David Garrick (19 February 1716 – 20 January 1779) was an English actor who wrote, produced and influenced nearly all aspects of 18th century European theatrical practice, and was a pupil and friend of Samuel Johnson. He appeared in several amateur theatricals, and with his appearance in the title role of Shakespeare's Richard III, audiences and managers began to take notice.
Impressed by his portrayals of Richard III and several other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after he retired from Drury Lane and the stage, he was given a lavish public funeral at Westminster Abbey where he was buried in Poets' Corner.
As an actor, Garrick promoted realistic acting that departed from the bombastic style that was entrenched when he first came to prominence. His acting delighted many audiences and his direction of many of the top actors of the English stage influenced their styles as well. During his tenure as manager of Drury Lane, Garrick also sought to reform audience behaviour. While this led to some discontent among the theatre-going public, many of his reforms eventually did take hold. Garrick also sought reform in production matters, bringing an overarching consistency to productions that included set design, costumes and even special effects.
Garrick's influence extended into the literary side of theatre as well. Critics are almost unanimous in saying he was not a good playwright, but his work in bringing Shakespeare to contemporary audiences is notable. In addition, he adapted many older plays in the repertoire that might have been forgotten. These included many plays of the Restoration era. Indeed, while influencing the theatre towards a better standard he also gained a better reputation for theatre people. This accomplishment led Samuel Johnson to remark that "his profession made him rich and he made his profession respectable."
Garrick was born at the Angel Inn, Widemarsh Street, Hereford in 1716 into a family with French Huguenot roots in Languedoc, Southern France. His grandfather, David Garric, was in Bordeaux in 1685 when the Edict of Nantes was revoked, removing the rights of Protestants in France. Grandfather Garric fled to London and his son, Peter, who was an infant at the time, was smuggled out by a nurse when he was deemed old enough to make the journey. David Garrick became a British subject upon his arrival in Britain, and later Anglicised his name to Garrick. Some time after David Garrick's birth the family moved to Lichfield, home to his mother. His father, a captain in the army, was a recruiting officer stationed in Gibraltar through most of young Garrick's childhood.
Garrick was the third of seven children and his younger brother, George (1723–1779), served as an aide to David for the remainder of his life. The playwright and actor Charles Dibdin writes that George, when on occasion discovering his brother's absence, would often inquire "Did David want me?" Upon Garrick's death in 1779, it was noted that George died 48 hours later, leading some to speculate that David did indeed want him.
His nephew, Nathan Garrick, married Martha Leigh, daughter of Sir Egerton Leigh, and sister of Sir Samuel Egerton Leigh, author of Munster Abbey; a Romance: Interspersed with Reflections on Virtue and Morality (Edinburgh 1797).
At the age of 19, Garrick, who had been educated at Lichfield Grammar School, enrolled in Samuel Johnson's Edial Hall School. Garrick showed an enthusiasm for the theatre very early on and he appeared in a school production around this time in the role of Sergeant Kite in George Farquhar's The Recruiting Officer. After Johnson's school was closed, he and Garrick, now friends, travelled to London together to seek their fortunes. Upon his arrival in 1737, Garrick and his brother became partners in a wine business with operations in London and Lichfield, with David taking the London operation.
The business did not flourish, possibly due to Garrick's distraction by amateur theatricals. Playwright Samuel Foote remarked that he had known Garrick to have only three quarts of vinegar in his cellar and still called himself a wine merchant. He was supposedly a pupil at Sir Joseph Williamson's Mathematical School.
In 1740, four years after Garrick arrived in London, and with his wine business failing, he saw his first play, a satire, Lethe: or Aesop in the Shade, produced at the Theatre Royal, Drury Lane. Within a year he was appearing professionally, playing small parts at the Goodman's Fields Theatre under the management of Henry Giffard. The Goodman's Fields Theatre had been closed by the Licensing Act 1737, which closed all theatres that did not hold the letters patent and required all plays to be approved by the Lord Chamberlain before the performance. Garrick's performances at the theatre were a result of Giffard's help with Garrick's wine business. Giffard had helped Garrick win the business of the Bedford Coffee-house, an establishment patronised by many theatrical and literary people and a location Garrick frequented.
He made his debut as a professional actor on a summer tour to Ipswich with Giffard's troupe in 1741, where he played Aboan in Oroonoko at the theatre in Tankard Street. He appeared under the stage name Lyddal to avoid the consternation of his family. But, while he was successful under Giffard, the managers of Drury Lane and Covent Garden rejected him. On 19 October 1741, Garrick appeared in the title role of Richard III. He had been coached in the role by the actor and playwright Charles Macklin and his natural performance, which rejected the declamatory acting style so prevalent in the period, soon was the talk of London. Of his performance at Goodman's Fields, Horace Walpole remarked, "there was a dozen dukes a night at Goodman's Fields". Following his rousing performance, Garrick wrote to his brother requesting withdrawal from the partnership to devote his time completely to the stage. Having found success with Richard III, Garrick moved on to several other roles including Tate's adaptation of Shakespeare's King Lear and Pierre in Otway's Venice Preserv'd as well as comic roles such as Bayes in Buckingham's The Rehearsal; a total of 18 roles in all in just the first six months of his acting career. His success led Alexander Pope, who saw him perform three times during this period, to surmise, "that young man never had his equal as an actor, and he will never have a rival".
With his success at Goodman's Fields, Charles Fleetwood, manager of Drury Lane, engaged Garrick to play Chaumont in Otway's The Orphan (a role he first played in Ipswich) on 11 May 1742 while he used his letters patent to close down Giffard's theatre. That same month, Garrick played King Lear opposite Margaret "Peg" Woffington as Cordelia and his popular Richard III. With these successes, Fleetwood engaged Garrick for the full 1742–43 season.
At the end of the London season, Garrick, along with Peg Woffington, travelled to Dublin for the summer season at the Theatre Royal, Smock Alley. While in Dublin, Garrick added three new roles to his repertoire: Shakespeare's Hamlet, Abel Drugger in Ben Jonson's The Alchemist (a role that earned him much acclaim) and Captain Plume in Farquhar's The Recruiting Officer. Some of his success could be attributed to one of his earliest fans, John Boyle, 5th Earl of Cork, who wrote letters to many noblemen and gentlemen recommending Garrick's acting. His writings led Garrick to exclaim that it must have been the reason he was "more caressed" in Dublin.
Five years after joining the acting company at Drury Lane, Garrick again travelled to Dublin for a season where he managed and directed at the Smock Alley Theatre in conjunction with Thomas Sheridan, the father of Richard Brinsley Sheridan. After his return to London, he spent some time acting at Covent Garden under John Rich while a farce of his, Miss in Her Teens, was also produced there.