Allan Jaffee (born Abraham Jaffee; March 13, 1921 – April 10, 2023) was an American cartoonist. He was known for his work in the satirical magazine Mad, including his trademark feature, the Mad Fold-in. Jaffee was a regular contributor to the magazine for 65 years and is its longest-running contributor. In a 2010 interview, Jaffee said, "Serious people my age are dead."
With a career running from 1942 until 2020, Jaffee holds the Guinness World Record for having the longest career as a comic artist.
In the half-century between April 1964 and April 2013, only one issue of Mad was published without containing new material by Jaffee.
In 2008, Jaffee was honored by the Reuben Awards as the Cartoonist of the Year. Cartoonist Arnold Roth of The New Yorker said, "Al Jaffee is one of the great cartoonists of our time." Peanuts creator Charles M. Schulz wrote, "Al can cartoon anything."
Al Jaffee was born March 13, 1921, in Savannah, Georgia, to Mildred and Morris Jaffee, the eldest of four sons. His parents were Jewish immigrants from Zarasai, Lithuania. His mother was described as devoutly religious, to the point she had the crucifixes removed from the hospital room before giving birth.
In 1927, Mildred took her four sons, with Morris's consent, back to Zarasai. After a year, Morris took the family back to the United States. After another year, Mildred took the children back to Lithuania, where they lived in a shtetl. With reading material scarce in his new home, Morris mailed comic-strip clippings from the United States. Jaffee became known for his ability to trace figures like Little Orphan Annie in the sand, for the amusement of his friends as well as the local bullies. After four more years, Morris again took the eldest three sons back to the United States, where they lived in Far Rockaway, Queens. David, Jaffee's youngest brother, returned to U.S. in 1940, months before much of Zarasai's Jewish population was murdered in the Holocaust, including, apparently, Mildred herself.
Jaffee studied at the High School of Music & Art in New York City in the late 1930s, along with his brother Harry and future Mad personnel Will Elder, Harvey Kurtzman, John Severin, and Al Feldstein.
While Morris's perseverance probably saved his sons' lives, he later showed increasingly erratic behavior himself, thereby missing his son's high school graduation, and inexplicably discarding all his belongings and art projects once he left for the Army.
These experiences of perpetual absurdity and repeated alienation were later credited by his friends and wife as having sharpened his satirical edge, making him recognize that authority figures in his life could be oppressive and absurd (something he called "anti-adultism"), and quick to find nuances others miss, especially in the semantics of the English language.
Jaffee began his career in 1942, working as a comic book artist for several publications, including Joker Comics, in which he was first published in December 1942, and continuing in other comics published by Timely Comics and Atlas Comics, the 1940s and 1950s precursors of Marvel Comics. While working alongside future Mad cartoonist Dave Berg, Jaffee created several humor features for Timely, including "Inferior Man" and "Ziggy Pig and Silly Seal".
Jaffee originally considered himself strictly an artist until he was disabused of the notion by editors and art directors who were reviewing his portfolio. "When prospective clients laughed and asked 'Who wrote the gag?' my response was 'I did, sir.' Which was very confusing since I didn't realize any writing had taken place. I mean, writers used typewriters, smoked pipes, wore scarves, right? When enough of them said, 'Oh, then you're a writer too,' I took their word for it. Who was I to argue with prospective employers?"
Jaffee served in the U.S. Army during World War II, where he worked as an artist for the military in various capabilities. His work included the original floor plan for the Rusk Institute of Rehabilitation Medicine. During this time, he took advantage of the military's free name change service, first to "Alvin Jaffe" by mistake, then to "Allan Jaffee". While working at the Pentagon, he met Ruth Ahlquist, whom he married in 1945.
In 1946, Jaffee returned to civilian life, working for Stan Lee. For approximately a year and a half in the late 1940s, Jaffee was editing Timely's humor and teenage comics, including the Patsy Walker line.
Jaffee recalled in a 2004 interview:
I created Ziggy Pig and Silly Seal from scratch. [editor-in-chief] Stan [Lee] said to me, "Create an animated-type character. Something different, something new." I searched around and thought, "I've never seen anyone do anything about a seal," so I made him the lead character. So I created "Silly Seal". One day, Stan said to me, "Why don't you give him a little friend of some sort?" I had already created Ziggy Pig, who had his own little feature, so it was quite easy to combine them into one series. I said, "How about Ziggy Pig?" Stan said, "Okay!" I should add that, while I created Ziggy Pig, it was Stan who named him.
From 1957 to 1963, Jaffee drew the elongated Tall Tales panel for the New York Herald Tribune, which was syndicated to over 100 newspapers. Jaffee credited its middling success with a pantomime format that was easy to sell abroad, but his higher-ups were unsatisfied with the strip's status: "The head of the syndicate, who was a certifiable idiot, said the reason it was not selling [better] is we gotta put words in it. So, they made me put words in it. Immediately lost 28 foreign papers." A collection of Jaffee's Tall Tales strips was published in 2008. Jaffee also scripted the short-lived strips Debbie Deere and Jason in the late 1960s and early 1970s. Since 1984, Jaffee has provided illustrations for "The Shpy", a lighthearted Jewish-themed adventure feature in Tzivos Hashem's bimonthly children's publication The Moshiach Times.
Jaffee first appeared in Mad in 1955, one issue after its transformation from comic book format to magazine. When editor Harvey Kurtzman left in a dispute three issues later, Jaffee went with Kurtzman. Jaffee contributed to Kurtzman's first two post-Mad publishing efforts, Trump and the creator-owned Humbug, though both were much less successful than Mad. In 2008, the first full reprint of Humbug was published as a two-volume set by Fantagraphics; the set includes a newly commissioned cover illustration by Jaffee, and a co-interview with Jaffee and Arnold Roth.
After Humbug folded in 1958, Jaffee brought his unpublished material to Mad, which bought the work. "Bill Gaines took out every Trump and Humbug," remembered Jaffee, "called me into his office, sat me down on the couch next to him, and went over every issue and said "Which is yours?" And as he came to each one, when he saw my stuff, he OK'd to hire me."