María Eva Duarte de Perón (Spanish pronunciation: [maˈɾi.a ˈeβa ˈðwarte ðe peˈɾon]; née Duarte; 7 May 1919 – 26 July 1952), better known as Eva "Evita" Perón, was an Argentine politician, activist, and actress who served as First Lady of Argentina from June 1946 until her death in July 1952, as the wife of Argentine President Juan Perón. She was born into poverty in the rural village of Los Toldos, in the Pampas, as the youngest of five children. In 1934, at the age of 15, she moved to the nation's capital of Buenos Aires to pursue a career as a stage, radio, and film actress. She married Perón in 1945, when he was still an army colonel, and was propelled onto the political stage when he became President of Argentina in 1946. She became a central figure of Peronism and Argentine culture because of the Eva Perón Foundation, a charitable organization perceived by many Argentinians as highly impactful.
She met Colonel Juan Perón on 22 January 1944 during a charity event at the Luna Park Stadium to benefit the victims of an earthquake in San Juan, Argentina. The two were married the following year. Juan Perón was elected President in June 1946; during the next six years, Eva Perón became powerful within the pro-Peronist trade unions, primarily for speaking on behalf of labor rights. She also ran the Ministries of Labor and Health, founded and ran the charitable Eva Perón Foundation, championed women's suffrage in Argentina, and founded and ran the nation's first large-scale female political party, the Female Peronist Party.
In 1951, Eva Perón announced her candidacy for the Peronist nomination for the office of Vice President of Argentina, receiving great support from the Peronist political base, low-income and working-class Argentines who were referred to as descamisados or "shirtless ones" (similar to the term sans-culottes during the French Revolution). Opposition from the nation's military and bourgeoisie, coupled with her declining health, ultimately forced her to withdraw her candidacy. In 1952, shortly before her death from cancer at 33, Eva Perón was given the title of "Spiritual Leader of the Nation of Argentina" by the Argentine Congress. She was given a state funeral upon her death, a prerogative generally reserved for heads of state.
Eva Perón has become a part of international popular culture, most famously as the subject of the musical Evita (1976). Cristina Álvarez Rodríguez has said that Eva Perón has never left the collective consciousness of Argentines. Cristina Fernández de Kirchner, the second female president of Argentina (after Juan Perón's third wife Isabel Perón), claims that women of her generation owe a debt to Eva Perón for "her example of passion and combativeness".
Eva Perón's 1951 biography, La Razón de mi Vida, contains no dates or references to childhood occurrences, and does not list the location of her birth or her name at birth. According to Junín's civil registry, a birth certificate shows that one María Eva Duarte was born on May 7, 1922. Her baptismal certificate lists the date of birth as May 7, 1919 under the name Eva María Ibarguren. It is thought that in 1945 the adult Eva Perón created a forgery of her birth certificate for her marriage.
Eva Perón spent her childhood in Junín, Buenos Aires province. Her father, Juan Duarte Manechena Etchegoyen (1872–1926), was descended from French Basque immigrants. Her mother, Juana Ibarguren Nuñez (1894–1971), was descended from Spanish Basque immigrants. Juan Duarte, a wealthy rancher from nearby Chivilcoy, already had a wife Adela D'Uhart Hiriboronde and of the family eleven children there. At that time in rural Argentina, it was not uncommon for a wealthy man to have several families.
When Eva Perón was a year old, Duarte returned permanently to his legal family, leaving Juana Ibarguren and her children in abject poverty. They were forced to move to the poorest area of Junín. Los Toldos was a village in the dusty region of Las Pampas, with a reputation as a desolate place of poverty. To support herself and her children, Ibarguren sewed clothes for neighbours. The family was stigmatized by the abandonment by the father and by the illegitimate status of the children under Argentine law, and was consequently somewhat isolated. A desire to expunge this part of her life might have been a motivation for Perón to arrange the destruction of her original birth certificate in 1945.
When Duarte suddenly died, and Ibarguren and their children sought to attend his funeral, there was conflict. Although Ibarguren and the children were permitted to enter and pay their respects, they were promptly directed out of the church. Duarte's widow did not want her late husband's mistress and children at the funeral. As she was the legitimate wife, her orders were respected.
Before he abandoned Juana Ibarguren, Juan Duarte had been her sole means of support. Biographer John Barnes writes that, after this abandonment, all Duarte left to the family was a document declaring that the children were his, thus enabling them to use the Duarte surname. Soon after, Juana moved her children to a one-room apartment in Junín. To pay the rent on their single-roomed home, mother and daughters took up jobs as cooks in the houses of the local estancias.
Eventually, owing to Eva's older brother's financial help, the family moved into a bigger house, which they later transformed into a boarding house. During this time, young Eva often participated in school plays and concerts. One of her favourite pastimes was the cinema. Though Eva's mother wanted to marry her off to one of the local bachelors, Eva dreamed of becoming a famous actress. Eva's love for acting was reinforced in October 1933, when she played a small role in a school play called Arriba Estudiantes (Students Arise), which Barnes describes as "an emotional, patriotic, flag-waving melodrama". After the play, Eva was determined to become an actress.
In her autobiography, Eva explained that all the people from her town who had been to the big cities described them as "marvellous places, where nothing was given but wealth". In 1934, at 15, Eva escaped her poverty-stricken village when she ran off with a young musician to the nation's capital of Buenos Aires. The young couple's relationship ended quickly, but Eva remained in Buenos Aires. She began to pursue jobs on the stage and the radio, and she eventually became a film actress. She bleached her naturally black hair blonde, a look she maintained for the rest of her life.
It is often reported that Eva travelled to Buenos Aires by train with tango singer Agustín Magaldi. However, there is no record of the married Magaldi performing in Junín in 1934 (and, even if he had done so, he usually travelled with his wife). Eva's sisters maintain that Eva travelled to Buenos Aires with their mother. The sisters also claim that Doña Juana accompanied her daughter to an audition at a radio station and arranged for Eva to live with the Bustamante family, who were friends of the Duarte family. While the method of Eva's escape from her bleak provincial surroundings is debated, she did begin a new life in Buenos Aires.
Buenos Aires in the 1930s was known as the "Paris of South America". The centre of the city had many cafés, restaurants, theatres, movie houses, shops, and bustling crowds. In direct contrast, the 1930s were also years of great unemployment, poverty, and hunger in the capital, and many new arrivals from the interior were forced to live in tenements, boardinghouses and in outlying shanties that became known as villas miserias.
Upon arrival in Buenos Aires, Eva Duarte was faced with the difficulties of surviving without formal education or connections. The city was especially overcrowded during this period because of the migrations caused by the Great Depression. On 28 March 1935, she made her professional debut in the play Mrs. Perez (la Señora de Pérez), at the Comedias Theater.
In 1936, Eva toured nationally with a theatre company, worked as a model, and was cast in a few B-grade movie melodramas. In 1942, she experienced some economic stability when a company called Candilejas (sponsored by a soap manufacturer) hired her for a daily role in one of their radio dramas called Muy Bien, which aired on Radio El Mundo (World Radio), the most important radio station in the country at that time. Later that year, she signed a five-year contract with Radio Belgrano, which assured her a role in a popular historical-drama program called Great Women of History, in which she played Elizabeth I of England, Sarah Bernhardt, and Alexandra Feodorovna, the last Tsarina of Russia. Eventually, Eva Duarte came to co-own the radio company. By 1943, she was earning five or six thousand pesos a month, making her one of the highest-paid radio actresses in the nation. Pablo Raccioppi, who jointly ran Radio El Mundo with Eva Duarte, is said to have not liked her, but to have noted that she was "thoroughly dependable". Eva also had a short-lived film career during the Golden Age of Argentine cinema, but none of the films in which she appeared were hugely successful. In one of her last films, La cabalgata del circo (The Circus Cavalcade), Eva played a young country girl who rivalled an older woman, the movie's star, Libertad Lamarque.