Angela Evelyn Bassett (born August 16, 1958) is an American actress. Known for her work in film and television since the 1980s, she has received various accolades, including an Emmy Award and two Golden Globe Awards, as well as nominations for two Academy Awards. In 2023, Time magazine named her one of the 100 most influential people in the world, and she received an Academy Honorary Award.
Bassett had her breakthrough portraying singer Tina Turner in the biopic What's Love Got to Do with It (1993), which won her a Golden Globe Award and a nomination for the Academy Award for Best Actress. She had success starring in Boyz n the Hood (1991), Malcolm X (1992), Strange Days, Vampire in Brooklyn, Waiting to Exhale (all 1995), How Stella Got Her Groove Back (1998), and Music of the Heart (1999). In the following decades, she took on supporting roles in the drama Notorious (2009), and the action films Green Lantern (2011), Olympus Has Fallen (2013), and London Has Fallen (2016). She also played Queen Ramonda in the Marvel Cinematic Universe films Black Panther (2018), Avengers: Endgame (2019), and Black Panther: Wakanda Forever (2022). For the latter, she won another Golden Globe and was nominated for the Academy Award for Best Supporting Actress.
On television, Bassett has starred as Katherine Jackson in the miniseries The Jacksons: An American Dream (1992). Her portrayal of Rosa Parks in the television film The Rosa Parks Story (2002) gained her a nomination for an Emmy Award for Outstanding Lead Actress. Her performances in two seasons of the FX horror anthology series American Horror Story earned her nominations for an Emmy Award for Outstanding Supporting Actress in 2014 and 2015. In 2018, Bassett began producing and starring as an LAPD patrol sergeant Athena Grant in the Fox/ABC drama series 9-1-1.
Bassett was born on August 16, 1958, in New York City. Her mother is Betty Jane (née Gilbert), a social worker and civil servant. Her father is Daniel Benjamin Bassett, a preacher's son. Bassett's middle name was given to her in honor of her aunt Evelyn. Ten months after Bassett was born, her mother became pregnant and had a second child, Bassett's sister D'nette. Bassett said the pregnancy "only made things harder", leading her parents to send her to her father's sister, Golden, in Winston-Salem, North Carolina. While her aunt did not have any children of her own, she "loved children, and she was good with them."
At the age of four, Bassett was picked up by her mother after her parents divorced; her mother took her and her sister to St. Petersburg, Florida.
Bassett did not see her father again for several years, until she attended her grandmother's funeral. There, Bassett met her father's daughter Jean, from his first marriage, who was twelve years old, and several years older than Bassett.
After graduating from Jordan Park Elementary School, Bassett was bused to attend Disston Middle School for seventh grade. She began at that school in 1970, a year before the city of St. Petersburg formally established busing to integrate its public schools. After completing seventh grade, Bassett was bused to Azalea Middle School for eighth and ninth grades. Bassett's mother became more involved in her daughters' studies and told the two that they would go to college.
In her younger years, Bassett was "in love" with the Jackson 5, and dreamed of marrying a member of the family group. She said her choice would probably be "whoever had the cutest, roundest Afro at the time. In my imagination we would have children and live in a real house." As her interest in entertainment developed, Angela and her sister would often put on shows, reading poems or performing popular music for their family.
At Boca Ciega High School, Bassett was a cheerleader and a member of the Upward Bound college prep program, the debate team, student government, drama club and choir. An "A" and "B" student for the most part, Bassett got her first "C" in physical education. She tried to convince her mother not to be disappointed by the grade. Bassett called the grade the "average," leading her mother to say she did not have "average kids." As Bassett described, she developed a "sense of pride" and did not get another "C" until college. During high school, Bassett became the first African American in that school to be admitted to the National Honor Society. The Upward Bound program is an academic and cultural enrichment program for underprivileged students. Bassett says she and the other participants did not see themselves as underprivileged.
Bassett studied at Yale University and graduated with a Bachelor of Arts in African American Studies in 1980. She studied acting at the Yale School of Drama and obtained a Master of Fine Arts in 1983. Her paternal aunt had warned her not to "waste" her "Yale education on theater." She was the only member of Bassett's family to have gone to both college and graduate school.
At Yale, Bassett met her future husband Courtney B. Vance, a 1986 graduate of the drama school. Bassett was also classmates with actor Charles S. Dutton.
After graduation, Bassett worked as a receptionist for a beauty salon and as a photo researcher to support herself while looking for acting work in the New York theater. One of her first New York performances came in 1985 when she appeared in J. E. Franklin's Black Girl at Second Stage Theatre. She appeared in two August Wilson plays at the Yale Repertory Theatre under the direction of her long-time instructor Lloyd Richards; these were Ma Rainey's Black Bottom (1984), and Joe Turner's Come and Gone (1986). Decades later in 2006, she had the opportunity to work on the Wilson canon again, starring in Fences alongside longtime collaborator Laurence Fishburne at the Pasadena Playhouse in California.
In 1985, Bassett made her first television appearance, as a prostitute in the television film Doubletake. She made her film debut as a news reporter in F/X (1986), for which she was required to join the Screen Actors Guild (SAG). Bassett moved to Los Angeles in 1988 for more acting jobs. She had early guest spots on A Man Called Hawk and 227 (both 1989).
Bassett earned industry attention and public recognition for her early performances in the films Boyz n the Hood (1991) and Malcolm X (1992). For her portrayal of Betty Shabazz in the latter, she earned an NAACP Image Award. During production, director Spike Lee showed Bassett a tape of the exact moment when Malcolm X was shot, since they would be filming the scene. Bassett called the recording "haunting," but noted that afterward she was "able to grab hold of the pain and re-create the scene." Bassett felt it was important for her to get the assassination scene correct, and wondered how Betty "found the strength to keep going, to raise her family, to educate, to sustain them." Bassett worried that after her role as Betty Shabazz in Malcolm X, she would not find another role "as satisfying." At the time of the film's release, she expressed her worry that she would not have such a role again. "I think I have been incredibly blessed and it is probably just all downhill from here."
Bassett also starred as Katherine Jackson in The Jacksons: An American Dream, which premiered on ABC-TV in the same week as the theatrical release of Malcolm X. After returning to Los Angeles following completion of her work for Malcolm X, Bassett got a call to audition for a film about Tina Turner, based on her memoir I, Tina. Bassett won the lead role over Halle Berry and Robin Givens, but had only one month to prepare before filming began. She met with Turner twice, who advised her on details of her interpretation, from wigs and outfits to dancing styles. Turner also did Bassett's make-up, leading Bassett to call her "supportive" and her "biggest fan." In an interview with the Orlando Sentinel, Bassett described going to one of Turner's concerts and, after realizing that she knew some of Turner's dance moves, she cried and was "almost a river of tears." Bassett's performance as Turner in What's Love Got to Do with It (1993) received strong reviews. Marc Bernardin of Entertainment Weekly wrote that Bassett "gave the performance of a lifetime" portraying Turner in the biopic. Bassett won a Golden Globe for her portrayal, and was the first African American to win this Award for Best Actress. She was nominated for an Academy Award as Best Actress, but lost to Holly Hunter for The Piano. (Despite the acclaim, Bassett later said in a 2022 interview on Today with Hoda & Jenna, that after portraying Turner, she did not receive acting calls for about a year and a half.)