Count Aleksey Konstantinovich Tolstoy (Russian: Граф Алексей Константинович Толстой; September 5 [O.S. August 24] 1817 – October 10 [O.S. September 28] 1875), often referred to as A. K. Tolstoy, was a Russian poet, novelist, and playwright. He is considered to be the most important nineteenth-century Russian historical dramatist, primarily on account of the strength of his dramatic trilogy The Death of Ivan the Terrible (1866), Tsar Fyodor Ioannovich (1868), and Tsar Boris (1870). He also gained fame for his satirical works, published under his own name (History of the Russian State from Gostomysl to Timashev, The Dream of Councillor Popov) and under the collaborational pen name of Kozma Prutkov. His fictional works include the novella The Family of the Vourdalak, The Vampire (1841), and the historical novel Prince Serebrenni (1862).
Aleksey was a member of the Tolstoy family, and a second cousin of Leo Tolstoy. Due to his mother's closeness with the court of the Tsar, Aleksey was admitted to the future Alexander II's childhood entourage and became "a comrade in games" for the young Crown Prince. As a young man Tolstoy traveled widely, including trips to Italy and Germany, where he met Johann Wolfgang von Goethe. Tolstoy began his education at home under the tutelage of his uncle the writer Antony Pogorelsky, under whose influence he first became interested in writing poetry, and a number of other teachers. In 1834 Tolstoy enrolled in the Moscow Foreign Ministry State Archive as a student. In December 1835 he completed exams (in the English, French, and German languages as well as in literature, Latin, World and Russian history, and Russian statistics) at the University of Moscow.
Throughout the 1840s, Tolstoy led a busy high society life, full of pleasure trips, salon parties and balls, hunting sprees, and fleeting romances. He also spent many years in state service as a bureaucrat and diplomat. In 1856, on the day of his Coronation, Alexander II appointed Tolstoy one of his personal aide-de-adjutants. Tolstoy served as an infantry major in the Crimean War. He eventually left state service in the early 1860s to pursue his literary career. He died in 1875 of a self-administered lethal dose of morphine at his Krasny Rog estate in the Chernigov Governorate.
Alexey Konstantinovich Tolstoy was born in Saint Petersburg to the famed family of Tolstoy. His father, Count Konstantin Petrovich Tolstoy (1780–1870), a son of the army general, was a Russian Assignation Bank councilor. His mother, Anna Alekseyevna Perovskaya (1796–1857), was an illegitimate daughter of Count Aleksey Kirillovich Razumovsky (1748–1822), an heir of the legendary Ukrainian hetman Alexey Razumovsky. A. K. Tolstoy's uncle (on his father's side) was Fyodor Tolstoy (1783–1873). His uncle on his mother's side was Aleksey Perovsky (1787–1836), an author known under the pen name of Antony Pogorelsky. Aleksey Konstantinovich was a second cousin of Leo Tolstoy; Count Pyotr Andreyevich Tolstoy was their common great-grandfather.
Konstantin Tolstoy and Anna Perovskaya's marriage was short-lived; they divorced in October 1817. With her six weeks old son, Anna moved first to her own Blistava estate in Chernigov Governorate, then to Krasny Rog (ru), an estate belonging to her brother Aleksey Perovsky, who became Aleksey Konstantinovich's tutor and a long-time companion. Common knowledge has it that Pogorelsky's famous fantasy fairytale The Black Chicken or The People of the Underground was premiered at home, his young nephew being the only member of Pogorelsky's audience. It was under the latter's influence that Aleksey started to write poetry, as early as 1823, inspired by some old books he found at home. Aleksey had good teachers and at the age of six he fluently spoke French, German and English. Later he learned Italian as well.
As for the Tolstoys, Anna Perovskaya stopped seeing them altogether, only sending them postcards on major dates and holidays. Remembering those happy years, Aleksey later wrote: I was brought up by Aleksey Perovsky… I spent the first years of my life at his estate and that is why I regard Malorossia as my true homeland. My childhood, which was very happy, left me the most cloudless memories. My mother's only child, without any friends to play with but endowed with a lively imagination, from an early age I was a dreamer, a quality which soon transformed into distinct poetic inclinations. In many ways the local surroundings were conducive to that: the air itself, the huge forests I fell passionately in love with, all this impressed me so much as to completely form my present character.
In early 1826 Anna Perovskaya returned to Saint Petersburg with her brother and son. Here, due to his mother's closeness with the court of the Tsar, Aleksey was admitted to the future Tsar Alexander II's childhood entourage and in August became what was officially termed "a comrade in games" for the young Crown Prince. Aleksey's duties were not many: he had to visit the Crown Prince in Saint Petersburg and Tsarskoye Selo, take walks with him on Yelagin Island and participate in games, many of which were, in effect, small scale military exercises. They became friends and this friendship lasted for several decades, ending in the mid-1860s. In autumn of 1826 Aleksey met Aleksander Pushkin for the first time.
In summer 1827 the family visited Germany where in Weimar young Aleksey met Goethe. The great man greeted the boy very warmly and left him a fragment of a mammoth tusk with his own drawing (depicting a frigate) on it, for a present. Aleksey, having been awe-stricken, remembered little: "Only his magnificent features and the way he took me upon his lap," according to his autobiography. The family spent the next ten years in continuous travel, both in Russia and abroad. An 1831 trip to Italy especially impressed the 13-year-old. "Back in Russia I fell into a deep nostalgic depression, longing for Italy which felt like a real motherland; desperately mourning the loss, I cried at night when my dreams carried me off to this Paradise lost," he wrote in his autobiography decades later. In Italy the family met Karl Bryullov. On 10 May 1831, Aleksey wrote in his diary: "Bryullov dined with us and left a sketch in my album." The painter promised Perovsky to make portraits of all three of them once he was back in Russia, but five years later he had finished only one, that of his nephew.
In 1834 Tolstoy enrolled in the Moscow Foreign Ministry State Archive as a "student", where he got his first taste of working with real historical documents. In December 1835 he completed exams (in English, French and German languages and literature, Latin, World and Russian history, and Russian statistics) at the University of Moscow for the formal 1st Grade State Bureaucrat certificate. He soon embarked on a career in the Economic Affairs and Statistics Department in Saint Petersburg. Before that, in July 1836, he had buried his uncle Aleksey Perovsky (who died in Warsaw of tuberculosis) and had become heir to his Krasny Rog estate. Also in 1835 Aleksey showed some of his new poems to Vasily Zhukovsky, who praised them. There's evidence that Pushkin also approved of the young poet's early works, giving him full moral support. Tolstoy wrote a lot, refining his technique, but wasn't eager to get published. "My first experiments were, no doubt, absurd, but at least metrically they were flawless. I went on training thus for many years, before I debuted... as a prose writer, not a poet," he remembered later.
In January 1837 Tolstoy became attached to the Russian Embassy in Frankfurt where he spent the next two years. The assignment was rather formal; it did not demand Tolstoy's presence in Germany and he spent most of his time in Saint Petersburg, leading a merry life, spending up to three thousand rubles per month, often traveling to Italy and France. It was during one of these visits that he wrote his first two "gothic" novellas – The Family of the Vourdalak and Three Hundred Years On (originally in German, later translated into Russian by Boleslav Markevich). Tolstoy showed great interest in all things macabre, influenced, again, by his late uncle who "was obsessed with mysticism in every possible form" and who, in turn, was influenced by E. T. A. Hoffmann whom he was personally acquainted with.