France from 7 to 24 June 1520. Held at Balinghem, between Ardres in France and Guînes in the English Pale of Calais, it was an opulent display of wealth by both kings.
The summit was arranged to increase the bond of friendship between the two kings following the Anglo-French treaty of 1514. The two monarchs would meet again in 1532 to arrange Francis's assistance in pressuring Pope Clement VII to pronounce Henry's first marriage as illegitimate. Under the guidance of English Cardinal Thomas Wolsey, these European states sought to outlaw war forever among Christian peoples.
The Pale of Calais, home to the meeting in Balinghem, was the final English possession in France. This territorial leftover from the Hundred Years' War caused some tensions between the English and French, as the latter preferred a location closer to the border, but topographical considerations proved the decisive factor.
Two entities had started to emerge as powers in Western Europe at this time: France, under Francis I, and the Habsburg-dominated Holy Roman Empire, under Charles V, Holy Roman Emperor. The Kingdom of England, still a lesser power, was being courted as an ally by the two major powers. The 1518 Treaty of London, a non-aggression pact between major European powers to help resist the Ottoman expansion into southeastern Europe, had just been signed. Henry also held meetings with Charles V a month before the Field of Cloth of Gold in the Netherlands and again afterwards at Calais, Henry's only possession on the Continent.
Both Henry and Francis wished to be seen as Renaissance princes. Renaissance thinking held that a strong ruler could choose peace from a place of strength. The meeting was designed to show how magnificent each court was, and how this could be a basis for mutual respect and peace between states that were traditional enemies. Henry and Francis were also figures of similar age and dashing reputation, so there was almost certainly a mutual curiosity.
Everything was arranged to provide equality between the two groups. The meeting place (now indicated by a commemorative plaque on the D231 road, Route de Marquise) was at the very edge of the English territory around Calais. The valley where the first meeting took place was landscaped to provide areas of equal elevation for the two government parties. The whole event was planned and executed by English Cardinal Thomas Wolsey, a charismatic, eloquent master diplomat who as a papal legate had immense power in the name of Pope Leo X at the time of the meeting. Included among the English guests were Thomas More and Anne Boleyn's mother and sister.
An earlier meeting between the kings of England and France presaged this one. From 27 to 30 October 1396, Charles VI of France and Richard II of England met at Ardres near Calais to forge a peace treaty during the Hundred Years' War. The scale, splendour and pageantry were comparable to the later Field of the Cloth of Gold meeting held on the same site in 1520.
Each king tried to outshine the other, with dazzling tents and clothes, huge feasts, music, jousting and games. The tents and the costumes displayed so much cloth of gold, an expensive fabric woven with silk and gold thread, that the site of the meeting was named after it. The English procession reportedly included up to 4,000 troops, with the King centrally placed for protection and ceremony, while the French procession was slightly smaller but carefully arranged to match the English display. Specially constructed mounds ensured each side assembled at equal height, reflecting both security concerns and ceremonial precision.
English sources record that 250,000 fish, 98,000 eggs, 2,000 sheep, 700 conger eels, 13 swans, 3 porpoises and 66,000 liters of beer was served. Contemporary critics like Bishop Fisher saw the Field of the Cloth of Gold as a lavish but politically fleeting spectacle, while French accounts framed it as a demonstration of Francis I's personal bravery and diplomatic skill.
The most elaborate arrangements were made for the accommodation of the two monarchs and their large retinues; and on Henry's part especially no efforts were spared to make a great impression in Europe with this meeting. Before the castle of Guînes, a temporary palace covering an area of nearly 12,000 square yards (10,000 m2) was erected for the reception of the English king. The palace was in four blocks with a central courtyard; each side was 328 feet (100 m) long. The only solid part was the brick base about 8 feet (2.4 m) high. Above the brickwork, the 30-foot-high (9.1 m) walls were made of cloth or canvas on timber frames, painted to look like stone or brick.
One further aspect of King Henry's retinue was the presence of two royal monkeys covered in gold leaf; these were known to have been gifts from the Ottoman Sultan Selim I and brought much laughter and merriment from Francis I as contemporary Cardinal Wolsey recounts, "The French King was overcome with much curiosity playing with those little knaves that did all they could to steal and pester his advisers, yet he willed them to be present at every banquet". The slanting roof was made of oiled cloth painted to give the colour of lead and the illusion of slates. Contemporaries commented especially on the huge expanse of glass, which made visitors feel they were in the open air. Chronicle descriptions make it clear the decorations, carved and painted had martial iconography;
The foregate of the same palace or place with great and mighty masonry by sight was arched, with a Tower on every side of the same portered by great craft, and inbatteled was the gate and Tower, and in the fenesters, and windows, were images resembling men of warre redie to cast great stones: also the same gate or Tower was set with compassed images of ancient Princes, as Hercules, Alexander and other, by entrayled worke, richly limned with gold and Albyn colours, .... also the tower of the Gate as seemed was built by great masonry, ... for the sundrie countenances of every Image that their appeared, some shooting, some casting, some ready to strike, and firing of gonnes, which shewed very honourably.
Galyon Hone was one of the stained-glass artists employed at the Field. The building was decorated in the most sumptuous fashion and furnished with a profusion of golden ornaments. Red wine flowed from the two fountains outside. The chapel was served by 35 priests. Composer Jean Mouton was most likely in charge of the musical production by Francis I; the French royal chapel had one of the finest choirs in Europe, and contemporary accounts indicated that they "delighted their hearers." The wooden ceiling for one of the tents may later have been installed in the New Chapel at Ightham Mote in Kent where, with its colours faded, one with appropriate features can still be seen. Musical production on the English side was probably led by composer William Cornysh the Younger, master of the Royal Chapel for Henry VIII.
Some idea of the size of Henry's following may be gathered from the fact that in one month 2,200 sheep and other viands in a similar proportion were consumed. In the fields beyond the castle, 2,800 tents were erected for less distinguished visitors.
Journeying from Calais, Henry reached his headquarters at Guînes on Monday, 4 June 1520, and Francis took up his residence at Ardres. After Cardinal Wolsey, with a splendid train, had visited the French king, the two monarchs met at the Val d'Or, a spot midway between the two places, on Thursday, 7 June Corpus Christi.
The following days were taken up with tournaments, in which both kings took part. There were banquets in which the kings entertained each other's queens. The many other entertainments included archery displays and wrestling between Breton and Cornish wrestlers.
Wolsey said Mass and the two sovereigns separated on Sunday, 24 June, the feast-day of St John the Baptist. The painting depicts a dragon flying overhead and this could be interpreted to mean that the Mass itself was interrupted by a mysterious event thought to be a dragon flying over the congregation. The superstitious would have viewed this as a great portent, but it was probably a firework accidentally or deliberately set off. Alternatively the dragon in the painting could be interpreted as symbolic, perhaps representing a highly romanticized salamander (the symbol of Francis) or a portent of doom, signifying that for all its glamour, the summit was to prove largely fruitless. The sermon was read by Richard Pace, an intimate friend of Erasmus. Wolsey gave a general indulgence for all present.