Candice Patricia Bergen (born May 9, 1946) is an American actress. She won five Primetime Emmy Awards and two Golden Globe Awards as the title character on the CBS sitcom Murphy Brown (1988–1998, 2018). She is also known for her role as Shirley Schmidt on the ABC drama Boston Legal (2005–2008). In films, Bergen was nominated for the Academy Award for Best Supporting Actress for Starting Over (1979) and for the BAFTA Award for Best Actress in a Supporting Role for Gandhi (1982).
Bergen began her career as a fashion model and appeared on the cover of Vogue before she made her screen debut in the film The Group (1966). She starred in The Sand Pebbles (1966), Soldier Blue (1970), Carnal Knowledge (1971), and The Wind and the Lion (1975). She made her Broadway debut in the 1984 play Hurlyburly and starred in the revivals of The Best Man (2012) and Love Letters (2014). From 2002 to 2004, she appeared in three episodes of the HBO series Sex and the City. Her other film roles include Miss Congeniality (2000), Sweet Home Alabama (2002), The Women (2008), Bride Wars (2009), Book Club (2018) and Let Them All Talk (2020).
Candice Patricia Bergen was born May 9, 1946, at Hollywood Presbyterian Hospital in Los Angeles, California. Her mother, Frances Bergen (née Westerman), was a Powers model known professionally as Frances Westcott. Her father, Edgar Bergen, was a ventriloquist, comedian, and actor. Bergen's paternal grandparents were Swedish immigrants who anglicized their surname, which was originally Berggren ("mountain branch").
Bergen was raised in Beverly Hills, California, and attended the Westlake School for Girls. As a child, she was irritated when described as "Charlie McCarthy's little sister" (a reference to her father's star dummy). She began appearing on her father's radio program at a young age and in 1958, at age 11, was a guest with her father on Groucho Marx's quiz show You Bet Your Life, as Candy Bergen. She said she wanted to be a clothing designer when she grew up.
She later attended the University of Pennsylvania, where she was elected Homecoming Queen and Miss University, but as Bergen later acknowledged, she did not take her education seriously. Bergen was a classmate of future President Donald Trump, who asked her out, but according to him, she declined his invitation. She later stated she did go on a date with him once, but was back home at 9 PM and that "it was really a dud." After failing two courses in art and opera, she was asked to leave at the end of her sophomore year. She ultimately received an honorary doctorate from Penn in May 1992.
Before taking up acting, Bergen was a fashion model and was featured on Vogue covers. She received acting training at HB Studio in New York City.
Bergen made her screen debut playing a university student in the ensemble film The Group (1966), directed by Sidney Lumet, who knew Bergen's family. The film delicately touched on the subject of lesbianism and was a critical and financial success. Afterwards, Bergen left college to focus on her career. She played the role of Shirley Eckert, an assistant school teacher, in The Sand Pebbles (1966) with Steve McQueen. The movie, made for 20th Century Fox, was nominated for several Academy Awards and was a financial success.
She guest-starred on an episode of Coronet Blue, whose director Sam Wanamaker recommended her for the comedy The Day the Fish Came Out (1967), which was directed by Michael Cacoyannis and distributed by Fox. The film was a box-office flop; nevertheless, Fox signed her to a long-term contract.
Bergen was announced for the role of Anne in Valley of the Dolls, but did not appear in the film.
Bergen went to France to appear in Claude Lelouch's romantic drama Live for Life (1967) opposite Yves Montand, popular in France but not the US.
In 1968, she played the leading female role in The Magus, a British mystery film for Fox starring Michael Caine and Anthony Quinn that was almost universally ridiculed and was another major flop.
She played a frustrated socialite in a 1970 political satire, The Adventurers, based on a novel by Harold Robbins. Her salary was $200,000. The film received negative reviews, and while it did respectably at the box office, it did not help her career. Bergen called it a "movie out of the 1940s."
Bergen played Elliott Gould's girlfriend in Getting Straight (1970), a counterculture movie which drew another spate of bad reviews but was commercially profitable. She said it took her career in "a new direction... my first experience with democratic, communal movie making."
She also starred in the controversial Western Soldier Blue (1970), an overseas success but a failure in America. The film's European success led to Bergen's being voted by British exhibitors as the seventh-most popular star at the British box office in 1971. Bergen appeared with Oliver Reed and Gene Hackman in The Hunting Party (1971), a violent Western which drew terrible reviews and flopped.
Bergen received some strong reviews for her supporting role in Carnal Knowledge (1971), directed by Mike Nichols. She then had the lead role in the drama T.R. Baskin (1971) and earned the best reviews of her career up to that time. She described the latter as the first role "that is really sort of a vehicle, where I have to act and not just be a sort of decoration" saying she had decided "it was time for me to get serious about acting."
Bergen was absent from screens for a few years. She returned with a supporting part in a British heist film, 11 Harrowhouse (1974), then did a Western with Gene Hackman and James Coburn, Bite the Bullet (1975). Both films were modest successes. In 1975, she replaced Faye Dunaway at the last minute to co-star with Sean Connery in The Wind and the Lion (1976), as a strong-willed American widow kidnapped in the Moroccan desert. The film drew mixed reviews and broke even at the box office.
Bergen was reunited with Hackman in The Domino Principle (1977) for Stanley Kramer, another failure.
She appeared in A Night Full of Rain (1978) for Lina Wertmüller and was the love interest of Ryan O'Neal's character in the Love Story sequel, Oliver's Story (1978), but both films failed critically and financially.