Antoine Houdar de la Motte (18 January 1672 – 26 December 1731) was a French writer.
De la Motte was born and died in Paris. In 1693 his comedy, Les Originaux (Les originaux, ou, l'Italien), was a complete failure, and so depressed the author that he contemplated joining the Trappists. Four years later he began writing texts for operas and ballets, e.g. L'Europe galante (1697), and tragedies, one of which, Inès de Castro (1723), was an immense success at the Theâtre Français. He was a champion of the moderns in the revived controversy of the ancients and moderns. His Fables nouvelles (1719) was regarded as a modernist manifesto. Anne Dacier had published (1711) a translation of the Iliad, and La Motte, who knew no Greek, made a translation (1714) in verse founded on her work.
He said of his own work: "I have taken the liberty to change what I thought disagreeable in it." He defended the moderns in the Discours sur Homère prefixed to his translation, and in his Réflexions sur la critique (1716). Apart from the merits of the controversy, it was conducted on La Motte's side with a wit and politeness which compared very favourably with his opponents' methods. He was elected to the Académie Française in 1710, but soon afterwards went blind. La Motte carried on a correspondence with the duchesse du Maine, and was the friend of Fontenelle. He had the same freedom from prejudice and the same inquiring mind as the latter, and it is on the excellent prose in which his views are expressed that his reputation rests.
His Œuvres du theâtre (2 vols.) appeared in 1730, and his Œuvres (10 vols.) in 1754. See Hippolyte Rigault, Histoire de la querelle des anciens et des modernes (1859).
1701: Le Premier livre de l'Iliade, translated into French verse
1707: Églogue sur la naissance de Mgr le duc de Bretagne
1707: Odes avec un Discours sur la poésie en général, et sur l'ode en particulier, (several latter editions)
1712: Le Deuil de la France, ode
1716: Ode sur la mort de Louis le Grand, ode
1714: Le Cygne, fable allegorique
1719: Fables nouvelles, Paris, (several latter editions)
1715: Réflexions sur la critique, Paris, G. Du Puis
1719: Discours sur la fable, Paris, Grégoire Dupuis
1754: Discours sur la poésie, Paris, Prault l'aîné
1754: Discours sur la tragédie, Paris, Prault l'aîné
1730: Suite des Réflexions sur la tragédie
1693: Les Originaux ou l'Italien, three-act comedy, music by M. de Masse, presented at théâtre de l'Hôtel de Bourgogne, 13 August
1697: Issé, pastorale héroïque in 3 acts with prologue, présented at Château de Fontainebleau 7 October