Bruce Johnston (born Benjamin Baldwin; June 27, 1942) is an American singer, songwriter, musician and record producer, best known as a former member of the Beach Boys. He also collaborated on many records with Terry Melcher (his bandmate in Bruce & Terry, the Rip Chords, and California Music) and composed the 1975 Barry Manilow hit "I Write the Songs".
Born in Illinois, Johnston grew up in Los Angeles and studied classical piano in his early years. While in high school, he arranged and played on his first hit record, Sandy Nelson's "Teen Beat" (1959), and also worked with musicians such as Kim Fowley and Phil Spector. One of Johnston's first gigs was as a member of the surf band the Gamblers before becoming a staff producer at Columbia Records.
In 1965, Johnston joined the Beach Boys for live performances, initially filling in for the group's co-founder Brian Wilson. Johnston's first appearance on the band's records was as a vocalist on "California Girls" (1965). He later contributed original material to the group's albums, including "The Nearest Faraway Place" on 20/20 (1969), "Tears in the Morning" and "Deirdre" on Sunflower (1970), and "Disney Girls (1957)" on Surf's Up (1971).
Johnston left the Beach Boys in 1972 and recorded one solo album, Going Public (1977). In late 1978, he rejoined the Beach Boys to co-produce the band's L.A. (Light Album) (1979). Since then, he continued to tour as a member of the band until his departure in 2026.
Born in Peoria, Illinois, in 1942 at the Florence Crittenden Home, Johnston's original name was Benjamin Baldwin. He was adopted as a child by William and Irene Johnston of Chicago and grew up in the wealthy Los Angeles neighborhoods of Brentwood and Bel-Air. His adoptive family is of Irish descent, with his grandparents hailing from Markethill, County Armagh. His adoptive father was president of the Owl Rexall Drug Company in Los Angeles after moving from Walgreens in Chicago.
Johnston attended the private Bel Air Town and Country School (later renamed John Thomas Dye School) and the University of California, Los Angeles. He also studied classical piano in his early years, training at Interlochen Arts Camp as a youth.
In high school, Johnston switched to contemporary music. He performed in a few "beginning" bands during this time and then moved on to working with young musicians such as Sandy Nelson, Kim Fowley, and Phil Spector.
Soon, Johnston began backing people such as Ritchie Valens, the Everly Brothers, and Eddie Cochran.
In 1959, while still in high school, Johnston arranged and played on his first hit record, "Teen Beat" by Sandy Nelson. The single reached the Billboard Top Ten. The same year, Johnston made his first single under his own name, "Take This Pearl" on Arwin Records (a record label owned by Doris Day) as part of the Bruce & Jerry duo (Jerry Cooper was a high school friend of Bruce's). The teenage Hot Rod film entitled "Ghost of Dragstrip Hollow" (1959), features the song "I Promise You" by Johnston and Judy Harriet. In 1960, he was with The Gamblers (surf band) and played keyboards on their World Pacific record "Moon Dawg" (World Pacific X-815), purportedly the first actual surf instrumental.
In 1960, Johnston started his record production career at Del-Fi Records, producing five singles and an album – Love You So – by Ron Holden (many of the album's eleven tracks were written or co-written by Johnston).
In 1962 and 1963, Johnston continued his recording career with a series of surfin' singles (vocal & instrumental) and an album, Surfin' 'Round the World, credited to Bruce Johnston, and another "live" album, the Bruce Johnston Surfin' Band's Surfer's Pajama Party. In 1963 came the first collaboration with his friend Terry Melcher (Doris Day's son), a mostly instrumental covers album credited to the Hot Doggers.
The first artist that Johnston and Melcher produced was a group called the Rip Chords. The pair were then working as staff producers at Columbia Records, Hollywood, and by the time they were producing the million-selling "Hey Little Cobra", a knock-off of the Beach Boys car song vocal style, they also wound up singing every layered vocal part for the recording. The two of them made a few recordings as Bruce & Terry and the Rogues, but Melcher began to focus more on his production career (with the Byrds, Paul Revere & the Raiders).
Original tenure with the Beach Boys
On April 9, 1965, Johnston joined the Beach Boys in New Orleans, filling in for Glen Campbell, who briefly served as a touring member for Brian Wilson, and had declined an offer to officially join the band. Campbell played his last show as a Beach Boy on May 15, 1965 and Johnston then became a full-time replacement for Brian Wilson on the road. Johnston did not start playing bass until his first tenure with the Beach Boys. The first contributions he made to recordings as one of the Beach Boys was on Summer Days (And Summer Nights!!). For contractual reasons, however, he was not credited on a Beach Boys album cover until Wild Honey (1967) though he was photographed as a touring band member on the back sleeve of Pet Sounds (1966).
In May 1966, Johnston flew to London and played Pet Sounds (1966) for John Lennon, Paul McCartney, and Keith Moon. He had provided backing vocals to six of the album's 13 tracks: "Wouldn't It Be Nice", "You Still Believe in Me", "That's Not Me", "God Only Knows" (also co-lead), "Sloop John B", and "I Just Wasn't Made for These Times". He similarly contributed backing vocals to some of the subsequent Smile sessions. In early 1967, Wilson discussed the extent of his personal relationship with Johnston to Melody Maker: "I'm afraid I only know Bruce superficially. [...] I only see him at recording sessions. [...] He's a very likeable person."
Johnston did not participate in most of the 1967 Smiley Smile sessions and played on only a few tracks on Wild Honey. Reflecting on Smiley Smile, Johnston said it was "a thousand times better than the [original Smile] [...] It's just the most underrated album in the whole catalog for me." He had an unfavorable opinion of the band's 1968 album Friends, calling the songs "wimpy". The Beach Boys asked touring member Billy Hinsche to permanently replace Johnston in mid-1969, although Hinsche elected to focus on his studies at UCLA and Johnston was not aware of the offer at the time.
Starting with the instrumental "The Nearest Faraway Place" from 20/20 (1969), Johnston's original compositions began appearing on the band's records. Johnston considered his favorite Beach Boys album to be Sunflower (1970). In a 1970s interview, he described it as the last true Beach Boys album because, in his belief, it was the last to feature Wilson's input and active involvement. He nonetheless regretted the inclusion of his two songs, saying that "Tears in the Morning" was "too pop" and that "I wish I hadn't recorded ['Deirdre'] with the group."
Surf's Up (1971) included Johnston's most notable written composition for the band, "Disney Girls (1957)", which was subsequently recorded by, among others, Cass Elliot, Captain & Tennille, Art Garfunkel, Jack Jones, and Doris Day. From a performance standpoint, he later cited 1971 as his favorite year of the group musically because their set lists focused on newer songs. He also criticized Surf's Up as "a hyped-up lie." His final contribution before departing consisted of backing vocals on their 1972 song "Marcella".