Amaza Lee Meredith (August 14, 1895 – 1984) was an American architect, educator and artist. Meredith was unable to enter the profession as an architect because of "both her race and her sex" as an African-American woman, and worked primarily as an art teacher at Virginia State University (then Virginia State College / Virginia Normal and Industrial Institute), where she founded the art department. Sex and race wasn't the only factor that was challenging at the time. Amaza Lee Meredith lived authentically as an African-American Queer artist despite at the time heterosexual norms. She is best known for her residence, Azurest South, where she and her partner, Dr. Edna Meade Colson, resided together. Moreover, she co-founded the Azurest Syndicate Inc., a vacation destination for black middle class Americans on Sag Harbor, New York. As an educated black woman, Meredith is a rare example of a financially and socially independent black woman living in the time of Jim Crow Segregation Laws.
Meredith was born in Lynchburg, Virginia as a daughter of Samuel Peter Meredith and Emma Pink Kenney. She had three siblings, two sisters and a brother. Meredith maintained a lifelong good relationship with her older sister Maude. Samuel, Amaza's father, was a carpenter, and Emma, her mother, was a seamstress. Her father was white and her mother was black. Her parents were prohibited by anti-miscegenation laws from marrying in Virginia. In Amaza Lee Meredith's birth certificate, she is only identified as Emma Kenney's daughter. The name of the father is left out. Nevertheless, Samuel Meredith cared about his family and built them a house in which he moved in as well some years later. He also supported them financially. Eventually, her parents travelled to Washington, D.C. in racially separated railroad-cars to get married and finally moved in together afterwards. Not long after that, her father began to lose business as a result of the controversial marriage and was soon in debt. He committed suicide in 1915.
Despite the difficulties of being an interracial family in the era of segregation, both parents had a great influence on Meredith. Her carpenter father taught her how to draw blueprints and built models. He instilled in her the wish to become an architect. Her mother, who worked as a seamstress before having her children, believed education was the key against racist public opinion. Amaza's mother was relatively highly educated herself. She was a convincing, engaged woman and she built a local network of support at Lynchburg's Eight Street Baptist church, which was a center for female political and social activities. She supported her children's education by sending them to college. It was there when Amaza Lee Meredith met her future companion, Dr. Edna Meade Colson, with whom she held correspondence during her entire vocational education and later moved in with in their shared home "Azurest South". Although it is not quite clear (and not very likely given the time they lived in) whether they lived as an openly homosexual couple, it is safe to say their relationship was committed and loving. Both Meredith and Colson were honorary members of the Gillfield Baptist Church. They lived together until Meredith died in 1984 and are buried alongside each other in Petersburg, Virginia, at Eastview Cemetery.
Amaza Lee Meredith's educational journey started with her attending the Lynchburg elementary public schools. After that she attended Jackson High School (which was demolished in 1970.) She graduated at the top of her class in 1915, despite suffering the loss of her father that year. Determined to gain her teaching credentials she attended Virginia Normal and Industrial Institute (Now Virginia State University). It was in her first year that she met Dr. Edna Meade Colson who had an influence on Meredith's education through supporting her with advice and recommending pedagogical literature. Meredith finally got her "Summer School Professional Certificate" for teachers. Now being able to teach elementary school, she took her first teaching job and returned to Petersburg in 1922 to earn her teaching degree. This time she was the valedictorian of her class at Virginia Normal and Industrial Institute.
In 1926 she moved to New York City, where she lived together with her sister in North Harlem. She attended the teachers college at Columbia University to study fine arts and art appreciation and received a bachelor's degree in 1930. Among others, she took classes in interior design and home decoration and attended lectures, discussions, practical work and trips to museums which shaped her understanding of a modern design approach. During this time she also came in contact with the new negro movement and grew into it as a young, educated black woman who disagreed with the existing stereotypes. Moreover, she qualified herself as a member of the talented tenth, which after W.E.B. Du Bois was a group of culturally, socially and scientifically educated black Americans who would serve as sort of a mediator between blacks of lower education and the white society. She returned to New York to gain her master's degree at Columbia University in 1934.
After she completed the "Summer School Certificate," Meredith started teaching in a one-room schoolhouse in Botetourt County, Virginia, called the Indian Rock. She spent two years in the village despite the fact that she found the circumstances alarmingly bad, and the black community "dispossessed, disenfranchise and complacent." Here she built the Parents-Teachers-Association, which worked in association with the Negro Organization Society of Virginia and was meant to improve the schools situation. Later, she went back to Lynchburg and taught elementary school, before returning to college. Upon graduating in 1922 she taught mathematics at Dunbar High School in Botetourt County for six years. After earning her bachelor's degree she returned to Virginia where she was hired by the then president of the Virginia Normal and Industrial Institute to teach art. In 1935, after returning to Virginia with her master's degree, she founded the arts department of Virginia State University and became the department chair, which she remained until her retirement in 1958. The art education Meredith taught was based on learning graphic design, fine arts and the principles of architecture. Furthermore, she successfully established two art scholarships and was an active part of the Alumni Association.
One of her students, Stafford W. Evans, became during World War II staff illustrator of The Mananan, the base newsletter for Manana Barracks at Pearl Harbor. Manana was the largest posting of African-American servicemen in the world, but prior to his arrival there, he was alone in a Jim Crow Navy that he describes to Meredith in sometimes chilling details. His extensive correspondence with Meredith, whom he considered his adoptive mother, is collected in her papers at Virginia State University. One of Evans' students at Armstrong High School in Richmond was Benjamin Leroy Wigfall.
Meredith's commitment to her family, friends, and the advancement of Black cultural equity was a guiding thread throughout her career. Meredith received Virginia's first land grant for African American scholars. Despite the fact that Amaza was never a registered architect, she was one of just a few black architects in practice at the time, and one of the country's few female black architects. (On the basis of the 1910 U.S. Census, only 59 black architects and 47 black draftsmen were employed.) The fact that most of Meredith's historical work has been lost, Virginia State University continues to honor her famous achievements. While her exact number of works is unknown, Amaza has been attributed with architectural design for houses in Virginia, Texas, and New York. The most prominent of them are two mansions in Azurest North. Despite having no formal training in architecture, Meredith designed many homes for her family and friends in Virginia, New York and Texas. Her first building was Azurest South, which was completed in 1939 and was designed completely by Meredith in the International Style. She and her partner, Colson, moved in together after its completion and it would be their primary residence for the rest of their lives. Azurest South, demonstrates her fascination with the avant-garde design, her familiarity with modern materials and construction details, and her courage in expressing non-traditional ideas in the public eye of the state's first land grant college for African Americans.