Philip St. John Basil Rathbone (13 June 1892 – 21 July 1967) was an English actor. Born in South Africa and raised in Derbyshire, he rose to prominence in the United Kingdom as a Shakespearean stage actor and went on to appear in more than 70 films, primarily costume dramas, swashbucklers, and, occasionally, horror films.
Rathbone frequently portrayed suave villains or morally ambiguous characters, such as Mr. Murdstone in David Copperfield (1935), Tybalt in Romeo and Juliet (1936) and Sir Guy of Gisbourne in The Adventures of Robin Hood (1938). His most famous role was that of Sherlock Holmes in fourteen Hollywood films made between 1939 and 1946 and in a radio series.
Rathbone's later career included roles on Broadway, as well as self-ironic film and television work. In 1948, he shared the Tony Award for Best Actor in a Play with two others. He was also nominated for two Academy Awards and honoured with three stars on the Hollywood Walk of Fame.
Rathbone was born on 13 June 1892, in Johannesburg, South African Republic. His mother, Anna Barbara (née George), was a violinist from Ireland, and his father, Edgar Philip Rathbone, was a mining engineer and scion of the Liverpool Rathbone family. He had two older half-brothers, Harold and Horace, as well as two younger siblings, Beatrice and John. Basil was the great-grandson of the noted Victorian philanthropist, William Rathbone V, and thus a descendant of William Rathbone II.
The Rathbones fled to Britain when Basil was three years old after his father was accused by the Boers of being a spy following the Jameson Raid. Rathbone attended Repton School in Derbyshire from 1906 to 1910, where he excelled at sports and was given the nickname "Ratters" by schoolmates. Thereafter, he was briefly employed as an insurance clerk by the Liverpool and Globe Insurance Companies, to appease his father's wish for him to have a conventional career.
On 22 April 1911, Rathbone made his first appearance on stage at the Theatre Royal, Ipswich, Suffolk, as Hortensio in The Taming of the Shrew, with his cousin Sir Frank Benson's No. 2 Company, under the direction of Henry Herbert. In October 1912, he went to the United States with Benson's company, playing roles such as Paris in Romeo and Juliet, Fenton in The Merry Wives of Windsor, and Silvius in As You Like It. Returning to Britain, he made his first appearance in London at the Savoy Theatre on 9 July 1914, as Finch in The Sin of David. That December, he appeared at the Shaftesbury Theatre as the Dauphin in Henry V. During 1915, he toured with Benson and appeared with him at London's Court Theatre in December as Lysander in A Midsummer Night's Dream.
During the First World War (in 1915), Rathbone was called up via the Derby Scheme into the British Army as a private with the London Scottish Regiment, joining a regiment that also included his future professional acting contemporaries Claude Rains, Herbert Marshall and Ronald Colman at different points during the conflict. After basic training with the London Scots in early 1916, he received a commission as a lieutenant in the 2/10th Battalion of the King's Liverpool Regiment (Liverpool Scottish), where he served as an intelligence officer, eventually attaining the rank of captain.
Rathbone was a two-time British Army Fencing Champion; a skill that served him well in the movies, it allowed him to teach swordsmanship to actors Errol Flynn and Tyrone Power.
Rathbone was deeply affected by the news that his younger brother John, a captain in the Dorsetshire Regiment, had been killed in action near Arras on 4 June 1918. In 2012 two letters Rathbone wrote to his family while he was serving on the Western Front were published. One reveals the anguish and anger he felt following the death of John:
I want to tell him to mind his place. I think of his ridiculous belief that everything would always be well, his ever-hopeful smile, and I want to cuff him for a little fool. He had no business to let it happen and it maddens me that I shall never be able to tell him so, or change it or bring him back. I can't think of him without being consumed with anger at him for being dead and beyond anything I can do to him.
Following his brother's death, Rathbone appears to have become unconcerned about the dangers of serving at the front. Richard Van Emden in Famous 1914–18 speculates that his extreme bravery may have been a form of guilt or a need for vengeance. He persuaded his superiors to allow him to scout enemy positions during daylight rather than at night, as was the usual practice to minimise the chance of detection. Rathbone wore a special camouflage suit that resembled a tree with a wreath of freshly plucked foliage on his head, and with burnt cork applied to his hands and face. As a result of these highly dangerous daylight reconnaissance missions in September 1918 he was awarded the Military Cross for "conspicuous daring and resource on patrol".
During the Summer Festival of 1919, he appeared at Stratford-upon-Avon with the New Shakespeare Company playing Romeo, Cassius, Ferdinand in The Tempest and Florizel in The Winter's Tale; in October he was at London's Queen's Theatre as the aide de camp in Napoleon, and in February 1920 he was at the Savoy Theatre in the title role in Peter Ibbetson with huge success.
During the 1920s, Rathbone appeared regularly in Shakespearean and other roles on the British stage. He began to travel and appeared at the Cort Theatre, New York City, in October 1923 in a production of Molnár's play The Swan opposite Eva Le Gallienne, which made him a star on Broadway. He toured in the United States in 1925, appearing in San Francisco in May and the Lyceum Theatre, New York, in October. He was in the US again in 1927 and 1930 and again in 1931, when he appeared on stage with Ethel Barrymore. He continued his stage career in Britain, returning late in 1934 to the US, where he appeared with Katharine Cornell in several plays.
Rathbone was once arrested in 1926 along with every other member of the cast of The Captive, a play in which his character's wife left him for another woman. Though the charges were eventually dropped, Rathbone was very angry about the censorship because he believed that homosexuality needed to be brought into the open.
He commenced his film career in Hollywood in 1921 in silent movies and appeared in 1923's The School for Scandal, and in The Masked Bride, plus a few other silents. His sound debut was in the first screen adaptation of Frederick Lonsdale's play The Last of Mrs. Cheyney (1929) opposite Norma Shearer, which was his last appearance as a romantic leading man. He portrayed detective Philo Vance in the 1930 film The Bishop Murder Case, based on the best-selling novel. In the film, there is a coincidental reference to Sherlock Holmes. Like George Sanders and Vincent Price after him, Rathbone made a name for himself in the 1930s by playing suave villains in costume dramas and swashbucklers, including David Copperfield (1935) as the abusive stepfather Mr. Murdstone; Anna Karenina (1935) as her distant husband, Karenin; The Last Days of Pompeii (1935) as Pontius Pilate; Captain Blood (1935); A Tale of Two Cities (1935), as the Marquis St. Evremonde; The Adventures of Robin Hood (1938) playing his best-remembered villain, Sir Guy of Gisbourne; The Adventures of Marco Polo (1938); and The Mark of Zorro (1940) as Captain Esteban Pasquale. He also appeared in several early horror films: Tower of London (1939), as Richard III, and Son of Frankenstein (1939), portraying the dedicated surgeon Baron Wolf von Frankenstein, son of the monster's creator, and, in 1949, was also the narrator for the segment "The Wind in the Willows" in the Disney animated feature, The Adventures of Ichabod and Mr. Toad.
He was admired for his athletic swordsmanship. (He listed fencing among his favourite recreations.) His character lost to Errol Flynn twice: in a duel on the beach in Captain Blood and in an elaborate fight sequence in The Adventures of Robin Hood. He was also involved in noteworthy sword fights in Tower of London, The Mark of Zorro, and The Court Jester.