Bruce Beresford (; born 16 August 1940) is an Australian film director, opera director, screenwriter, and producer. He began his career during the Australian New Wave, and has made more than 30 feature films over a 50-year career, both locally and internationally in the United States. He is a two-time Academy Award nominee, and a four-time AACTA/AFI Awards winner out of 10 total nominations.
Beresford's films include Breaker Morant (1980), Tender Mercies (1983), Crimes of the Heart (1986), Driving Miss Daisy (1989) – which won four Oscars, including Best Picture – Black Robe (1991), Silent Fall (1994), Double Jeopardy (1999), Mao's Last Dancer (2009), and Ladies in Black (2018). He was nominated for Academy Awards for Best Adapted Screenplay for Breaker Morant, and Best Director for Tender Mercies. He won AACTA/AFI Awards – Best Direction (2) for Don's Party (1976) and Breaker Morant, and Best Screenplay (2) for Breaker Morant and The Fringe Dwellers (1986).
In addition, four of Beresford's films have been nominated for the Palme d'Or, and four have been nominated for the Golden Bear. He has also been nominated for two BAFTA Awards, a Golden Globe Award, a Directors Guild of America Award, and won a Genie Award.
Beresford was born in Paddington, New South Wales, the son of Lona (née Warr) and Leslie Beresford, who sold electrical goods. He grew up in the then outer-western suburb of Toongabbie, and went to The Meadows Public School and then The King's School, Parramatta. He made several short films in his teens including The Hunter (1959).
He completed a Bachelor of Arts majoring in English at the University of Sydney, where he graduated in 1964. While at university he made the short film The Devil to Pay (1962) starring John Bell and Ron Blair, It Droppeth as the Gentle Rain (1963) co-directed by Albie Thoms and starring Germaine Greer, Clement Meadmore (1963) with Bell and King-size Woman (1965).
Beresford then moved to England in search of film work. He could not break into the British film scene, so he answered an advertisement for an editing job in Nigeria, where he worked for two years, in Enugu.
He then returned to England and worked for the British Film Institute as a producer of short films by first-time directors, including Magritte: The False Mirror (1970) and Paradigm (1970).
Beresford directed the documentary Lichtenstein in London (1968) about Roy Lichtenstein, and Extravaganza (1968), Barbara Hepworth at the Tate (1970), The Cinema of Raymond Fark (1970), and Arts of Village India (1972).
Beresford returned to Australia to make his first feature film, The Adventures of Barry McKenzie (1972), which he also wrote with Barry Humphries. The film, produced by Phillip Adams, was a box office success in England and Australia, but Beresford later said making the film was a "mistake" because reviews were so bad that he had trouble finding other work.
Beresford directed a documentary for TV, The Wreck of the Batavia (1973) and did some other TV films, Poor Fella Me (1973), and Monster or Miracle? Sydney Opera House (1973). These were financed by Reg Grundy who also financed Beresford's second feature as director, Barry McKenzie Holds His Own (1974), a sequel to Barry McKenzie.
Stranded in London without funds, Beresford agreed to direct and co-write a comedy, Side by Side (1975) starring Humphries and Terry-Thomas (this poorly received film was released on DVD in 2013). The money he received enabled him to return to Australia where, Beresford says, Phillip Adams "saved my life" by offering him the job of directing an acclaimed version of David Williamson's play Don's Party (1976).
Soon afterwards, Beresford directed an adaptation of Henry Handel Richardson's novel The Getting of Wisdom (1977), also produced by Adams.
Beresford signed a contract with the South Australian Film Corporation for whom he wrote and directed a thriller, Money Movers (1979), which was a box office disappointment. He did some uncredited directing on the SAFC's Blue Fin (1978), then co-wrote and directed Breaker Morant (1980). The latter film was a notable success at the box office and earned Beresford an Oscar nomination. It was widely seen in Hollywood and Beresford began to receive US offers.
Beresford directed The Club (1980), from another Williamson play, and Puberty Blues (1981).
Beresford received an offer from EMI Films to direct Horton Foote's Tender Mercies (1983). Star Robert Duvall won a Best Actor Oscar for his performance and Beresford earned a Best Director nomination.
He followed it with King David (1985) starring Richard Gere, which was a notable box office failure.
Beresford returned to Australia to direct The Fringe Dwellers (1986), co-written with his first wife, Rhoisin Beresford. In the US he directed Crimes of the Heart (1986) from the play by Beth Henley, did a segment of the film Aria (1987), and did the comedy thriller Her Alibi (1989) with Tom Selleck.
Beresford directed Driving Miss Daisy (1989) with Morgan Freeman and Jessica Tandy, based on the play by Alfred Uhry. It won the Academy Award for Best Picture, although Beresford was not nominated as director. The film was a commercial and critical success.