The Cathedral Basilica of Our Lady of Peace is the mother church and cathedral of the Diocese of Honolulu.
The first Catholic missionaries to Hawaii, three priests of the Congregation of the Sacred Hearts of Jesus and Mary (also known as the Society of Picpus), arrived in Honolulu from France on July 7, 1827. Apostolic prefect Alexis Bachelot celebrated the first recorded Catholic Mass on Hawaiian soil on July 14 in a grass hut on a rented lot. On August 30, 1827, the missionaries acquired a royal land grant from 14-year-old King Kamehameha III with the help from the Catholic governor of Oahu, high chief Boki. On this property, in January 1828, the French erected the first Catholic church in Hawaii, where the sanctuary of the cathedral is today.
Between between 1829 and 1839, however, with the King facing pressure from both American Protestant missionaries and the Kuhina Nui, Kaʻahumanu, Catholic priests were expelled from the islands to thwart any French or Catholic influence. During this "dark decade" of anti-Catholic persecution, foreign priests were deported and not allowed to come to shore, and known converts were tortured and imprisoned.
Under the threat of force from the French government, the Hawaiian government issued the Edict of Toleration on June 17, 1839, creating freedom of religious expression. As reparation, Kamehameha III gave the first Roman Catholic missionaries, under the leadership of Vicar Apostolic Étienne Rouchouze, a section of the royal estate on which to build the first Roman Catholic church in the kingdom, and $20,000 in compensation for the deportation of priests and the incarceration and torture of converts. The 1840 Constitution of the Kingdom of Hawaii enshrined religious liberty.
The missionaries broke ground for the new church on July 9, 1840, coinciding with the Feast of Our Lady of Peace, patroness saint of the Congregation of the Sacred Hearts, and dedicated their first church in the new land under this title of the Virgin Mary. A Mass was celebrated on the day of groundbreaking and 280 native Hawaiians received the sacraments of baptism, confirmation, and first Eucharist. The cornerstone of the building was ceremonially laid on August 6, 1840. Construction continued after groundbreaking with native Hawaiian volunteers harvesting blocks of coral from the shores of Ala Moana, Kakaʻako, and Waikīkī. Down the street, Congregationalist missionaries had earlier begun the construction of Kawaiahaʻo Church.
On August 15, 1843, the Cathedral of Our Lady of Peace was consecrated and dedicated, and about 800 people received holy communion.
When Louis Désiré Maigret inherited the church, the interior was furnished with a simple wooden altar, communion rail and pulpit. Instead of pews, the native Hawaiians preferred to sit on the floor covered in lauhala mats. Maigret had purchased a tower clock and cathedra, and a new larger bell. Maigret had built the first domed bell tower in the Hawaiian Islands, but he would later replace it with a wooden spire topped with a globus cruciger and a stationary rooster finial in 1866, often mistaken for a weather vane.
In the 1870s, after returning from the First Vatican Council, Maigret was inspired to continue improvements to the cathedral. In 1871, the low roof was replaced with redwood and raised by four feet. A vaulted ceiling with panels of hand-painted gold leaf decorations was installed. A choir loft and galleries overlooking the nave were built to increase the seating capacity and new stained glass windows were added. Thirty-six statuettes of the saints were placed above the gallery overlooking the nave partly as spite towards the Congregationalists and Presbyterians who accused Catholics of idolatry. Extensive work was done to install a French marble altar which had a poignant backdrop scene of Calvary. It was crowned by the gilded statues of the Virgin Mary, Saint Joachim and Saint Anne. The clock, which was originally positioned at the base of the tower, was now fitted on the back wall after the roof was raised and remains the oldest clock in Hawaii. Throughout his thirty-five years as bishop, Maigret transformed the humble grass hut into a European-styled church before dying in 1882.
The cathedral would remain rather unchanged for the next two decades. In December 1893, on the sixty-second anniversary of the first expulsion from the Hawaiian Islands of the first prefect apostolic, Msgr. Gulstan Ropert dedicated a large bronze statue of Our Lady of Peace, a recreation of an original 16th century wooden carving still venerated by the Congregation of the Sacred Hearts in their Paris convent.
When Libert Hubert John Louis Boeynaems inherited the church in 1903, he idealized the cathedral to be like the more famous Gothic churches of his native Europe, perhaps motivated by the nearby Anglican St. Andrew's Cathedral which was completed in 1902. He commissioned the construction of an elaborate porch which was completed in 1910. However, the Gothic endeavor became too costly to complete. Instead, he replaced the termite damaged wooden floors with cement and the wooden spire with a concrete bell tower topped with the original orb and cross installed by Maigret.
In 1926, Stephen Peter Alencastre assumed the episcopacy of the Hawaiian Islands. Not long after his appointment, Alencastre purchased land at the base of Punchbowl Crater to build a new cathedral. Stymied by the Great Depression of 1929, the project was cancelled. Instead, he established the present-day Romanesque revival style for the cathedral. The Gothic porch was replaced by a portico of doric columns. New stained-glass windows from Germany were installed. The Italian government presented a gift of a new Carrara marble altar with statues of the Blessed Virgin Mary and Saint Joseph, in anticipation for the celebration of the centennial of the arrival of the first Roman Catholic missionaries to the Hawaiian Islands. In 1940, steel trusses and concrete buttresses were added to support the terra cotta tiled roof that were installed in 1926.
James Joseph Sweeney, was the first bishop of newly formed Diocese of Honolulu. In 1956, Bishop Sweeney made some significant changes to the interior. The wooden crucifix was removed and replaced with one made of marble, and behind it, the Calvary scene was painted over and a simple fleur-de-lis patterned wallpaper was added. A gothic tester (or "baldachin") was positioned above the high altar to match the canopy over the cathedra, then a bronze tabernacle and communion rails were fitted.
Liturgically innovative ideas in the 1960s and 1970s took hold of some liturgists and theologians after the Second Vatican Council. These ideas, which claimed to follow the "spirit of the council," inaugurated controversial changes in the architectural standards of churches worldwide, which some Catholics dub a "wreckovation". Sweeney, a council father at the Second Vatican Council, ordered for the communion rails to be removed and a freestanding altar constructed to allow a priest to face the congregation during Mass instead of ad orientem as indicated in the changes to the new Roman Missal. The elevated canopied pulpit was also removed in favor of a simple lectern to serve as an ambo. The ideology of this time encouraged churches to use native cultural implements in church architecture. Koa wood wainscot along the walls and heavy koa wood doors were installed.
The cathedral had become too small to accommodate the increased population since its vicariate apostolic times. Joseph Anthony Ferrario, the third bishop of the diocese, successfully petitioned Pope John Paul II to elevate Saint Theresa Catholic Church to a co-cathedral in 1984.
Meanwhile, Ferrario was also responsible for sending the thirty-six statuettes of saints back to France to be professionally preserved. When the statues returned, they were placed in a new, more logical order of placement in accordance with the Litany of the Saints. In one of the most drastic changes yet, pews were re-arranged to face each other while the altar and ambo were positioned in the center aisle in 1993. A eucharistic devotional area was created in front of the tabernacle and a semitransparent screen was raised to separate it from the rest of the church. The cathedra of the bishop was placed in front of this screen and the sedia, or the chair of the priest-celebrant, was positioned among the pews.